I have been making a lot of questions lately, let's see if I can provide
some anwers.
One way to do in the score context when you have a few bars with two or more
voices you do is ( I am using Spanish note names, but I think they are very
similar in French)
\score {
\context PianoStaff
\notes
< \context Staff = derecha {
\time 9/8
\clef violin
\key sol \major
\relative do' {
do re mi re do si la-2 si sol-1
< \context Voice = VA { \voiceOne si'2.^1^#'(finger"4-3") do4. re2. re4.
do2. si4. }
\context Voice = VB { \voiceTwo sol2.\mf sol4. la4. sol4. fas4. sol4. la4.
sol4. }
>
do re mi re do si la-2 si sol-1
And so on.
I hope this helps.
----- Original Message -----
From: "Laurent Duperval" <[EMAIL PROTECTED]>
To: "LilyPond Users List" <[EMAIL PROTECTED]>
Sent: Saturday, August 17, 2002 6:46 PM
Subject: Question about voices
> Hi,
>
> I'm trying to compose a score with two voices on one staff. I like to
> separate my source file to put a comment each time I start a new staff
> line (I don't know the correct term -- I just listen to music, I don't
> really understand it). Any way, it worked fine with other scores but not
> with this one, with multiple voices. I'm attaching it here in hoes to
> have ananswet to these two questions:
>
> - How can I separate the source so that it's easy to see each section of
> the input. Since I'm transcribing this from existing sheet music, I
> like to put each measure on a separate line and put comments between
> staffs. Works well with one voice but not two.
>
> - Why do I have a second empty staff show up?
>
> Thanks,
>
> L
>
> --
> Laurent Duperval <mailto:[EMAIL PROTECTED]>
>
> Murphy's Laws for Frequent Flyers
> 10. The less carry-on luggage space available on an aircraft, the more
> carry-on luggage passengers will bring aboard.
> -
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