Yeah it's probably just a F clef in a different position, and drawn by either the composer or a transcriber, sometimes when music is not printed but copied the clefs can look kinda weird, I agree with Laura that it's probably a C clef, but it depends where it's located on the staff, it being a bassa continue, could just keep it F though. check the harmony, to see if it acts like a 'contemporary' bass line.
Jule ps. looking forwards to seeing the results of those pieces... Laura Conrad wrote: >>>>>>"Erik" == Erik Sandberg <[EMAIL PROTECTED]> writes: >>>>> > > Erik> Hi, > Erik> I am typesetting some Italian instrumental works from around the 1750s, >and > Erik> found something that looks and behaves like a clef, but I have never seen > Erik> anything like it before and it is not in Lilypond's set of glyphs. Does > Erik> anyone have a clue about what it could be? > > Probably a C clef. I have a French sonata from the early 18th century > that I always have to warn my continuo player about because the C clef > comes in on the second line, with a note right after it, so even > someone who knew the print style would assume it was an F#. > > -- Jule Slootbeek [EMAIL PROTECTED] http://blindtheory.cjb.net _______________________________________________ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
