On Tue, Jun 24, 2014 at 4:06 AM, Werner LEMBERG <w...@gnu.org> wrote: > I fully understand what you say, and similar symbols are used for > singers, too, however, I think this somehow contradicts what lilypond > is intended to do: engraving well-formatted music. It's not > lilypond's job to imitate hand-written marks! In other words, I want > to see some *printed* editions with such entries so that we can adjust > lilypond accordingly, if necessary.
* http://imslp.org/wiki/200_%C3%89tudes_nouvelles_m%C3%A9lodiques_et_progressives_pour_cor_(Alphonse,_Maxime) - Book 4 #3 has some examples of breaths over bar lines (though it isn't very consistent). * http://imslp.org/wiki/Adagio_for_Horn_and_Piano,_Op.31_(Draeseke,_Felix) - The solo part has breath marks. None right over the bar line. (http://imslp.org/wiki/Romanze_for_Horn_and_Piano,_Op.32_(Draeseke,_Felix) is similar) * http://imslp.org/wiki/Nocturno,_Op.7_(Strauss,_Franz) - The breath marks are quite small in this one. * http://imslp.org/wiki/60_Etudes_for_Low-Horn,_Op.6_(Kopprasch,_Georg) - In the Gumbert edition he uses two different marks to indicate short quick breaths and bigger breaths. Many of these marks are directly over a bar line (see #13). -----Jay _______________________________________________ lilypond-devel mailing list lilypond-devel@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-devel
