Hi. Thank you both. The hint at the bottom regarding how to avoid barlines work. However, I think I found a bug in Lily. I attached the png and .ly file. The problem is that the barline is now drawn *under* the last staff where it shouldn't be.
Regards. - Matevž Mats Bengtsson pravi: > I hope you have seen the hints at the bottom of > http://lilypond.org/doc/v2.9/Documentation/user/lilypond/Vocal-music.html#Vocal-music > > > /Mats > > Matevz Jekovec wrote: > >> Usually choir staffgroup has barlines only in staffs, but not connecting >> staffs as well. However, in some cases (like renaissance music, where >> the barlines are drawn only *between* the staffs and not in them) when >> the barlines are drawn, lyrics position for every syllable doesn't take >> the barline into account. They collide. >> >> I attached an example of Gallus's Ecce quomodo. >> >> Is there a large CPU overhead to implement this (like you mentioned it >> was for avoiding clashing page borders and notes for every text sign). >> >> >> Regards. >> - Matevž >> >> >> ------------------------------------------------------------------------ >> >> ------------------------------------------------------------------------ >> >> _______________________________________________ >> lilypond-devel mailing list >> lilypond-devel@gnu.org >> http://lists.gnu.org/mailman/listinfo/lilypond-devel >> > >
\version "2.7.40"
#(set-global-staff-size 19)
global = {
\pageBreak
\set Score.skipBars = ##t
% incipit
\override Score.SpacingSpanner #'spacing-increment = #1.0 % tight spacing
\key f \major
\time 2/2
\once \override Staff.TimeSignature #'style = #'neomensural
\override Voice.NoteHead #'style = #'neomensural
\override Voice.Rest #'style = #'neomensural
\override Voice.Accidental #'style = #'mensural
\set Staff.printKeyCancellation = ##f
\override NoteSpacing #'stem-spacing-correction = #0.6
\cadenzaOn % turn off bar lines
\skip 1*5
\once \override Staff.BarLine #'transparent = ##f
\bar "||"
\skip 1*1 % need this extra \skip such that clef change comes
% after bar line
\bar ""
% main
\cadenzaOff % turn bar lines on again
\once \override Staff.Clef #'full-size-change = ##t
\set Staff.forceClef = ##t
\key f \major
\time 2/2
\override Voice.NoteHead #'style = #'default
\override Voice.Rest #'style = #'default
\override Voice.Accidental #'style = #'default
\override Score.PaperColumn #'keep-inside-line = ##t
% FIXME: setting printKeyCancellation back to #t must not
% occur in the first bar after the incipit. Dto. for forceClef.
% Therefore, we need an extra \skip.
\skip 1*1
\set Staff.printKeyCancellation = ##t
\set Staff.forceClef = ##f
\override Staff.BarLine #'hair-thickness = #0.3
\skip 1*2 \break % Prima pars
\skip 1*6 \break
\skip 1*6 \break
\skip 1*6 \break
\skip 1*6 \break
\skip 1*6
\once \override Staff.BarLine #'transparent = ##f
\bar "||" \pageBreak
\skip 1*8 \break % Secunda pars
\skip 1*8 \break
\skip 1*7
% let finis bar go through all staves
\override Staff.BarLine #'transparent = ##f
% finis bar
\bar "|."
