Re: Doc building broken

Neil Puttock Mon, 07 Jul 2008 15:45:17 -0700

Hi Graham,

> Hmm, GDP doc-building currently died in es/.  I'm investigating.
> I might have forgotten to run convert-ly on the translations.


I think the problem is that John had done convert-ly on the
translations just before Carl committed changes for
arpeggio/sustain/sostenuto, so convert-ly didn't pick up the changes.

Here's a patch that seems to cover all the changes in case you need
it; I did a clean docs build which stopped in fr/, and the changes
made have allowed me to complete `make web' successfully.

BTW, I notice you got Carl to run convert-ly on input/lsr. :) It
actually made my LSR update a bit easier, since the version strings
were already converted.

Regards,
Neil

From 6b6ef574b03075d976c66a4021b98b6dd7e14e05 Mon Sep 17 00:00:00 2001
From: Neil Puttock <[EMAIL PROTECTED]>
Date: Mon, 7 Jul 2008 23:38:18 +0100
Subject: [PATCH] Rerun convert-ly on translations.

---
 Documentation/de/user/expressive.itely |   24 ++++++++--------
 Documentation/de/user/keyboards.itely  |   24 ++++++++--------
 Documentation/de/user/templates.itely  |    2 +-
 Documentation/es/user/expressive.itely |   46 ++++++++++++++++----------------
 Documentation/es/user/keyboards.itely  |   22 +++++++-------
 Documentation/es/user/templates.itely  |    2 +-
 Documentation/es/user/tweaks.itely     |    6 ++--
 Documentation/fr/user/expressive.itely |   24 ++++++++--------
 Documentation/fr/user/keyboards.itely  |   24 ++++++++--------
 9 files changed, 87 insertions(+), 87 deletions(-)

diff --git a/Documentation/de/user/expressive.itely b/Documentation/de/user/expressive.itely
index 361a980..15bfb28 100644
--- a/Documentation/de/user/expressive.itely
+++ b/Documentation/de/user/expressive.itely
@@ -226,13 +226,13 @@ Anstelle der Klammern kann auch der Text @emph{cresc.} bzw. @emph{decr.}
 oder @emph{dim.} ausgegeben werden.
 
 @lilypond[quote,ragged-right,fragment,relative=2,verbatim]
-\setTextCresc
+\crescTextCresc
 c\< d e f\!
-\setHairpinCresc
+\crescHairpin
 e\> d c b\!
-\setTextDecresc
+\dimTextDecresc
 c\> d e f\!
-\setTextDim
+\dimTextDim
 e\> d c b\!
 @end lilypond
 
@@ -702,9 +702,9 @@ eigene Befehle.
 
 @lilypond[quote,ragged-right,fragment,relative=1,verbatim]
 \new Voice {
-  \arpeggioUp
+  \arpeggioArrowUp
   <c e g c>\arpeggio
-  \arpeggioDown
+  \arpeggioArrowDown
   <c e g c>\arpeggio
 }
 @end lilypond
@@ -730,12 +730,12 @@ Klaviersystem die Eigenschaft
 @predefined
 
 @code{\arpeggio},
[EMAIL PROTECTED] \arpeggioUp
[EMAIL PROTECTED],
[EMAIL PROTECTED] \arpeggioDown
[EMAIL PROTECTED],
[EMAIL PROTECTED] \arpeggioNeutral
[EMAIL PROTECTED],
[EMAIL PROTECTED] \arpeggioArrowUp
[EMAIL PROTECTED],
[EMAIL PROTECTED] \arpeggioArrowDown
[EMAIL PROTECTED],
[EMAIL PROTECTED] \arpeggioNormal
[EMAIL PROTECTED],
 @funindex \arpeggioBracket
 @code{\arpeggioBracket}.
 
diff --git a/Documentation/de/user/keyboards.itely b/Documentation/de/user/keyboards.itely
index d17d7ac..10e862d 100644
--- a/Documentation/de/user/keyboards.itely
+++ b/Documentation/de/user/keyboards.itely
@@ -249,14 +249,14 @@ kÃ¶nnen. Normalerweise besitzt ein Klavier drei Pedale, das linke oder
 Haltepedal, das rechte oder Una-corda-Pedal und das Sostenuto-Pedal.
 
