Graham Percival <gra...@percival-music.ca> writes:

> I think of music as being a series of
> pitches+rhythms+modifications.  I mean, when I skim music, my eyes
> notice the staff position, notehead, and beam before really taking
> in dynamic signs, articulations, etc.

You'll be really popular with conductors if you read that c''' before
you read \pp.

> With that view (which is evidently not universal), it seems natural to
> me to write the pitch and duration first, and then all the other
> "special bits" that occur on or around that note.

Like c\clef "treble"\time 3/2 ?

-- 
David Kastrup


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