2008/12/15 Trevor Bača <trevorb...@gmail.com>: > (Stop and think what you'd expect here before looking at the output.)
You're right, one expects something different at first, but then I remembered the "Temporary polyphonic passages" section under http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Multiple-voices#Single_002dstaff-polyphony here says something interesting: "Here, the first expression within a temporary polyphonic passage is placed into the Voice context which was in use immediately before the polyphonic passage, and that same Voice context continues after the temporary section. Other expressions within the angle brackets are assigned to distinct temporary voices. This allows lyrics to be assigned to one continuing voice before, during and after a polyphonic section" I think this applies well to your examples, not a polyphonic situation, but still one in which a new voice context is created and given an internal name, in order of availability. The new Voice without any preceding notes is the same before, during and after; the new Voice with a preceding note is a truly new context, different from the one which that note was in. Does it have any sense? -- Francisco Vila. Badajoz (Spain) http://www.paconet.org
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