 Spielanweisungen fÃ¼r das Pedal kÃ¶nnen durch die Befehle 
[EMAIL PROTECTED] (linkes Pedal), @code{\sustainUp} (linkes Pedal 
[EMAIL PROTECTED] (linkes Pedal), @code{\sustainOff} (linkes Pedal 
 hoch), @code{\unaCorda} (rechtes Pedal), @code{\treCorde} (rechtes 
-Pedal hoch), @code{\sostenutoDown} (mittleres Pedal) und 
[EMAIL PROTECTED] (mittleres Pedal hoch) anschlieÃend an eine 
+Pedal hoch), @code{\sostenutoOn} (mittleres Pedal) und 
[EMAIL PROTECTED] (mittleres Pedal hoch) anschlieÃend an eine 
 Note oder einen Akkord notiert werden.
 
 @lilypond[quote,ragged-right,fragment,verbatim]
-c'4\sustainDown c'4\sustainUp
+c'4\sustainOn c'4\sustainOff
 @end lilypond
 
 Die Ausgabe kann verÃ¤ndert werden, indem der Wert 
@@ -272,9 +272,9 @@ auf Klammern (eng. bracket) gesetzt wird.
 
 @lilypond[quote,ragged-right,fragment,verbatim,relative=2]
 \set Staff.pedalSustainStyle = #'bracket
-c\sustainDown d e
-b\sustainUp\sustainDown
-b g \sustainUp a \sustainDown \bar "|."
+c\sustainOn d e
+b\sustainOff\sustainOn
+b g \sustainOff a \sustainOn \bar "|."
 @end lilypond
 
 Eine dritte Art der Pedalnotation besteht aus einer Mischung von Text 
@@ -283,9 +283,9 @@ und den Pedalklammern. Sie wird durch setzen von
 
 @lilypond[quote,ragged-right,fragment,verbatim,relative=2]
 \set Staff.pedalSustainStyle = #'mixed
-c\sustainDown d e
-b\sustainUp\sustainDown
-b g \sustainUp a \sustainDown \bar "|."
+c\sustainOn d e
+b\sustainOff\sustainOn
+b g \sustainOff a \sustainOn \bar "|."
 @end lilypond
 
 Die Einstellungen fÃ¼r linkes @c ?
@@ -293,7 +293,7 @@ und mittleres Pedal ist Ã¼blicherweise ein @code{#'text}-Stil. FÃ¼r das
 mittlere Pedal ist der gemischte Stil voreingestellt.
 
 @lilypond[quote,ragged-right,fragment,verbatim,relative=2]
-c\sostenutoDown d e c, f g a\sostenutoUp
+c\sostenutoOn d e c, f g a\sostenutoOff
 @end lilypond
 
 Die Erscheinung der Pedal-Klammer kann mit den Eigenschaften 
@@ -305,7 +305,7 @@ verlÃ¤ngert werden.
 
 @lilypond[quote,ragged-right,fragment,verbatim,relative=2]
 \override Staff.PianoPedalBracket #'shorten-pair = #'(0 . -1.0)
-c\sostenutoDown d e c, f g a\sostenutoUp
+c\sostenutoOn d e c, f g a\sostenutoOff
 @end lilypond
 
 @seealso
diff --git a/Documentation/de/user/templates.itely b/Documentation/de/user/templates.itely
index 0e53486..75e9f7d 100644
--- a/Documentation/de/user/templates.itely
+++ b/Documentation/de/user/templates.itely
@@ -334,7 +334,7 @@ dynamics = {
 }
 
 pedal = {
-  s2\sustainDown s2\sustainUp
+  s2\sustainOn s2\sustainOff
 }
 
 \score {
diff --git a/Documentation/es/user/expressive.itely b/Documentation/es/user/expressive.itely
index aa42230..fdf3fa1 100644
--- a/Documentation/es/user/expressive.itely
+++ b/Documentation/es/user/expressive.itely
@@ -231,30 +231,30 @@ c2 b4 a g1\espressivo
 @cindex crescendo
 @cindex decrescendo
 @cindex diminuendo
[EMAIL PROTECTED] \setTextCresc
[EMAIL PROTECTED] \setTextDim
[EMAIL PROTECTED] \setTextDecresc
[EMAIL PROTECTED] \setHairpinCresc
[EMAIL PROTECTED] \crescTextCresc
[EMAIL PROTECTED] \dimTextDim
[EMAIL PROTECTED] \dimTextDecresc
[EMAIL PROTECTED] \crescHairpin
 @funindex \setHairpinDim
[EMAIL PROTECTED] \setHairpinDecresc
[EMAIL PROTECTED] \dimHairpin
 
