@David : hey, thanks, that was a quick fix :-). @Michael: I tried this but on the chordnames, not on the notes, foolish me... :-)
grtz, Bart http://www.bartart3d.be/ On Twitter <https://twitter.com/#%21/Bart_Issimo> On Identi.ca <http://identi.ca/bartart3d> On Google+ <https://plus.google.com/u/0/b/116379400376517483499/> 2015-08-03 11:35 GMT+02:00 Michael Hendry <hendry.mich...@gmail.com>: > > > On 3 Aug 2015, at 10:16, David Kastrup <d...@gnu.org> wrote: > > > > bart deruyter <bart.deruy...@gmail.com> writes: > > > >> Hi all, > >> > >> I got stuck here in a transcription of a folk tune. I'd like to show a > >> possible alternative for a chord e.g.: > >> C(Gm7). It's written like this in the orignal, but I'm not sure if > that's > >> the correct way to describe a possible alternative for a chord, or how > to > >> achieve it. > >> > >> if anyone has an idea... > > > > \chords { c4 g \once \override ChordName.text = "C(Gm7)" c g } > > > > Works as of version 2.19.9 (issue 3966) in connection with detecting > > chord changes, but the original implementation is in 2.17.2 > > (issue 2813). Most uses will likely work as expected even then. > > > > -- > > David Kastrup > > _______________________________________________ > > You could also use > > ^\markup “(gm7)” > > After the first note in the relevant bar of the melody, which puts this > and any other alternative chords at a different level above the stave from > the original chords. > > Michael > > >
_______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
