The reason the Burano mesh is square looking has to do with the way it is
made. This is a pillow-made needlelace, rather than the handheld laces of
Alencon and Belgium. In Burano a thread is passed across the pattern and
pulled tight. The twisted stitches are made into the row below with the tip
of the needle inserted under the straight thread before twisting the thread
pulling through. You can then do one or two overcast stitches on this
straight base.  It's exactly the opposite of Alencon where you make the
twisted stitch first, then do the overcasting into the top of that row on
the return which produces a more hexagonal mesh.  I'll do an IOLI article on
this in the near future, for the moment I'm concentrating the hand-held
needlelaces.

I think your 'rosaline' piece might actually be Italian, it goes under the
name of 'Punto di Milano'. Quality varies a lot, but you can usually tell
examples because the motifs are made first, then put on a pillow and the
'Burano' mesh filling in the empty spaces.  Old Flanders is a possibility
especially given the shape of the mesh, but I think the floral terminations
of a lot of the flowers look more Italian, a little on the Cantu model.  I
have a photo of a lacemaker working on 'Punto di Milano' with a caption
saying it wasn't  considered a very serious lace. Coarse examples were often
made for table and bed linens.

'Old Flanders' is sort of a catch-all name for things that aren't quite
Bruges, and aren't quite 18th c Flemish pieced laces.  It is worth a study,
but in my experience Old Flanders didn't do much with needle-made meshes.
That was left up to the Italians, and there is some evidence that motifs
could be made in Belgium and grounded in Italy.

Laurie

 

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Laurie Waters

[email protected] <mailto:[email protected]> 

505-412-2873

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