On Sun, 2003-08-03 at 18:18, David Raleigh Arnold wrote: > On Sunday 03 August 2003 02:06 am, arie-lily wrote: > > Thanks, in the mean time indeed I found out that working with two > > voices is the solution. If I'd known that someone would bother after > > all this time to answer my question, I'd have warned that I found the > > solution. Thanks :) > > Everybody has to find time...
Yes of course, this was in no way meant as a 'complaint' rather than as an expression of surprise. > You will probably find it better to use an extra "global" or > "utility" voice, for putting in your bars, key sigs., etc., > and also for the occasional invisible part, for example to > attach markups where it is not convenient to have them attached > to actual notes. You need four voices, *minimum*, to typeset three > parts on one staff with lilypond. > > If your piece is complicated, in spite of having only two parts, > you might use sly and make two versions of your .ly file, one > of which sets your piece on three staves. If you put scripts > in your local directory like ./up1 and ./up3, you can bring up > either or both versions from the same notes without modification. Well, this comment is really going over the top of my head. utility voice? invisible part? why four voices? etc... :) arie > http://www.openguitar.com > > DaveA -- The biggest losers of all are the winners of an unjust war. Bush lied. Thousands died. Only the winning part is over. _______________________________________________ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
