Information wants to be free.   chatGPT is liberating it.

> On May 30, 2023, at 9:11 AM, glen <geprope...@gmail.com> wrote:
> 
> WTH, I went ahead and did it. Here it is, for those of you willing to read 
> garbage generated by an AI.
> 
> Copyright © -- the unnamed authors of the many texts appropriated by ChatGPT.
>> Title: The Last Men in Sweet Tooth and Nietzsche's Last Man: Exploring the 
>> Resonant Analogies
>> Introduction:
>> In the post-apocalyptic world of Sweet Tooth, Jeff Lemire presents us with 
>> the "Last Men," a formidable force embodying cruelty and conformity, while 
>> Friedrich Nietzsche's Thus Spake Zarathustra introduces us to the concept of 
>> the "last man," representing a state of human decline and mediocrity. 
>> Although situated in different contexts, the striking similarities between 
>> Lemire's Last Men and Nietzsche's last man illuminate the diminished state 
>> of humanity, prompting introspection into our own lives and the importance 
>> of purpose, ambition, and transcendence.
>> Body:
>> Paragraph 1:
>> Lemire's Last Men are depicted as a force that has lost touch with their 
>> humanity, consumed by fear and ignorance. In their relentless pursuit of the 
>> hybrid children, they exhibit a cruelty that mirrors Nietzsche's portrayal 
>> of the last man in Thus Spake Zarathustra. Nietzsche's last man is 
>> characterized by his complacency and contentment with a life devoid of grand 
>> aspirations or achievements. Both the Last Men and the last man represent 
>> societies that have settled for mediocrity, lacking the ambition and drive 
>> to reach for greatness.
>> Paragraph 2:
>> The Last Men in Sweet Tooth and Nietzsche's last man share a striking 
>> indifference towards personal growth and self-transcendence. In Sweet Tooth, 
>> the Last Men act as a monolithic force that enforces conformity and 
>> suppresses individuality. Similarly, Nietzsche's last man is characterized 
>> by his aversion to risk-taking and his desire to avoid any form of suffering 
>> or hardship. Both portrayals highlight a reluctance to step out of one's 
>> comfort zone and a rejection of the transformative power of adversity.
>> Paragraph 3:
>> While the Last Men and the last man embody a stagnant existence, they are 
>> juxtaposed with characters who defy conformity and embody a vitalistic 
>> spirit. In Sweet Tooth, Gus, the protagonist, challenges the oppressive 
>> regime of the Last Men and seeks a greater purpose beyond survival. 
>> Similarly, Nietzsche's Zarathustra represents an individual who rejects the 
>> complacency of the last man and strives for self-overcoming and the pursuit 
>> of higher ideals. These contrasting characters serve as reminders of the 
>> strength and potential within individuals to rise above mediocrity.
>> Paragraph 4:
>> Furthermore, the Last Men and the last man highlight the dangers of a 
>> society that prioritizes comfort and security over growth and 
>> self-discovery. In Sweet Tooth, the Last Men's fear-driven quest for control 
>> results in the suppression of individuality and the destruction of 
>> diversity. Similarly, Nietzsche's last man represents a society that has 
>> lost its creative and intellectual vigor, having forsaken the pursuit of 
>> knowledge and cultural advancement. The analogical connection underscores 
>> the perils of complacency and the importance of embracing challenges and 
>> embracing change.
>> Paragraph 5:
>> Despite the similarities between the Last Men and the last man, there are 
>> contextual differences that must be acknowledged. Sweet Tooth presents a 
>> post-apocalyptic world, where survival is paramount and the Last Men serve 
>> as the immediate antagonists. In contrast, Nietzsche's work is philosophical 
>> in nature, addressing the existential concerns of his time. However, the 
>> core themes of human decline, complacency, and the necessity of a higher 
>> purpose resonate strongly in both works, facilitating the analogy between 
>> the Last Men and the last man.
>> Conclusion:
>> In Sweet Tooth and Nietzsche's Thus Spake Zarathustra, the Last Men and the 
>> last man are portrayed as societies that have settled for mediocrity and 
>> lost touch with the vitality of human existence. These analogies compel us 
>> to reflect on our own lives and societies, urging us to reject complacency 
>> and embrace the pursuit of purpose, ambition, and transcendence. The 
>> strength of the analogy lies in its ability to provoke introspection, 
>> challenging us
> 
> 
> 
>> On 5/30/23 07:44, glen wrote:
>> I haven't read either Lemire's Sweet Tooth 
>> <https://bookshop.org/p/books/sweet-tooth-compendium-jeff-lemire/15720508?ean=9781779510242>
>>  or Nietzsche's TSZ 
>> <https://gutenberg.org/cache/epub/1998/pg1998-images.html>. But EricS' 
>> mention, and watching the TV show, I can't help but wonder if there's 
>> analogy between their conceptions of "last man".
>> Were I 18 again, taking creative writing at the community college for 
>> transfer to uni, I'd write an essay making that analogy.  It would be 
>> terrible. But ChatGPT might help make it better.
> 
> -- 
> ꙮ Mɥǝu ǝlǝdɥɐuʇs ɟᴉƃɥʇ' ʇɥǝ ƃɹɐss snɟɟǝɹs˙ ꙮ
> 
> -. --- - / ...- .- .-.. .. -.. / -- --- .-. ... . / -.-. --- -.. .
> FRIAM Applied Complexity Group listserv
> Fridays 9a-12p Friday St. Johns Cafe   /   Thursdays 9a-12p Zoom 
> https://bit.ly/virtualfriam
> to (un)subscribe http://redfish.com/mailman/listinfo/friam_redfish.com
> FRIAM-COMIC http://friam-comic.blogspot.com/
> archives:  5/2017 thru present 
> https://redfish.com/pipermail/friam_redfish.com/
> 1/2003 thru 6/2021  http://friam.383.s1.nabble.com/
-. --- - / ...- .- .-.. .. -.. / -- --- .-. ... . / -.-. --- -.. .
FRIAM Applied Complexity Group listserv
Fridays 9a-12p Friday St. Johns Cafe   /   Thursdays 9a-12p Zoom 
https://bit.ly/virtualfriam
to (un)subscribe http://redfish.com/mailman/listinfo/friam_redfish.com
FRIAM-COMIC http://friam-comic.blogspot.com/
archives:  5/2017 thru present https://redfish.com/pipermail/friam_redfish.com/
  1/2003 thru 6/2021  http://friam.383.s1.nabble.com/

Reply via email to