Thank you and the other contributors very much,

 1.with set-global-staff-size 16 only one page
 2.the \tempo solved the other problem
 3.however,  halign  #0.5 does not make the proper horizontal orientation,
the four entries sopran , alto, tenor and bass are not vertically aligned.

Any idea?

Kind regards 
Bernhard

-----Ursprüngliche Nachricht-----
Von: lilypond-user-bounces+bernhard.kleine=gmx....@gnu.org
[mailto:lilypond-user-bounces+bernhard.kleine=gmx....@gnu.org] Im Auftrag
von Rutger Hofman
Gesendet: Donnerstag, 21. Mai 2015 12:59
An: lilypond-user@gnu.org
Betreff: Re: Fine tuning

On 05/21/2015 12:15 PM, Dr. Bernhard Kleine wrote:
[snip]
> 1.The piece should fit to one page.

Use a smaller point size: #(set-global-staff-size 17) for example. As a
last resort, the number of pages can be forced in the paper block:
\paper {
page-count = #1
}

> 2.The markups Ruhig should be on Top of Sanctus

Use \tempo\markup{Ruhig}

> 3.The voisce nominator Ten. and Bass in Number 4 should be in front
> of the notes and texts, same in 8.

You might try \markup\right-align{Ten.}, or play with \halign -- see
http://lilypond.org/doc/v2.19/Documentation/notation/formatting-text#text-al
ignment

Good luck,

Rutger


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\version "2.19.5"
\language "deutsch"
 #(set-global-staff-size 16) 
\header {
  title = "Messe in C"
  subtitle = "für Chor und Orgel"
  composer = "Anton Bruckner"
  arranger = "bearb. v. Jos. Messner"
  piece = "Sanctus"
  tagline = \markup {
    Gesetzt durch Bernhard Kleine mit 
    \line { LilyPond \simple #(lilypond-version) (http://lilypond.org/) }
  }
}

global = {
  \key c \major
  \time 4/4
}

soprano = \relative c'' {
  \global
  \dynamicUp
  % Die Noten folgen hier.
 \tempo\markup { Ruhig } e2\p e2| d (e) | d h2\rest | f'^\markup {\halign #0.5 Ten. } e~\> | e4\! e2\< ( d4 |
  c2\! d)\> | e\! h\rest | h4.^\markup {\halign #0.5 Sopr.} h8 h2 | a\< h\! | a2.\> a4  |
  gis1\fermata | gis2^-\!\f gis4^- gis^- | a2^- a4 \breathe a | a2 (gis2) |
  \override BreathingSign.text = \markup {
    \musicglyph #"scripts.caesura.straight"
  } a \breathe a~\ff |
  a g4 f | e2 (d) |e4 \breathe e\p e e | f2 <<g {s4 s4^\markup {\italic rit.} } >> | f2\pp\> e\! \bar"|."


}

sopranoTwo = \relative c'' {
  \global
  \dynamicUp \shiftOff
  \stemUp c2 c2| h (c) | h s2| \stemDown \dynamicDown d2\p \tieDown c~ |c4 \slurDown c2 (h4|
  a2 h) | c2 s2
}
alto = \relative c' {
  \global
  % Die Noten folgen hier.
  c2 ( e4) f| g2 (e4 c) \shiftOff g2 s2|
  s1*4 |
  h4._\markup {\halign #0.5 Alt} e8 gis2 | e2 e | e2. e4 |
  e1 | e2 e4 e4 |e2 e4  e4| e1 | e2 f2~ | f c4 c | c2 (h) | d4 c c c | c2 c2 | c2 c

}

altoTwo = \relative c' {
  \global \shiftOff
  % Die Noten folgen hier.
  g'2 \shiftOn g2| g1| \shiftOff g2
}

tenor = \relative c' {
  \global \dynamicUp
  % Die Noten folgen hier.
  d,1\rest | d1\rest |d1\rest | g1| g2 gis( |
  a2. g!8 f) | g2 d2\rest | gis4.^\markup {\halign #0.5 Tenor} gis8 h2| c2 h | c2. c4 |
  h1\fermata | h2 h4 h | c2 a4 \breathe c | h1 | c2 c~|
  c h!4 a| g2~ g | g4 \breathe g\< c\! b | a2 g | a g |
}

tenorTwo =  \relative c' {
  \global \dynamicUp

}
bass = \relative c {
  \global
  % Die Noten folgen hier.
  s1 s1 s1 h2_\markup {\halign #0.5 Bass}( << c4 { s8 s8\>} >> d4)| e2\! e\< ( |
  <<f2.{s4 s4\! s4 }>> e8\> d) | c2\! s2 | e4._\markup {\halign #0.5 Bass} e8 e2| a\< gis\! |a2.\> a4 |
  << e1 {s2. s8 s8\!} e,1>> | e'2\f e4 e | e2 << e4 c4>> <<e a,>> | <<e'1 e,>> |
  \override BreathingSign.text = \markup {
    \musicglyph #"scripts.caesura.straight"
  }  <e' a,>2 \breathe  f~\ff|
  f2 f4 f4 | g2  g,| c4 c\p c c | f2 d |f\pp\>  c\!|
}

bassTwo =  \relative c' {
  \global
}
verse = \lyricmode {
  % Liedtext folgt hier.

