Thank you for your message. 
I will be traveling from August 24 to September 10. 
Please expect that I will be slower to respond during this time. 

Anna Seastrand

On Aug 24, 2022, at 1:21 AM, John Brockington via INDOLOGY 
<[email protected]> wrote:

> Dear Colleagues,
>  
> We are pleased to announce the sixth update of our material on the Oxford 
> Research Archive, first deposited in January 2016; this update is identified 
> as July 2022. We do so in order that it can be available for others to 
> consult even in its present, unfinished state. It can be accessed at the same 
> location 
> <http://ora.ox.ac.uk/objects/uuid:8df9647a-8002-45ff-b37e-7effb669768b> or 
> you can find it via the Bodleian Libraries website, under ORA, by looking for 
> either our surname or its title, "Development and spread of the Rāma 
> narrative (pre-modern)".
>  
> As before, there are additions, revisions and corrections to the material 
> throughout.  However, areas which have seen the greatest changes are:
>  
> ·      Within the folder D. Ancillary material and then the folder 
> “Photographs (JLB), the addition of a number more Rāmāyaṇa-related 
> photographs and the inclusion of a substantial number of photographs of 
> various Indian monuments taken over more than fifty years.
> 
> 
> ·      Apart from minimal changes to the folder C. Narrative Elements, work 
> by MB consists mainly of more on the folder F. New Beginnings: an overall 
> survey of the effects on the traditional portrayal of the VRm’s heroes and 
> villains when varied supplementary elements now mostly collected into the CE 
> Bāla and Uttara kāṇḍas were added to the core text, classified as Stage 3 
> (JLB 1985).  The two books are themselves far from unitary; their diverse 
> nature sheds light on the development, not only of Stage 3 itself (including 
> the occasional transformation of the human Rāma into an avatāra of Viṣṇu), 
> but also of a few puzzling episodes in the so-called ‘core’ books.  Six 
> chapters are planned, with the first three now complete:
> 1: Techniques and 
> structure, including the role of allusions within the narrative
> 2: The core 
> narrative: evidence from three summaries and from the Rāmopākhyāna for its 
> contents and segmentation
> 3: The role of boons
> 4: [planned] Establishment 
> of a Rāghava dynasty
> 5: [large part composed] Agastya’s post-victory 
> narrative, 7,1—34
> 6: [largely incomplete, focusing only on the Ahalyā and 
> Hanumān episodes] Change of genre and divinisation of the heroes
> 7: 
> additional files presenting supporting material and notes.
>  
> ·      Work by JLB includes considerable further additions to all the 
> bibliographic sections of files within B. Bibliographic Inventory, as well as 
> substantial additions to the data within 10. visual (India).
>  
>  
> If you are aware of colleagues in other fields (for example Southeast Asian 
> languages or visual culture) who might be interested, do please pass the 
> information on to them – and similarly, if any of you have access to suitable 
> academic lists on which it could be posted, we would be grateful if you would 
> send it to them.
>  
> As always, we shall be grateful for any comments from anyone who has used the 
> material.
>  
> With all good wishes
>  
> John and Mary
>  
>  
> John Brockington
> Fellow, Oxford Centre for Hindu Studies
> Emeritus Professor of Sanskrit, University of Edinburgh
> Vice President, International Association of Sanskrit Studies
>  
> Mary Brockington
> Fellow, Oxford Centre for Hindu Studies
> Research Fellow, International Association of Sanskrit Studies
>  
> 
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>   
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