 Los @notation{Crescendi} y @notation{decrescendi} se pueden
 tipografiar como marcas textuales en lugar de reguladores.  Las
 instrucciones incorporadaas que activan estos modos de texto son
[EMAIL PROTECTED], @code{\setTextDecresc}, @code{\setTextDecr} y
[EMAIL PROTECTED]  Las instrucciones correspondientes
[EMAIL PROTECTED], @code{\setHairpinDim} y
[EMAIL PROTECTED] hacen que vuelvan a aparecer los reguladores
[EMAIL PROTECTED], @code{\dimTextDecresc}, @code{\dimTextDecr} y
[EMAIL PROTECTED]  Las instrucciones correspondientes
[EMAIL PROTECTED], @code{\setHairpinDim} y
[EMAIL PROTECTED] hacen que vuelvan a aparecer los reguladores
 de nuevo:
 
 @lilypond[verbatim,quote,relative=2]
 c\< d e f\!
 e\> d c b\!
-\setTextCresc
+\crescTextCresc
 c\< d e f\!
-\setTextDecresc
+\dimTextDecresc
 e\> d c b\!
-\setHairpinCresc
+\crescHairpin
 c\< d e f\!
 @end lilypond
 
@@ -685,16 +685,16 @@ arpegiar el acorde:
 
 La direcciÃ³n del arpegio se denota a veces mediante la adiciÃ³n de una
 punta de flecha a la lÃnea ondulada.  Esto se hace con las
-instrucciones @code{arpeggioUp} y @code{arpeggioDown}.
[EMAIL PROTECTED] nos devuelve a la versiÃ³n sin flecha:
+instrucciones @code{arpeggioArrowUp} y @code{arpeggioArrowDown}.
[EMAIL PROTECTED] nos devuelve a la versiÃ³n sin flecha:
 
 @lilypond[verbatim,quote,relative=1]
 \new Voice {
-  \arpeggioUp
+  \arpeggioArrowUp
   <c e g c>\arpeggio
-  \arpeggioDown
+  \arpeggioArrowDown
   <c e g c>\arpeggio
-  \arpeggioNeutral
+  \arpeggioNormal
   <c e g c>\arpeggio
 }
 @end lilypond
@@ -707,12 +707,12 @@ consulte @ref{Ties}.
 
 @funindex \arpeggio
 @code{\arpeggio},
[EMAIL PROTECTED] \arpeggioUp
[EMAIL PROTECTED],
[EMAIL PROTECTED] \arpeggioDown
[EMAIL PROTECTED],
[EMAIL PROTECTED] \arpeggioNeutral
[EMAIL PROTECTED],
[EMAIL PROTECTED] \arpeggioArrowUp
[EMAIL PROTECTED],
[EMAIL PROTECTED] \arpeggioArrowDown
[EMAIL PROTECTED],
[EMAIL PROTECTED] \arpeggioNormal
[EMAIL PROTECTED],
 @funindex \arpeggioBracket
 @code{\arpeggioBracket}.
 
diff --git a/Documentation/es/user/keyboards.itely b/Documentation/es/user/keyboards.itely
index 2584ff1..fc740de 100644
--- a/Documentation/es/user/keyboards.itely
+++ b/Documentation/es/user/keyboards.itely
@@ -246,12 +246,12 @@ y tonal (en inglÃ©s: sustain, una corda y sostenuto).
 
 
 Se puede expresar una instrucciÃ³n de pedal de piano adjuntando
[EMAIL PROTECTED], @code{\sustainUp}, @code{\unaCorda},
[EMAIL PROTECTED], @code{\sostenutoDown} y @code{\sostenutoUp} a una
[EMAIL PROTECTED], @code{\sustainOff}, @code{\unaCorda},
[EMAIL PROTECTED], @code{\sostenutoOn} y @code{\sostenutoOff} a una
 nota o acorde
 
 @lilypond[quote,ragged-right,fragment,verbatim]
-c'4\sustainDown c'4\sustainUp
+c'4\sustainOn c'4\sustainOff
 @end lilypond
 
 Es posible modificar lo que se imprime estableciendo @[EMAIL PROTECTED],
@@ -265,9 +265,9 @@ propiedad @code{pedalSustainStyle} a objetos corchete
 
 @lilypond[quote,ragged-right,fragment,verbatim,relative=2]
 \set Staff.pedalSustainStyle = #'bracket
-c\sustainDown d e
-b\sustainUp\sustainDown
-b g \sustainUp a \sustainDown \bar "|."
+c\sustainOn d e
+b\sustainOff\sustainOn
+b g \sustainOff a \sustainOn \bar "|."
 @end lilypond
 
