2009/8/9 Werner LEMBERG <w...@gnu.org>:
> Does ancient music work correctly -- I mean `correctly' to the extent
> of the limited support we have? Looking at the headword of section
> 2.8 (Ancient notation), I see that the very last note clashes with the
> final double barline. Additionally, if I change the \paper section from
>
> \paper{
> ragged-right=##t
> line-width=17\cm
> indent=0\cm
> }
>
> to
>
> \paper{
> line-width=15\cm
> indent=0\cm
> }
>
> (this is what I would like to use to make it fit the page width of the
> PDF, see attached image) I see that the \finalis double line is two
> times positioned *before* the preceding note...I'm not sure what's going on here, Werner, but something which might improve matters would be to use barlines for divisiones instead of breathing signs: since Joe's fixed the spacing problems associated with empty barlines, it should be possible to reinstate barAlways = ##t together with timing = ##f for VaticanaStaff. If the barType default is set to "", this will allow correct line-breaking while removing the need to misuse \breathe. Attached is a quick test of the Ancient Headword using barlines, which seems much better than the current behaviour. Regards, Neil
#(set-global-staff-size 15)
\paper {
line-width=15\cm
indent=0\cm
}
\include "gregorian.ly"
\layout {
\context {
\Score
timing = ##f
barAlways = ##t
defaultBarType = ""
}
\context {
\VaticanaStaff
\override BarLine #'transparent = ##f
\override BarLine #'layer = #2
\override BarLine #'hair-thickness =
#(lambda (grob) (ly:staff-symbol-line-thickness grob))
}
}
% not quite right since tick barlines ignore hair-thickness
divisioMinima = \bar "'"
divisioMaior = {
\once \override Staff.BarLine #'bar-size = #2
\bar "|"
}
finalis = \bar "||"
\score {
<<
\new VaticanaVoice = "cantus" {
\clef "vaticana-do3"
#(set-accidental-style 'forget)
% Verse 1 — Salve, Regína
a\melisma \[ a \flexa g \pes a\melismaEnd \] d
\divisioMinima
\[ a\melisma \flexa g\melismaEnd \]
\[ f\melisma \flexa e f \pes g \flexa f\melismaEnd \]
\[ e\melisma \flexa d\melismaEnd \]
\divisioMaior
c d \[d\melisma \flexa c\melismaEnd \] d
\[ e\melisma \pes f\melismaEnd\] g
\[d\melisma \pes e \flexa c\melismaEnd \] d
\finalis
% Verse 2 — Vita, dulcédo
% a\melisma \[ a \flexa g \pes a\melismaEnd \] d
% \divisioMinima
% \[ a\melisma \flexa g\melismaEnd \]
% \[ f\melisma \flexa e f \pes g \flexa f\melismaEnd \]
% \[ e\melisma \flexa d\melismaEnd \]
% \divisioMaior
% c d \[e\melisma \pes f\melismaEnd \] g
% \[d\melisma \pes e \flexa c\melismaEnd \] d
% \finalis
% Verse 3 — Ad te clamámus
\[ d\melisma \pes f\melismaEnd\] a g
\[ g\melisma \flexa f \pes a\melismaEnd\] e
\divisioMaior
g f \[ e\melisma \flexa d \pes g\melismaEnd \]
\divisioMinima
c d \[ e\melisma \flexa d \pes g\melismaEnd \]
\[ f\melisma \flexa e\melismaEnd \] d
\finalis
% Verse 4 — Ad te suspirámus
\[ d\melisma \pes f\melismaEnd \] a c' g
