Hi Aaron I'm not sure you'll find them convenient, as it's 100% scheme, but nerver mind. I have worked a bit on my scheme utilities for generating marks.
http://nicolas.sceaux.free.fr/lilypond/scheme-hacks.html explains what to do to use them your own scores. Here is a commented example: ------------------------ marks-example.ly ------------------------ % the following lines aim at loading the relevant guile libraries #((use-modules (ice-9 optargs) (lilypond utils) (lilypond markups) ((lilypond music) :renamer (symbol-prefix-proc 'mus:)) (lilypond marks)) % here we define where marks appears in the scores % % that block means, approximatively: % s1 \segno s1*2 \fine s1*3 \dalsegno % % (segno #:up 2 3 #:down -2 -3) means % that the segno mark will have a (2 . 3) offset in the % up context, and a (-2 . -3) offset in the down context. % all these arguments are optional. #(def-marks (#:down marksDown #:up marksUp) (skip 0 0 1 1) (segno #:up 2 3 #:down -2 -3) (skip 0 0 2 1) (fine #:down 0 -2) (skip 0 0 3 1) (dalsegno #:down -1 -2)) % two contexts have been created: marksDown and marksUp. % They can be used in the \score block \score { \context StaffGroup < \context Staff = violino < \marksUp \context Voice = mesnotes { \notes \relative c'' { \clef treble c4 c c c | c4 c c c | c4 c c c | c4 c c c | c4 c c c | c4 c c c | } } > \context Staff = bassi < \marksDown \context Voice = bass { \notes { \clef bass c4 c c c | c4 c c c | c4 c c c | c4 c c c | c4 c c c | c4 c c c | } } > > \paper{ \translator{ \ScoreContext \remove "Mark_engraver" } \translator{ \VoiceContext \consists "Mark_engraver" } } } ------------------------------------------------------------------ http://nicolas.sceaux.free.fr/lilypond/marks.html#examples Other marks can be defined and used in a `def-marks' block, thanks to the `def-signs' and `def-style' utilities. ns _______________________________________________ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
