Hi Harm,
Am 14.04.2017 um 11:18 schrieb Thomas Morley:
2017-04-14 9:13 GMT+02:00 Jan-Peter Voigt <jp.vo...@gmx.de>:
Am 13.04.2017 um 22:01 schrieb David Kastrup:
Jan-Peter Voigt <jp.vo...@gmx.de> writes:
...
Do I have to consist some special engraver to the layout used in
run-translator? Or do I have to look for something else?
You should scorify the music expression: a number of stock
transformations including voicification are done when doing that.
Thank you!
That was the missing piece.
Jan-Peter
Hi Jan-Peter,
I never used ly:run-translator myself.
May I ask for a more meaningful code-example? Currently I've no clue
what it's all about.
Thanks,
Harm
I am working on code, I am going share, when its readable ... and when
easter vacation is over ;-)
The interesting part in using ly:run-translator is that you can let
(scheme-)engravers work on your music without actually engraving it.
Technically this seems to be used for preparing quoted music and other
stuff, when there is a message "interpreting music" (more than once).
Right now I am collecting music by catching note- and rest-events and
store it by time and voice in a hierarchical manner. That way I can
serialize the collected music as lilypond strings and reuse music,
collected by quoting individual instruments, in a piano part. The result
has to be adapted in several ways, but at least, I have the right notes
in place.
And there is another more important use case I will present later, when
its in a presentable stage.
Jan-Peter
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