}
\layout {
\context {
\Lyrics
\consists "Bar_engraver"
\consists "Separating_line_group_engraver"
\override BarLine #'transparent = ##t
}
}
isUp = ^\markup \sharp
esUp = ^\markup \flat
nUp = ^\markup \natural
cantusNotes = {
\transpose c' c'' {
\set Staff.instrument = "Cantus"
\set Staff.midiInstrument = "acoustic grand"
% incipit
\clef "treble"
a\breve g1 r2 a2. a4 a2 % 4
\skip 1*1 % extra bar
% main
\clef "treble"
\once \override TextScript #'extra-offset = #'(-8 . 2)
a1^\markup {\large \bold "Prima pars"} | g2 r4 a4~ | % 3
a8 a a4 bes2~ | bes4 a a2 | % 5
g1 | g2 r4 g4 | a2 g4 f~ | % 8
f8 f e4 f2 | e r4 a4 | c'2 c'4 bes~ | % 11
bes8 bes a4 g2 | fis r4 fis4~ | fis g a2 | % 14
a4 a bes2 | a r4 c'4~ | c' bes2 a4 | % 17
a a2 a4 | g2 r4 g4 | a4. a8 a4 g | % 20
a a a2 | a r4 a4~ | a c'2 bes4 | a g2 a4 | % 24
r4 c'4 f' f' | e' d'2 c'4 | bes bes4. bes8 a4 | % 27
g2 a | r4 c'4 f' f' | e' d'2 c'4 | % 30
bes bes4. bes8 a4 | g2 a~ | a1~ | a || % 34
\once \override TextScript #'extra-offset = #'(-5 . 2)
c'2^\markup {\large \bold "Secunda pars"} c' | % 35
c'4 a2 a4 | a a2 a4 | a2 a | % 38
r4 c'2 c'4 | d'2 c'4 e' | e' e'4. e'8 f'4~\melisma | % 41
f' e'8 d' e'4\melismaEnd e' | f'2 r4 c'4~ | c' c' d'2 | % 44
c'4 e' e' e'~ | e'8 e' f'2\melisma e'8 d' | % 46
e'4\melismaEnd e' f'2 | r4 c'4 f' f' | e' d'2 c'4 | % 49
bes bes4. bes8 a4 | g2 a | r4 c'4 f' f' | % 52
e' d'2 c'4 | bes bes4. bes8 a4 | g2 a~ | % 55
a1~ | a1 \bar "|." % 57
}
}
cantusLyrics = \lyricmode {
% incipit
_ _ _ _ _
% main
Ec -- ce, quo -- % 3
mo -- do mo -- ri -- tur % 5
ius -- tus, et ne -- mo per -- % 7
ci pit cor -- de et % 10
ne -- mo per -- ci -- pit cor -- % 12
de; vi -- ri ius -- % 14
ti tol -- lun -- tur, et % 16
ne -- mo con -- si -- de -- % 18
rat; a fa -- ci -- e in -- % 20
i -- qui -- ta -- tis sub -- % 22
la -- tus est ius -- tus: % 24
et e -- rit in pa -- ce % 26
me -- mo -- ri -- a e -- ius, % 28
et e -- rit in pa -- ce % 30
me -- mo -- ri -- a e -- ius. % 34
In pa -- ce fac -- tus % 36
est lo -- cus e -- ius, % 38
et in Si -- on ha -- bi -- % 40
ta -- ti -- o __ e -- ius, % 43
et in Si -- on ha -- bi -- ta -- % 45
ti -- o __ e -- ius. % 47
Et e -- rit in pa -- ce % 49
me -- mo -- ri -- a e -- ius, % 51
et e -- rit in pa -- ce % 53
me -- mo -- ri -- a e -- ius. % 57
}
altusNotes = {
\transpose c' c'' {
\set Staff.instrument = "Altus"
\set Staff.midiInstrument = "acoustic grand"
% incipit
\clef "neomensural-c2"
f\breve e1 r2 f2. f4 f2 % 5
\skip 1*1 % extra bar
% main
\clef "treble"
f1 | e2 r4 f~ | f8 f f4 f2~ | % 4
