CVSROOT: /cvsroot/lilypond
Module name: lilypond
Branch:
Changes by: Graham Percival <[EMAIL PROTECTED]> 05/07/27 23:31:05
Modified files:
. : ChangeLog
Documentation/user: examples.itely instrument-notation.itely
Log message:
Moving bagpipe info from templates into instrument-notation.
CVSWeb URLs:
http://savannah.gnu.org/cgi-bin/viewcvs/lilypond/lilypond/ChangeLog.diff?tr1=1.3929&tr2=1.3930&r1=text&r2=text
http://savannah.gnu.org/cgi-bin/viewcvs/lilypond/lilypond/Documentation/user/examples.itely.diff?tr1=1.42&tr2=1.43&r1=text&r2=text
http://savannah.gnu.org/cgi-bin/viewcvs/lilypond/lilypond/Documentation/user/instrument-notation.itely.diff?tr1=1.38&tr2=1.39&r1=text&r2=text
Patches:
Index: lilypond/ChangeLog
diff -u lilypond/ChangeLog:1.3929 lilypond/ChangeLog:1.3930
--- lilypond/ChangeLog:1.3929 Tue Jul 26 22:24:30 2005
+++ lilypond/ChangeLog Wed Jul 27 23:31:04 2005
@@ -1,3 +1,10 @@
+2005-07-27 Graham Percival <[EMAIL PROTECTED]>
+
+ * Documentation/user/examples.itely: remove bagpipe template.
+
+ * Documentation/user/instrument-notation.itely: add bagpipe
+ section.
+
2005-07-27 Han-Wen Nienhuys <[EMAIL PROTECTED]>
* lily/accidental-engraver.cc: formatting fixes.
Index: lilypond/Documentation/user/examples.itely
diff -u lilypond/Documentation/user/examples.itely:1.42
lilypond/Documentation/user/examples.itely:1.43
--- lilypond/Documentation/user/examples.itely:1.42 Fri Jul 15 17:55:55 2005
+++ lilypond/Documentation/user/examples.itely Wed Jul 27 23:31:05 2005
@@ -1317,78 +1317,6 @@
}
@end lilypond
[EMAIL PROTECTED] Bagpipe music
-
-Here is an example of bagpipe music. It demonstrates a big strength of
-LilyPond, compared to graphical score editors: in LilyPond, you can
-very easily reuse small segments of music without writing them out
-completely. This template defines a large number of small segments
-(@code{taor}, @code{grip}, @code{thrd}, etc), which can be reused easily.
-
[EMAIL PROTECTED] TODO - replace Bagpipe template with Andrew McNabb's work?
[EMAIL PROTECTED] http://www.mcnabbs.org/andrew/linux/lilypond-ghb/
-
[EMAIL PROTECTED],verbatim]
-taor = { \grace { g32[ d' g e'] } }
-grip = { \grace { g32[ b g ] } }
-thrd = { \grace { g32[ d' c'] } }
-birl = { \grace { g32[ a g] } }
-gstd = { \grace { g'32[ d' g] } }
-fgg = { \grace { f32[ g'32] } }
-dblb = { \grace { g'32[ b d'] } }
-dblc = { \grace { g'32[ c' d'] } }
-dble = { \grace { g'32[ e' f'] } }
-dblf = { \grace { g'32[ f' g'] } }
-dblg = { \grace { g'32[ f'] } }
-dbla = { \grace { a'32[ g'] } }
-lgg = { \grace { g32 } }
-lag = { \grace { a32 } }
-cg = { \grace { c'32 } }
-eg = { \grace { e'32 } }
-gg = { \grace { g'32 } }
-dg = { \grace { d'32 } }
-hag = { \grace { a'32 } }
-gefg = { \grace { g'32[ e' f'] } }
-efg = { \grace { e'32[ f'] } }
-gdcg = { \grace { g'32[ d' c'] } }
-gcdg = { \grace { g'32[ c' d'] } }
-
-\transpose a a' {
- #(add-grace-property 'Voice 'Stem 'length 6)
- \time 6/8 \partial 4
- \tieUp
- \slurUp
-
- f'4 |
- \gg f'4 e'8 \thrd d'4. |
- \eg a4.(a4) d'8 |
- \gg d'4 f'8 \dble e'4. ( | \noBreak
- e'8) d'4 \gg d'4 e'8 |
-
- \break
- \time 9/8
- \dblf f'2.( f'4) d'8 |
- \time 6/8
- \dblg g'4 a'8 \gg a'4. |
- \thrd d'4.( d'4) \eg a8 |
- \time 9/8
- \dble e'4 \lag e'8 \gg e'16[ d'8. e'8] \gg f'4 g'8 |
-
- \break
- \time 6/8
- \gg f'4 e'8 \thrd d'4. |
- \eg a4.( a4) d'8 |
- \dblg g'4 a'8 \gg a'4. |
- \thrd d'4.( d'4) f'8 |
-
- \break
- \dblg g'4 e'8( e'8) \dblf f'8.[ e'16] |
- \thrd d'4.( d'4) \cg d'8 |
- \gg c'4 e'8 \thrd d'4.( |
- d'4.) \gdcg d'4.
-}
[EMAIL PROTECTED] lilypond
-
@node Lilypond-book templates
@section Lilypond-book templates
Index: lilypond/Documentation/user/instrument-notation.itely
diff -u lilypond/Documentation/user/instrument-notation.itely:1.38
lilypond/Documentation/user/instrument-notation.itely:1.39
--- lilypond/Documentation/user/instrument-notation.itely:1.38 Thu Jul 21
14:45:55 2005
+++ lilypond/Documentation/user/instrument-notation.itely Wed Jul 27
23:31:05 2005
@@ -16,6 +16,7 @@
* Vocal music::
* Rhythmic music::
* Guitar::
+* Bagpipe::
* Ancient notation::
* Other instrument specific notation::
@end menu
@@ -1877,6 +1878,53 @@
percussive noise-like sound that still maintains part of the original
pitch. It is notated with cross noteheads; this is
demonstrated in @ref{Special noteheads}.
+
+
[EMAIL PROTECTED] Bagpipe
[EMAIL PROTECTED] Bagpipe
+
[EMAIL PROTECTED] Bagpipe
+
[EMAIL PROTECTED]
+* Bagpipe definitions::
+* Bagpipe example::
[EMAIL PROTECTED] menu
+
+
[EMAIL PROTECTED] Bagpipe definitions
[EMAIL PROTECTED] Bagpipe definitions
+
+LilyPond contains special definitions for bagpipe music; to use them, add
+
[EMAIL PROTECTED]
+\include "bagpipe.ly"
[EMAIL PROTECTED] example
+
[EMAIL PROTECTED]
+at the top of your input file. This lets you add the special flourishes
+common to bagpipe music with short commands. For example, you could
+write @code{\taor} instead of
+
[EMAIL PROTECTED]
+\grace @{ \small G32[ d G e] @}
[EMAIL PROTECTED] example
+
[EMAIL PROTECTED] also contains pitch definitions for the bagpipe
+notes in the appropiate octaves, so you do not need to worry about
[EMAIL PROTECTED] or @code{\transpose}.
+
[EMAIL PROTECTED]
[EMAIL PROTECTED],verbatim,quote]
+\include "bagpipe.ly"
+{ G4 a b c d e f g A B C }
[EMAIL PROTECTED] lilypond
[EMAIL PROTECTED] ignore
+
+
[EMAIL PROTECTED] Bagpipe example
[EMAIL PROTECTED] Bagpipe example
+
+To be inserted soon.
@node Ancient notation
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