On 6/17/10 1:37 PM, "David Kastrup" <d...@gnu.org> wrote: > > > Here is a scan from typical uses of push and pull symbols (the very > first symbol is "pull" in every piece). The symbols usually appear > _before_ the fingering, at somewhat constant height independent from the > actual notes. > > They are used somewhat in analog with upbow/downbow symbols for bowed > string instruments. Because of the longer breath of the accordion, they > can be used above measure bars as well to indicate playing a whole (or > more) measures on one breath. In contrast to upbow/downbow, they tend > to appear slightly before the notes (even if there are no fingerings). > > Part of the reason may be that they need to be discernible even when > having (and playing) both bass and treble staff. > > The bounty is 25€ for creating symbols nicely integrating with the > normal Lilypond fonts (and not confusable with other accents or marks), > and 65€ for creating the magic needed for placing them well in > connection with other articulations/fingerings just when given simple > \push \pull style commands. There is another 10€ bounty to integrate > them with bars so that one can have whole pushbars and pullbars.
I'll take the font work. Carl
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