>> GP> What version are you using? I just tested it on a CVS version from 1.7.20, >> GP> and it worked. The grace notes appear at the beginning of the next bar, >> GP> instead of at the end of their proper bar, but it _does_ compile. >> >> On the current stable version, it did not compile. But from what >> you're telling me, the result in 1.7.20 isn't much better anyway. I'm >> going crazy about not being able to put graces at the end of bars, >> because I'm copying a lot of 18th century music, where it is sooo very >> recurrent, that it's a pain in my round one.
HWN> Do you have some scans for me? I've never seen graces at the end of HWN> bars, save for the graces following a trill. HWN> Getting grace notes right in various combinations is a lot of work, so HWN> I don't really want to add \aftergrace as well, unless it is really HWN> necessary. Here (do you mind if this is a facsimile?): * http://tinyurl.com/dzmu/duphly.jpg The bass is a typical Alberti type bass, very common at the period (18th century), which coincides with the apparitions and growing popularity of the piano-forte. Using two graces after white, is a very, very common effect. Of course, that is not the only use of graces at the end of a measure, but it is most accessible one, as I had the scans on my hard drive. **** Two other cases were graces are problematic are in the two excerpts below: * http://tinyurl.com/dzmu/duphly2.jpg In this one, I have a hard time believing the long unmeasured end phrase would look good in Lilypond at all. * http://tinyurl.com/dzmu/duphly3.jpg It is simply impossible to reproduce the second bass measure, in the bass part, without using a dirty hack with font size changes. **** Jeremy _______________________________________________ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
