Thanks for the perspective, Phil :-)  As I am not an ffmpeg expert, when
I [attempt to] mentally digest the documentation, I drill down into the
minutia until I hit "descriptively fundamental particles" ...often,
where I expect to find fundamental descriptions, there is just a hole
(in the meaning)..so I drop a rock, as a sounding method (oh crap, more
audio terminology) and listen for the splash.  In the [filtergraph]
context of Pad, that splash never came :-D

So..  It seems like its more of a temporary gateway/portal for
specifically crunched data.
>> In the case of ffmpeg _filters_, it looks like #3 is closest as a point of> 
>> interconnection but #2 could apply to 'pad' and 'apad' although IMHO 'fill'> 
>> would be a better term.
> I would tend to agree that what's going on here is that the English word 
> "pad" has a very large number of meanings and ffmpeg appears to be mixing 
> those meanings in a way that might reasonably be expected to cause confusion.
> At least part of this is happening because ffmpeg, by its nature, crosses 
> disciplines between IT and media production. Because of changes in the media 
> industry over the life of the ffmpeg project, this has become more and more 
> true over time, as digital post production has become ubiquitous. It's sort 
> of inevitable this would happen and it probably isn't anyone's fault. Dafter 
> things have happened to Premiere.
> It's also not the first time that this sort of collision has occurred 
> (witness the state of colour management in ffmpeg until fairly recently, and 
> I'll never forget the time someone fairly senior started complaining that 
> drop-frame timecode was untidy, to a reaction from more experienced hands 
> that ranged from mirth to disbelief).
> It seems that a cleanup of terminology is in order and at least something's 
> going to have to give.
> P  


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