 Un tercer estilo de notaciÃ³n de pedal es una mezcla de texto y corchetes,
@@ -276,9 +276,9 @@ que se obtiene estableciendo la propiedad @code{pedalSustainStyle} a
 
 @lilypond[quote,ragged-right,fragment,verbatim,relative=2]
 \set Staff.pedalSustainStyle = #'mixed
-c\sustainDown d e
-b\sustainUp\sustainDown
-b g \sustainUp a \sustainDown \bar "|."
+c\sustainOn d e
+b\sustainOff\sustainOn
+b g \sustainOff a \sustainOn \bar "|."
 @end lilypond
 
 El estilo por defecto @q{*Ped.} para los pedales derecho y una corda corresponde al
@@ -286,7 +286,7 @@ estilo @code{#'text}.  El pedal tonal usa el estilo @code{mixed} por
 defecto.
 
 @lilypond[quote,ragged-right,fragment,verbatim,relative=2]
-c\sostenutoDown d e c, f g a\sostenutoUp
+c\sostenutoOn d e c, f g a\sostenutoOff
 @end lilypond
 
 Para hacer un ajuste fino del aspecto de un corchete de pedal, se
@@ -298,7 +298,7 @@ cabeza de la nota
 
 @lilypond[quote,ragged-right,fragment,verbatim,relative=2]
 \override Staff.PianoPedalBracket #'shorten-pair = #'(0 . -1.0)
-c\sostenutoDown d e c, f g a\sostenutoUp
+c\sostenutoOn d e c, f g a\sostenutoOff
 @end lilypond
 
 @seealso
diff --git a/Documentation/es/user/templates.itely b/Documentation/es/user/templates.itely
index 6869d58..028cf27 100644
--- a/Documentation/es/user/templates.itely
+++ b/Documentation/es/user/templates.itely
@@ -327,7 +327,7 @@ dynamics = {
 }
 
 pedal = {
-  s2\sustainDown s2\sustainUp
+  s2\sustainOn s2\sustainOff
 }
 
 \score {
diff --git a/Documentation/es/user/tweaks.itely b/Documentation/es/user/tweaks.itely
index e63aa37..3c84016 100644
--- a/Documentation/es/user/tweaks.itely
+++ b/Documentation/es/user/tweaks.itely
@@ -1568,9 +1568,9 @@ menciona el significado de cada una allÃ donde no es obvio.
   @tab Arriba o Derecha
   @tab Anular
   @tab Efecto
[EMAIL PROTECTED] @code{\arpeggioDown}
-  @tab @code{\arpeggioUp}
-  @tab @code{\arpeggioNeutral}
[EMAIL PROTECTED] @code{\arpeggioArrowDown}
+  @tab @code{\arpeggioArrowUp}
+  @tab @code{\arpeggioNormal}
   @tab La flecha estÃ¡ abajo, arriba o no hay flecha
 @item @code{\dotsDown}
   @tab @code{\dotsUp}
diff --git a/Documentation/fr/user/expressive.itely b/Documentation/fr/user/expressive.itely
index 8c5592a..c746124 100644
--- a/Documentation/fr/user/expressive.itely
+++ b/Documentation/fr/user/expressive.itely
@@ -231,13 +231,13 @@ Au lieu d'une notation graphique des crescendos, on peut utiliser
 une notation textuelle.
 
 @lilypond[quote,ragged-right,fragment,relative=2,verbatim]
-\setTextCresc
+\crescTextCresc
 c\< d e f\!
-\setHairpinCresc
+\crescHairpin
 e\> d c b\!
-\setTextDecresc
+\dimTextDecresc
 c\> d e f\!
-\setTextDim
+\dimTextDim
 e\> d c b\!
 @end lilypond
 
@@ -705,9 +705,9 @@ de la vaguelette :
 
 @lilypond[quote,ragged-right,fragment,relative=1,verbatim]
 \new Voice {
-  \arpeggioUp
+  \arpeggioArrowUp
   <c e g c>\arpeggio
-  \arpeggioDown
+  \arpeggioArrowDown
   <c e g c>\arpeggio
 }
 @end lilypond
@@ -732,12 +732,12 @@ exemple dans le contexte @rinternals{PianoStaff} :
 @predefined
 
