The order can be customized simply by settting a property, there's no need to mess up the rhythm with short skips:
\score{\notes\relative c'{
\override Score.BreakAlignment #'break-align-orders = ##(; end-of-line:
(instrument-name left-edge ambitus breathing-sign
clef staff-bar key-signature
time-signature custos)
; unbroken
(instrument-name left-edge ambitus breathing-sign
staff-bar clef key-signature
staff
time-signature custos)
; begin of line
(instrument-name left-edge ambitus breathing-sign
clef key-signature staff-bar
time-signature custos)
)
c4 c c c | \once \override Staff.Clef #'non-default = ##t \clef "alto" c c c c |
}
}
As you can see, the list gets very long since the settings are different at line ends, line starts and in the middle of the line. If you just want to do the setting once using \once in a score, you can save some lines by using the trick in input/regression/ambitus.ly.
/Mats
Erik Sandberg wrote:
On Tuesday 27 July 2004 22.28, Thorkil Wolvendans wrote:
Hi everyone!
At a certain point in a composition, I try to make a new clef appear after the barline instead of before, without a positive result. Is it possible in Lily to achieve this? I searched the docs, but couldn't find an answer.
The easiest way is probably to cheat, by inserting a very short skip before the clef. Instead of
c4 c c c | \clef "alto" c c c c | do c4 c c c | \skip 16 \clef "alto" c4*3/4 c4 c c |
Erik
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