f4 f f f~\melisma | f e d2\melismaEnd | e r4 e | % 7
f2 e4 d~ | d8 d cis4 d2 | cis2 r4 e4 | % 10
a2 a4 f~ | f8 f f4 d2 | d r4 d4~ | d d f2 | % 14
f4 f f2 | f r4 a4~ | a g2 e4 | f f2 f4 | % 18
e2 r4 g4 | f4. f8 f4 d | f f e2 | % 21
fis2 r4 fis4~ | fis g2 f?4 | % 23
f d2 f4 | r4 a c' c' | c' bes2 a4 | % 26
g4 g4. g8 f4~ | f e f2 | % 28
r4 a4 c' c' | c' bes2 a4 | % 30
g g4. g8 f4~ | f e f2~ | f1~ | f || % 34
r4 a4 g2 | a4 f2 f4 | f d2 e4 | f2 e | % 38
r4 a2 g4 | bes2 a4 c'4 | c' c'4. c'8 bes4 | % 41
c'1 | c'2 r4 a4~ | a4 g bes2 | a4 c' c' c'~ | % 45
c'8 c' bes4 c'2~ | c' c' | % 47
r4 a4 c' c' | c' bes2 a4 | g g4. g8 f4~ | % 50
f4 e f2 | r4 a4 c' c' | c' bes2 a4 | % 53
g g4. g8 f4~ | f e f2~ | f1~ | f1 \bar "|." % 57
}
}
altusLyrics = \lyricmode {
% incipit
_ _ _ _ _
% main
Ec -- ce, quo -- % 3
mo -- do mo -- ri -- tur % 5
ius -- tus, et ne -- mo per -- % 7
ci pit cor -- de et % 10
ne -- mo per -- ci -- pit cor -- % 12
de; vi -- ri ius -- % 14
ti tol -- lun -- tur, et % 16
ne -- mo con -- si -- de -- % 18
rat; a fa -- ci -- e in -- % 20
i -- qui -- ta -- tis sub -- % 22
la -- tus est ius -- tus: % 24
et e -- rit in pa -- ce % 26
me -- mo -- ri -- a e -- ius, % 28
et e -- rit in pa -- ce % 30
me -- mo -- ri -- a e -- ius. % 34
In pa -- ce fac -- tus % 36
est lo -- cus e -- ius, % 38
et in Si -- on ha -- bi -- % 40
ta -- ti -- o e -- ius, % 43
et in Si -- on ha -- bi -- ta -- % 45
ti -- o e -- ius. % 47
Et e -- rit in pa -- ce % 49
me -- mo -- ri -- a e -- ius, % 51
et e -- rit in pa -- ce % 53
me -- mo -- ri -- a e -- ius. % 57
}
tenorNotes = {
\transpose c' c'' {
\set Staff.instrument = "Tenor"
\set Staff.midiInstrument = "acoustic grand"
% incipit
\clef "neomensural-c3"
c\breve c1 r2 c2. c4 c2 % 5
\skip 1*1 % extra bar
% main
\clef "treble_8"
c1 | c2 r4 c4~ | c8 c c4 d2~ | % 4
d4 c c d~\melisma | % 5
d8 c c4. b,8 b,4\melismaEnd | c2 r4 c | % 7
c2 c4 a,~ | a,8 a, a,4 a,2 | a, r4 c4 | % 10
f2 e4 d~ | d8 d c4 bes,2 | a, r4 a,4~ | % 13
a, b, c2 | c4 c d2 | c r4 f4~ | % 16
f d2 cis4 | d c2 c4 | c2 r4 c4 | % 19
c4. c8 c4 b, | c d2 cis4 | d2 r4 d4~ | % 22
d es2 d4 | c b,2 c4 | r4 f a a | % 25
a f2 f4 | d es4. es8 c4 | c2 c | % 28
r4 f4 a a | a f2 f4 | d es4. es8 c4 | % 31
c2 c~ | c1~ | c1 || % 34
r4 f2 e4 | f c2 c4 | d f2 e4 | % 37
d2 cis2 | r4 e2 e4 | f2 f4 g | % 40
g g4. g8 f4 | g1 | a2 r4 e4~ | % 43
e e f2 | f4 g g g~ | % 45
g8 g f4 g2~ | g a | % 47
r4 f4 a a | a f2 f4 | % 49
d es4. es8 c4 | c2 c | % 51
r4 f4 a a | a f2 f4 | % 53
d es4. es8 c4 | c2 c2~ | c1~ | % 56
c1 \bar "|." % 57
}
}
tenorLyrics = \lyricmode {
% incipit
_ _ _ _ _
