Mats Bengtsson <[EMAIL PROTECTED]> writes:
> Now I realize that you did this to get an example of how to use \tag.
> Still, the problem is that it doesn't really show any advantage (as
> far as I can see). Can't we find a better example where the command
> gives a clearer advantage?
>
> /Mats
I use \tag to define marks or markups that should appear only above the
first staff of a system, or below the last staff. For instance:
global = {
\time 4/4
\key ees \major
\tag #'up \tempoMark \markup Allegro.
s1*42
\tag #'down \fineMark
\bar "|." \break
s1*16
\tag #'down \dacapoMark
\bar "|."
}
\layout {
\context { \Score \remove "Mark_engraver" }
\context { \Staff \consists "Mark_engraver" }
}
%% lead sheet
\score {
<<
\new Staff <<
\keepWithTag #'up \global
\clef treble
\violino
>>
\new Staff <<
\keepWithTag #'() \global
\clef alto
\viola
>>
\new Staff <<
\keepWithTag #'down \global
\clef bass
\bassi
>>
>>
}
%% the viola part
\score {
\new Staff <<
\keepWithTag #'(up down) \global
\clef alto
\viola
>>
}
nicolas
_______________________________________________
lilypond-devel mailing list
lilypond-devel@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-devel