 @code{\arpeggio},
[EMAIL PROTECTED] \arpeggioUp
[EMAIL PROTECTED],
[EMAIL PROTECTED] \arpeggioDown
[EMAIL PROTECTED],
[EMAIL PROTECTED] \arpeggioNeutral
[EMAIL PROTECTED],
[EMAIL PROTECTED] \arpeggioArrowUp
[EMAIL PROTECTED],
[EMAIL PROTECTED] \arpeggioArrowDown
[EMAIL PROTECTED],
[EMAIL PROTECTED] \arpeggioNormal
[EMAIL PROTECTED],
 @funindex \arpeggioBracket
 @code{\arpeggioBracket}.
 
diff --git a/Documentation/fr/user/keyboards.itely b/Documentation/fr/user/keyboards.itely
index 2eb5907..827d26e 100644
--- a/Documentation/fr/user/keyboards.itely
+++ b/Documentation/fr/user/keyboards.itely
@@ -245,14 +245,14 @@ Le piano possÃ¨de deux pÃ©dales, parfois trois, permettant de modifier
 l'Ã©mission du son.  Il est possible d'indiquer prÃ©cisÃ©ment chacune
 d'entre elles, en ajoutant Ã  une note ou un accord les commandes
 suivantes :
[EMAIL PROTECTED] {enfoncerr} {pÃ©dale de tenuee} {pÃ©dale una cordaa} {\sostenutoDownnnn}
[EMAIL PROTECTED] {enfoncerr} {pÃ©dale de tenuee} {pÃ©dale una cordaa} {\sostenutoOnnnn}
 @item       @tab pÃ©dale de tenue @tab pÃ©dale @emph{una corda} @tab pÃ©dale tonale
[EMAIL PROTECTED] enfoncer @tab @code{\sustainDown} @tab @code{\unaCorda} @tab @code{\sostenutoDown}
[EMAIL PROTECTED] relÃ¢cher @tab @code{\sustainUp}   @tab @code{\treCorde} @tab @code{\sostenutoUp}
[EMAIL PROTECTED] enfoncer @tab @code{\sustainOn} @tab @code{\unaCorda} @tab @code{\sostenutoOn}
[EMAIL PROTECTED] relÃ¢cher @tab @code{\sustainOff}   @tab @code{\treCorde} @tab @code{\sostenutoOff}
 @end multitable
 
 @lilypond[quote,ragged-right,fragment,verbatim]
-c'4\sustainDown c'4\sustainUp
+c'4\sustainOn c'4\sustainOff
 @end lilypond
 
 Les modalitÃ©s d'impression de ces indications sont dÃ©finies par la
@@ -266,9 +266,9 @@ pÃ©dale, en utilisant des crochets
 
 @lilypond[quote,ragged-right,fragment,verbatim,relative=2]
 \set Staff.pedalSustainStyle = #'bracket
-c\sustainDown d e
-b\sustainUp\sustainDown
-b g \sustainUp a \sustainDown \bar "|."
+c\sustainOn d e
+b\sustainOff\sustainOn
+b g \sustainOff a \sustainOn \bar "|."
 @end lilypond
 
 @noindent
@@ -276,9 +276,9 @@ ou en mÃ©langeant indications textuelles et crochets
 
 @lilypond[quote,ragged-right,fragment,verbatim,relative=2]
 \set Staff.pedalSustainStyle = #'mixed
-c\sustainDown d e
-b\sustainUp\sustainDown
-b g \sustainUp a \sustainDown \bar "|."
+c\sustainOn d e
+b\sustainOff\sustainOn
+b g \sustainOff a \sustainOn \bar "|."
 @end lilypond
 
 @code{text} est le style de notation par dÃ©faut pour la pÃ©dale de
@@ -286,7 +286,7 @@ tenue --- le traditionnel @q{*Ped.}.  La pÃ©dale tonale, en revanche,
 utilise @code{mixed} par dÃ©faut.
 
 @lilypond[quote,ragged-right,fragment,verbatim,relative=2]
-c\sostenutoDown d e c, f g a\sostenutoUp
+c\sostenutoOn d e c, f g a\sostenutoOff
 @end lilypond
 
 Il est possible de d'affiner l'apparence d'un crochet de pÃ©dale, au
@@ -298,7 +298,7 @@ jusqu'Ã  l'extrÃ©mitÃ© droite de la derniÃ¨re note :
 
 @lilypond[quote,ragged-right,fragment,verbatim,relative=2]
 \override Staff.PianoPedalBracket #'shorten-pair = #'(0 . -1.0)
-c\sostenutoDown d e c, f g a\sostenutoUp
+c\sostenutoOn d e c, f g a\sostenutoOff
 @end lilypond
 
 @seealso
-- 
1.5.4.3

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