Many Thanks!
I am delighted about the unbelievable possibilties of lilypond due to
the contributions of lilypond users. Obviously one of Graham Breed's
interest is microtonality. Great, I just found "Harmonielehre des
diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und
Zwölftel-Tonsystems" by Alois Hába. The extended possibilties of
lilypond will help me to explore absolutely new musicalfields (new at
lest for me) ...
As I just mentioned, I am sure to need some time to study and digest all
the extended informations.
Many thanks again! Great help!
Regards
On 10.08.2015 15:48, Hans Åberg wrote:
On 10 Aug 2015, at 15:32, BB <bb-543...@telecolumbus.net> wrote:
On 10.08.2015 15:04, Hans Åberg wrote:
The most advanced solution so far is to use SMuFL <http://www.smufl.org>
together with OpenLilyLib and Graham Breed’s regular.ly, which gives any ET.
Tanks for this suggestion as well. The layout looks quite nice!
I am just a hobbyist and have not heard from SMufl heretofore. I found
http://lilypondblog.org/2014/01/smufl-fonts-in-lilypond/
for my first imformation.
I am shure to need some time to study and digest the use of this SMufl lilypond
extension.
I tried it with the Bravura font on OS X, where it sufficed to install it as a
system font, and keep the openlilylib files in the same directory.
I argue that SMufl will not overcome problems of quarter notes with midi and
tabs.
This is what Graham Breed’s regular.ly does. For example, E53 is used with the
description of Turkish music. The file makam.ly will not transpose correctly,
but this will.
For ET multiples of 12, LilyPond can do it without this file.
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