On Tuesday 07 October 2003 05:31 pm, Maarten Boasson wrote:
> I am newcomer to Lilypond, and I like what I see - which to date is
> only very little.
> Almost immediately I ran into a problem: artificial harmonics (cello
> music; the problem is the same for all string instruments, of
> course).
The problem is, but not the solutions.
Wouldn't it be far easier to dedicate a different voice to harmonics?
> ---
> \score {
> \notes
> \new Staff { << { \property Voice.NoteHead \set #'style =
> #'harmonic g'} \\ {c'4} >> }
> }
>
> Note very obvious, nor short to type, but this is the idea
> ---
> This indeed works. But, I don't think the solution is worthy of
> Lilypond: the noteheads are really just a little too small and the
> entry is much more cumbersome than necessary, I would think.
> For an example, see the attached extract from S. Saens' 3rd violin
> concerto: it is clear that the diamond-shaped heads actually cross
> the staff lines when the note is between the lines!
>
> My desire would be to have a syntax like the following (but not
> necessarily this; anything else that fits better with the Lilypond
> style is fine, of course):
>
> c\ah for artificial harmonics, in which case Lilypond would
> automatically create the two noteheads that represent this in printed
> music: the lower, regular note at the pitch specified, and an open,
> diamond shaped one a fourth above it (see attached); for the very
> rare case that a different interval is used,
Not rare at all. Thanks for the code. daveA
--
Br`er Fox told Br`er Rabbit that the Tar Baby had dissed him, and Fox
made a
dummy out of tar and put him in Rabbit's path. When the Tar Baby
failed to
return a civil greeting, Rabbit punched him with a right, a left, both
feet and
butted him with his forehead. Along came Br`er Fox who saw that he was
thoroughly "stuck up". Br`er Fox is much smarter than Br`er Rabbit,
and in
spite of all Rabbit's pleas for help, no one is going to unstick him
and throw
him in the briar patch, so now Br`er Fox is liesurely eating Rabbit's
liver.
D. Raleigh Arnold dra@ http://www.openguitar.com [EMAIL PROTECTED]
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