\[ g\melisma \flexa f \pes g\melismaEnd \] a
\divisioMaior
d \[ f\melisma \pes \deminutum g\melismaEnd \] g d
\[ \virga f\melisma \inclinatum e \inclinatum d\melismaEnd \]
c \divisioMaior
d \[ d\melisma \flexa c \pes f\melismaEnd \]
\[ g\melisma \pes a\melismaEnd \]
g \[ f\melisma \flexa e\melismaEnd \] g
\[ f\melisma \flexa \deminutum e\melismaEnd \]
\[ d\melisma \flexa c \pes d\melismaEnd \]
\finalis
% Verse 5 — Eia ergo, Advocáta nostra
f\melisma \[ f \pes g\melismaEnd \] f
\[ g\melisma \pes \deminutum a\melismaEnd \] a
\divisioMinima
c' g \[ \virga a\melisma \inclinatum g \inclinatum f\melismaEnd \] d g a
\divisioMaior
d' d' \[ c'\melisma \flexa b c' \pes d'\melismaEnd \] a
\divisioMinima
d' c' a \[ g\melisma \flexa f \pes a\melismaEnd \] g
\[ d\melisma \pes e\melismaEnd \] f
\[ \virga e\melisma \inclinatum d \inclinatum c\melismaEnd \]
\divisioMaior
\[ c\melisma \pes d\melismaEnd \]
f \[ g\melisma \flexa \deminutum f\melismaEnd \]
\[ d\melisma \flexa c \pes d\melismaEnd \] d
\finalis
% Verse 6 — Et Jesum
d a, \[ c\melisma \pes d\melismaEnd \]
\divisioMinima
d \[ d\melisma \pes e\melismaEnd \] \[ e\melisma \flexa d d\melismaEnd \]
c g f \[ e\melisma \flexa \deminutum d\melismaEnd \] g
\[ f\melisma \flexa e\melismaEnd \]
\[ d\melisma \flexa c \pes d\melismaEnd \]
\[ d\melisma \pes a \] \virga bes\melismaEnd a
\divisioMinima
\[ \virga a\melisma \inclinatum g \inclinatum f\melismaEnd \] g d f
\[ f\melisma \flexa e\melismaEnd \] \[ d\melisma \flexa c\melismaEnd \]
\divisioMinima
\[ e\melisma \pes f \flexa e\melismaEnd \] d d
\finalis
% Verse 7 ad finem — O clemens: O pia: O dulcis Virgo María
a\melisma \[a \flexa g a \quilisma b \pes c'\melismaEnd \]
\[ \virga b\melisma \inclinatum a \inclinatum g\melismaEnd \] a
\finalis
\[ g\melisma \pes a \quilisma b \pes c' \] \[ c' \flexa b\melismaEnd \]
\[ a\melisma \flexa g\melismaEnd \] \[ g\melisma \pes a\melismaEnd \]
\finalis
\[ a\melisma \flexa d \virga f \inclinatum e \inclinatum d \inclinatum c d \]
\divisioMinima
\[ d \pes e f \pes g\melismaEnd \]
\[ g\melisma \flexa \deminutum f\melismaEnd \]
\[ g\melisma \pes a\melismaEnd \]
d c d \[ d\melisma \pes g \flexa f f\melismaEnd \]
\[ e\melisma \flexa d\melismaEnd \]
\finalis
}
\new Lyrics \lyricsto "cantus" {
Sal- ve, Re- gí- na, ma- ter mi- se- ri- cór- di- ae:
% Vi- ta, dul- cé- do, et spes no- stra, sal- ve.
Ad te cla- má- mus, éx- su- les, fi- li- i He- vae.
Ad te su- spi- rá- mus, ge- mén- tes et flen- tes in hac la- cri- má- rum
val- le.
E- ia er- go, Ad- vo- cá- ta no- stra, il- los tu- os mi- se- ri- cór- des
ó- cu- los ad nos con- vér- te.
Et Je- sum, be- ne- díc- tum fruc- tum ven- tris tu- i, no- bis post hoc
ex- sí- li- um os- tén- de.
O cle- mens:
O pi- a:
O dul- cis Vir- go Ma- rí- a.
}
>>
}
\layout {
\context {
\Staff
\consists Custos_engraver
}
}
<<attachment: gregorian-test.png>>
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