Actually with Theatre Pipe organs (as opposed to trackers) the key press to 
pipe speaking is almost instantaneous except with some bass pipes which are 
naturally a bit slow - it takes some time for sound to travel the length of a 
16’ or (worse) 32’ pipe, or if a particular magnet is a bit reluctant to 
operate.

The real problem is where the pipe chambers are situated a long way from the 
console. The worst one I played was in the Sutton Plaza (UK) which had a delay 
of over 2 seconds. The only way to deal with it is to close your mind to the 
sound and rely on your inner clock to get your timing right when playing 
rhythmical pieces. A bit like listening to a QSO that’s buried in the noise. 
The human mind (when trained) can be quite adept at selective listening.

Many Theatre Organs also have a piano attached and that can be just as 
disconcerting if the piano’s a long way from the organ console.

73,
Alan - G4GNX
South Coast UK
Elecraft K4D / KPA500 / KAT500 / IC-9700




> On 14 Dec 2023, at 11:22, David Wilcox <djwilco...@yahoo.com> wrote:
> 
> I think you have forgotten the fact that there is a pause between when the 
> pipe organist presses a key and the sound actually happens.  Add that to all 
> the things mentioned previously.  I tried it once while talking to a pipe 
> organ student at my college… very discomfiting.  At least to a piano student. 
> 
> Dave K8WPE 
> 
> David J. Wilcox’s iPad
> 

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