}

verseSoprano = \lyricmode {
  San -- ctus,  San -- ctus,
  San -- ctus,  San -- ctus,
  
}

verseAlto = \lyricmode {
San -- ctus,  San -- ctus,
  Do -- mi -- nus De  -- us Sa -- ba -- oth.
  Ple -- ni sunt coe -- li et ter -- ra glo -- ri -- a tu -- a.
  ho -- san -- na in ex -- cel -- sis
}

verseTenor = \lyricmode {
  San -- ctus,  San -- ctus
}

verseBasso = \lyricmode {
  San -- ctus,  San -- ctus
}


rightOne = \relative c'' {
  \global
  \shiftOnn
  % Die Noten folgen hier.
  h1\rest | h1\rest |h4\rest g,4\pp( h4 d8 e |f2 e4) h'4\rest | h1\rest
  h1\rest | h4\rest c,4 ( e\< g8 a\! | h2) h4\rest gis4 | < a c, >2  h | a4( c e4. fis8) |
  gis1\fermata | h,4\rest e,8\f( gis h4. e8) | h4\rest a8( c e4. a8) | h,4\rest h,8(e gis h e4) |
  \override BreathingSign.text = \markup {
    \musicglyph #"scripts.caesura.straight"
  }  h2\rest  \breathe a4 ( c|
  f2 c4 a) | g8( a h c d2 | c4) \breathe g ( c b | a f c) g'^\markup { \italic rit.} a8 f a h! c2
}


rightTwo = \relative c' {
  \global
  \shiftOnn \stemDown
  s1|s1|s2 h4 h4| d2 c4 s4 s1|s1 s4 g2 ( c4| e2) s4 e8\mf d8 | s2 e2 | e a |
  gis1 | s1 | s1| s1| s2 f2 | a g4 f4 | e2 g4 f4 | e r\p h2\rest | s2. c4~ (| c f e2) |
}

leftOne = \relative c' {
  \global
  \dynamicUp% Die Noten folgen hier.
  s1*2 | d,4\rest g2.~ | g2~ g4 d4\rest |d1\rest |
  d1\rest d4\rest e2.( |gis2) d4\rest h'4 a2 gis4 fis8 gis8 | c2 c2|
  h1\fermata | d,4\rest \stemDown e8( gis h4. e8) | h4\rest a8( c e4. a8) | h,4\rest h,8(e gis h e4)

  \override BreathingSign.text = \markup {
    \musicglyph #"scripts.caesura.straight"
  }  d,2\rest  \breathe  \stemUp c'4\ff a | c1 | c2 h c4 \breathe d,4\rest d2\rest | d2\rest d4\rest s4 s1|


}

leftTwo = \relative c {
  \global
  d1\rest d1\rest d4\rest g2. ( | h,2 c4) s4| s1 |
  s1| \break
  s4 c2. ( |e,2 ) s4 e4 | a, c e fis8 gis8| a2 a|
  e1 s1 s1 s1 | s2 f'2| f1 | g2 g | <g c,>4 s4 s2 | s2 s4 <b e, c>4( |< a f>2 <g c,>2)|
}
leftThree = \relative c {
  \global \stemUp  \slurDown \shiftOff
  s1*6 s4 c2. (| h2)
}

choirPart = \new ChoirStaff <<
  \new Staff = "Frauen" \with {
    midiInstrument = "choir aahs"
    instrumentName = \markup \center-column { "Sopran" "Alt" }
  } <<
    \new Voice = "soprano"    { \voiceOne \soprano }
    \new Voice = "alto"       { \voiceTwo \alto }
    \new Voice = "sopranoTwo" { \voiceThree \sopranoTwo}
    \new Voice = "altoTwo"    { \voiceFour \altoTwo }
  >>
  \new Lyrics \with {
    alignAboveContext = "Frauen"
  } \lyricsto "soprano" \verseSoprano

  \new Lyrics \with {
    \override VerticalAxisGroup.staff-affinity = #CENTER
  } \lyricsto "alto" \verseAlto
 
  \new Staff = "Maenner" \with {
    midiInstrument = "choir aahs"
    instrumentName = \markup \center-column { "Tenor" "Bass" }
  } <<
    \clef bass
    \new Voice = "tenor"    { \voiceOne \tenor }
    \new Voice = "bass"     { \voiceTwo \bass }
    \new Voice = "tenorTwo" { \voiceThree \tenorTwo }
    \new Voice = "bassTwo"  { \voiceFour \bassTwo }

  >>
  \new Lyrics \with {
    alignAboveContext = "Maenner"
  } \lyricsto "tenor" \verseTenor

  \new Lyrics \with { }
  \lyricsto "bass" \verseBasso

>>

organPart = \new PianoStaff \with {
  instrumentName = "Orgel"
} 

<<
  \new Staff = "right" \with {
    midiInstrument = "church organ"
  } << \rightOne \\ \rightTwo >>

  \new Staff = "left" \with {
    midiInstrument = "church organ"
  } { \clef bass << \leftOne \\ \leftTwo \\ \leftThree >> }
>>

\score {
  \header {
    piece = "Sanctus"
  }

<<
  \choirPart
  \organPart
>>
\layout {
  \context {
    \PianoStaff
    \consists #Span_stem_engraver
  }
}
\midi {
  \tempo 4=100
}
}
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