Hi Simon,
I never really checked out this structure
<<
{ music }
{ yet more music }
>>
Awesome, I didn't know it worked that way! And I've noticed another
advantage of your approach: although hidden, the notes in the \new Voice
construct still reserve their own space and thus place the bow command
next to the non-hidden note. yours is right on top of it.
Best,
Rob
Am 27/08/15 um 20:06 schrieb Simon Albrecht:
> Hello Robert and Paul,
>
> Am 27.08.2015 um 17:44 schrieb Robert Schmaus:
>>
>>> Note the use of ‘s’, a spacer rest, which is semantically more
>>> correct than \hide c''.
>> I used the hidden note to place the bowing sign in the correct height.
>> I'm not sure if s\upbow looks good if you overlay that with c'''' ...
>>
>> Try
>> <<
>> { c'''' c''''}
>> \new Voice { s\upbow \hide c''''\downbow}
>>
> You’re right, of course. My mistake, since I forgot to delete the \new
> Voice – actually, it should be within one voice:
>
> {
> c''2.\downbow ~
> <<
> { c''2. }
> { s4. s\upbow }
> >>
> }
>
> and then it’s even necessary not to have hidden notes:
> <http://lilybin.com/n6fwdk/2>.
>
> Yours, Simon
_______________________________________________
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