% main
Ec -- ce, quo -- % 3
mo -- do mo -- ri -- tur % 5
ius -- tus, et ne -- mo per -- % 7
ci pit cor -- de et % 10
ne -- mo per -- ci -- pit cor -- % 12
de; vi -- ri ius -- % 14
ti tol -- lun -- tur, et % 16
ne -- mo con -- si -- de -- % 18
rat; a fa -- ci -- e in -- % 20
i -- qui -- ta -- tis sub -- % 22
la -- tus est ius -- tus: % 24
et e -- rit in pa -- ce % 26
me -- mo -- ri -- a e -- ius, % 28
et e -- rit in pa -- ce % 30
me -- mo -- ri -- a e -- ius. % 34
In pa -- ce fac -- tus % 36
est lo -- cus e -- ius, % 38
et in Si -- on ha -- bi -- % 40
ta -- ti -- o e -- ius, % 43
et in Si -- on ha -- bi -- ta -- % 45
ti -- o e -- ius. % 47
Et e -- rit in pa -- ce % 49
me -- mo -- ri -- a e -- ius, % 51
et e -- rit in pa -- ce % 53
me -- mo -- ri -- a e -- ius. % 57
}
bassusNotes = {
\transpose c' c' {
\set Staff.instrument = "Bassus"
\set Staff.midiInstrument = "acoustic grand"
% incipit
\clef "varbaritone"
f\breve c1 r2 f2. f4 f2 % 5
\skip 1*1 % extra bar
% main
\clef "bass"
f1 | c2 r4 f4~ | f8 f f4 bes2~ | % 4
bes4 f f2 | g1 | c2 r4 c4 | % 7
f2 c4 d~ | d8 d a,4 d2 | a, r4 a4 | % 10
f2 a4 bes~ | bes8 bes f4 g2 | % 12
d2 r4 d4~ | d g f2 | f4 f bes,2 | % 15
f2 r4 f4~ | f g2 a4 | d f2 f4 | % 18
c2 r4 c4 | f4. f8 f4 g | f d a2 | % 21
d r4 d4~ | d c2 d4 | f g2 f4 | % 24
r4 f4 f f | a bes2 f4 | % 26
g es4. es8 f4 | c2 f | r4 f4 f f | % 29
a bes2 f4 | g es4. es8 f4 | % 31
c2 f~ | f1~ | f1 || % 34
r4 f4 c2 | f4 f2 f4 | % 36
d4 d2 cis4 | d2 a, | r4 a2 c'4 | % 39
bes2 f4 c' | c' c'4. c'8 d'4 | % 41
c'1 | f2 r4 a4~ | a4 c' bes2 | % 44
f4 c' c' c'~ | c'8 c' d'4 c'2~ | % 46
c' f | r4 f4 f f | a bes2 f4 | % 49
g es4. es8 f4 | c2 f | r4 f4 f f | % 52
a bes2 f4 | g es4. es8 f4 | c2 f~ | % 55
f1~ | f1 \bar "|." % 57
}
}
bassusLyrics = \lyricmode {
% incipit
_ _ _ _ _
% main
Ec -- ce, quo -- % 3
mo -- do mo -- ri -- tur % 5
ius -- tus, et ne -- mo per -- % 7
ci pit cor -- de et % 10
ne -- mo per -- ci -- pit cor -- % 12
de; vi -- ri ius -- % 14
ti tol -- lun -- tur, et % 16
ne -- mo con -- si -- de -- % 18
rat; a fa -- ci -- e in -- % 20
i -- qui -- ta -- tis sub -- % 22
la -- tus est ius -- tus: % 24
et e -- rit in pa -- ce % 26
me -- mo -- ri -- a e -- ius, % 28
et e -- rit in pa -- ce % 30
me -- mo -- ri -- a e -- ius. % 34
In pa -- ce fac -- tus % 36
est lo -- cus e -- ius, % 38
et in Si -- on ha -- bi -- % 40
ta -- ti -- o e -- ius, % 43
et in Si -- on ha -- bi -- ta -- % 45
ti -- o e -- ius. % 47
Et e -- rit in pa -- ce % 49
me -- mo -- ri -- a e -- ius, % 51
et e -- rit in pa -- ce % 53
me -- mo -- ri -- a e -- ius. % 57
