Carl Sorensen <c_soren...@byu.edu> writes: > One could either define a set of different accordions, each with the > appropriate banks and registers; or define a full set of accordion > banks and accordion registers that cover all possible accordions.
Basically, I've come to the conclusion that the Midi stuff needs to be separate from the typesetting stuff: in a given work for accordion orchestra, one will use the same kind of symbol everywhere, but possibly associate different corresponding sound sets with different voices. So basically this means "don't worry about sound in 1st iteration" for me. -- David Kastrup _______________________________________________ lilypond-devel mailing list lilypond-devel@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-devel
