> i'm trying to match the bach-gesellschaft edition here:
>
> http://jeffcovey.net/music/scores/bach/inventions/06/
>
> , and it has one fermata above and one below the final barline. i
> found directions in the faq to move the fermata over the barline, but
> doing the same thing in the bottom part doesn't put one under it.
> what should i do?
Adding a fermata below the score line is simple, just use
scripts-dfermata instead of scripts-ufermata and set
\property Score.RehearsalMark \override #'direction = #-1
The problem is that you want two simultaneous \marks with
different property settings. If you have only a single
staff line, I don't see any solution. However, since you
have two separate staves in the score, you could move the
Mark_engraver from the Score context to the Staff contexts.
I modified your file to include such a solution, see the
attachment.
However, I'd really like to see a solution where we could
typeset also two rehearsal marks above and below a single
staff line. Maybe even with a convenient syntax like
\mark ^"Text above" \mark _"Text below".
/Mats
\header {
mydate =
"Time-stamp: \"bach-invention-06.ly was last updated on Mon, 7 Jan 2002 08:27pm\""
filename = "bach-invention-06.ly"
title = "Invention 6"
composer = "J. S. Bach (1685-1750)"
opus = "BWV 777"
mutopiatitle = "Invention 6"
mutopiacomposer = "J. S. Bach (1685-1750)"
mutopiaopus = "BWV 777"
mutopiainstrument = "Harpsichord, Piano"
source = "Bach-Gesellschaft"
style = "Baroque"
copyright = "Public Domain"
maintainer = "jeff covey"
maintainerEmail = "[EMAIL PROTECTED]"
maintainerWeb = "http://pobox.com/~jeff.covey/";
lastupdated = "2002/01/07"
}
\version "1.3.148"
global = \notes { \key e \major \time 3/8 }
voiceOne =
\notes \relative c'' {
\repeat volta 2 {
r16 [e8 dis d16] ~ [d cis8 b a16] ~
[a16 gis8 fis gis32 a] [gis16 b32 a b16 gis32 fis gis16 e32 dis]
% 5
[e8 fis gis] [a b cis] [dis e16 dis cis b] [e8 e,] r
% 9
r16 [gis'8 e cis16] ~ [cis e32 dis e16 cis ais fis] ~
[fis fis'8 dis b16] ~ [b dis32 cis dis16 b gis e] ~
[e16 e'8 cis ais16] ~ [ais gis'8 fis e16] ~ [e dis8 cis b16]
% 16
[ais16 e32 dis e16 ais32 gis ais16 b32 ais]
[b16 dis, cis dis' cis, ais']
b8 r16 [b dis fis]
b8 r16 [b fis dis]
[b fis dis b] r8
}
\repeat volta 2 {
% 21
[b8 cis dis] [e fis gis] [ais b16 ais gis fis] [b8 b,] r
r16 [b''8 ais a16] ~ [a gis8 fis e16] ~ [e dis8 cis dis32 e]
[dis16 fis32 e fis16 dis32 cis dis16 b32 ais]
% 29
[b16 dis32 cis dis16 gis32 fisis gis16 cis,32 b ]
[cis16 e32 dis e16 ais32 gis ais16 dis,32 cis ]
[dis16 gis32 fisis gis16 b32 ais b16 dis,32 cisis]
[dis16 ais'32 gis ais16 fisis32 eis fisis16 dis32 cisis]
% 33
[dis16 a'!8 gis fis16] ~ [fis e32 dis e16 cis32 bis cis16 e32 dis]
[e16 gis8 fis e16] ~ [e dis32 cis dis16 b32 ais b16 cis32 b ]
[cis16 e8 dis cis16] ~ [cis b32 ais b16 gis32 fisis gis16 a32 gis]
% 39
[a16 cis32 b cis16 a32 gis a16 e'32 dis]
[e16 fisis,32 eis fisis16 ais32 gis ais16 b,32 ais]
[b16 gis' e cis ais fisis'] [gis dis b gis] r8
% 43
[e'8 fis gis] [a b cis] [dis! e16 dis cis b] [e8. b32 a b16 gis32 fis]
[gis16 e'8 dis d16] ~ [d cis8 b a16] ~ [a gis8 fis gis32 a]
[gis16 b32 a b16 gis32 fis gis16 e32 dis]
% 50
[e8 fis a] [b dis fis] [dis, e gis] [a cis e]
[cis, fis a] [b cis dis] [e cis a]
% 57
fis'4. ~ [fis16 e dis cis b a]
[gis16 e32 dis e16 gis32 fis gis16 b32 a ]
[b16 gis32 fis gis16 b32 a b16 e32 dis]
[e16 b gis e] r8
\property Score.RehearsalMark \override #'visibility-lambda =
#begin-of-line-invisible
\mark #'(music "scripts-ufermata")
}
}
voiceTwo =
\notes \relative c {
\clef "bass"
\repeat volta 2 {
[e8 fis gis] [a b cis] [dis! e16 dis cis b] [e8 e,] r
% 5
r16 [e8 dis d16] ~ [d cis8 b a16] ~
[a16 gis8 fis gis32 a] [gis16 b32 a b16 gis32 fis gis16 e32 dis]
% 9
[e8 cis' e] [fis ais cis] [dis,, b' dis] [e gis b]
[cis,, cis' e] [fis gis ais] [b e, gis]
% 16
[fis16 cis' ais cis e, cis'] [dis,8 e fis]
[b,16 b'32 ais b16 fis32 e fis16 dis32 cis]
[dis16 fis32 e fis16 dis32 cis dis16 b32 ais]
b4 b,8
}
\repeat volta 2 {
% 21
r16 [b''8 ais a16] ~ [a gis8 fis e16] ~ [e dis8 cis dis32 e]
[dis16 fis32 e fis16 dis32 cis dis16 b32 ais]
[b8 cis dis] [e fis gis] [ais b16 ais gis fis] [b8 b,] r
% 29
[gis' b dis] [fisis, ais dis] [gis, b dis] [dis, dis' cis]
[bis cis dis] [gis, cis b!] [ais b cis] [fis, b dis ]
[fisis, gis! ais] [dis, gis b ] cis, r cis' ~ [cis ais fisis]
[gis cis, dis] gis, r16 [gis gis' fis] ~
% 43
[fis16 e8 dis d16] ~ [d cis8 b a16] ~ [a gis8 fis gis32 a]
[gis16 b32 a b16 gis32 fis gis16 e32 dis]
% 47
[e8 fis gis] [a b cis] [dis! e16 dis cis b] [e8. b'32 a b16 gis32 fis]
% 51
[gis16 cis8 a fis16] ~ [fis a32 gis a16 fis dis b] ~
[b b'8 gis e16] ~ [e gis32 fis gis16 e cis a] ~
[a16 a'8 fis dis16] ~ [dis cis'8 b a16] ~ [a gis8 fis e16]
% 57
[dis16 a'32 gis a16 dis,32 cis dis16 gis32 fis] [gis8 a b]
e, r16 [e' b gis] [e b' gis e b gis] e4 e'8
\property Staff.RehearsalMark \override #'direction = #-1
\mark #'(music "scripts-dfermata")
}
}
\score {
\notes \context GrandStaff <
\context Staff = one <
\voiceOne
\global
>
\context Staff = two <
\voiceTwo
\global
>
>
\paper{
\translator{\ScoreContext
\remove "Mark_engraver"
}
\translator{\StaffContext
\consists "Mark_engraver"
}
}
\midi { \tempo 8 = 80 }
}
% EOF