}
\book {
\header {
title = "XIII. Ecce quomodo moritur iustus"
composer = \markup \center-align {"" \large "Iacobus Gallus (Jakob
Petelin)" \small "(1550-1591)"}
mutopiatitle = "XIII. Ecce quomodo moritur iustus"
mutopiacomposer = "I. Gallus (1550-1591)"
mutopiainstrument = "Voice, (SATB)"
source = "Emil Bazecný, Josef Mantuani - DTÃ, 1899-1919"
style = "Renaissance"
copyright = "Public Domain"
maintainer = "Matevž Jekovec"
maintainerEmail = "[EMAIL PROTECTED]"
lastupdated = "2005/Oct/25"
}
\markup \column \large \translate #(cons 20 0) {
\italic {
" Ecce quomodo moritur iustus, et nemo percipit
corde;"
"viri iusti tolluntur, et nemo considerat;"
"a facie iniquitatis sublatus est iustus:"
"et erit in pace memoria eius."
" In pace factus est locus eius, et in Sion
habitatio eius."
"Et erit in pace memoria eius."
}
" " " " " "
" Glejte, kako umira praviÄni, pa nihÄe v srcu
ne Äuti."
"Žrtev sveti možje so, pa mar ni nobenemu."
"Iz kroga je ljudi hudobnih odstranjen praviÄni."
"In veÄno bo živel v preslavnem spominu."
" PoÄitka naÅ¡el je mesto mirno, na Sionu
prebivaliÅ¡Äe svoje."
"In veÄno bo živel v preslavnem spominu." " "
" (Janez Podboj, v: J. Aljaž, Slovenska
pesmarica II, Celovec 1900)"
" " " " " "
" Behold, the Righteous dies, but no one feels in
his heart;"
"victims are the righteous ones, but no one
notices;"
"the Righteous faces iniquity and is being removed:"
"And he will live in glorious peace."
" He found his place in peace, his realm in Zion."
"And he will live in glorious peace." " "
" (Matevž Jekovec, \"De profundis\" chamber
choir, Slovenia)"
" " " " " " " " " " " "
}
\markup \column {
\italic {
"Typeset from
Jacob Handl (Gallus): Opus Musicum, vol. 2, DTÃ 1905,"
"with minor
maintainer's tweaks and fixes."
" " " "
}
}
\score {
\context StaffGroup = choirStaff <<
\context Voice =
cantusNotes << \global \cantusNotes >>
\context Lyrics =
cantusLyrics \lyricsto cantusNotes { \cantusLyrics }
\context Voice =
altusNotes << \global \altusNotes >>
\context Lyrics =
altusLyrics \lyricsto altusNotes { \altusLyrics }
\context Voice =
tenorNotes << \global \tenorNotes >>
\context Lyrics =
tenorLyrics \lyricsto tenorNotes { \tenorLyrics }
\context Voice =
bassusNotes << \global \bassusNotes >>
\context Lyrics =
bassusLyrics \lyricsto bassusNotes { \bassusLyrics }
>>
\layout {
indent = 4.0 \cm
\context {
\Score
\override BarLine #'transparent = ##t
}
\context {
\Voice
\override Slur #'transparent = ##t
}
}
\midi { \tempo 2 = 48 }
}
}
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