Harry Durgin did a couple videos on that

https://www.youtube.com/redirect?v=11nInNWJHWk&event=video_description&q=http%3A%2F%2Fweeklyedit.com%2Fcamera-profiling-darktable-chart%2F&redir_token=u1328WDSXNhekRzZLid7MbFMgGh8MTUyNzkwMDE0NkAxNTI3ODEzNzQ2

and

https://www.youtube.com/redirect?redir_token=x1pQe5b4RXUCYmFePOfoRGWv5Fh8MTUyNzkwMDE4NkAxNTI3ODEzNzg2&v=LufwQZx01gk&q=http%3A%2F%2Fweeklyedit.com%2Fbasecurves%2F&event=video_description



On Thu, May 31, 2018 at 6:51 PM, Robin Kramer <kodr...@gmail.com> wrote:

> Ah, I also get weird initial color profiles with a5100.  I usually try to
> match the jpeg.  I might try to generate a custom ICC then.  I have a color
> checker card.  I forget what is the best software to do that.
>
> > On May 5, 2018, at 2:55 AM, Sarge Borsch <sausagefacto...@gmail.com>
> wrote:
> >
> > Regarding the copyrights question:
> > The ICC profile that I got as the result of the conversion is 536 bytes,
> at least 29 of which are the ASCII name string that is equal to "Sony
> ILCE-5100 Adobe Standard".
> > It contains only the following tags:
> > desc,
> > cprt (= "Copyright, the creator of this profile (generated by DCamProf
> v1.0.5)"),
> > wtpt (1 XYZ tuple),
> > rXYZ, rXYZ, rXYZ, (the most important and probably the only part we
> actually need — the color matrix),
> > and tone response curves which are just straight lines.
> >
> > As I see, the only thing in the final ICC profile that could possibly be
> non-trivial enough to raise copyright questions is the 3x3 color matrix.
> >
> >
> >> On 4 May 2018, at 22:10, Sarge Borsch <sausagefacto...@gmail.com>
> wrote:
> >>
> >> So, I tried to edit an ICC file in a hex editor to put the values from
> that website, and, just as expected, got nonsensical results.
> >>
> >> After that I tried another idea to snatch better color profiles — I
> searched the web for Adobe Camera Raw package, extracted the profiles from
> it (they are in .dcp format), and figured that it's possible to convert
> them to ICC by dcamprof.
> >> They seem to work very well — better than the currently built-in input
> profiles for sony a5100 in darktable.
> >> Now what do you think about the copyright status of these converted ICC
> profiles? Can they legally be distributed with darktable, or should I keep
> them only for myself?
> >> They are a lot smaller than the source .dcc files, probably because
> they don't keep nothing valuable except the color matrices. So are 3x3
> numeric matrices copyrightable?
> >>
> >> If you think these profiles can be officially added to darktable, I may
> fix the name tags and submit a pull request.
> >>
> >>> On 4 May 2018, at 17:14, Sarge Borsch <sausagefacto...@gmail.com>
> wrote:
> >>>
> >>> Hi.
> >>> I see that there are measured color responses at
> https://www.dxomark.com/Cameras/Sony/A5100---Measurements
> >>> Hence the question: is it a good idea to try to take the built-in
> profile and replace the primaries with these measured values, in order to
> get closer to the in-camera JPEG color rendering? (or are they already
> used?)
> >>>
> >>> I'm asking that because I've noticed that none of the built-in input
> color profiles for sony a5100 allows me to get close to the in-camera JPEG
> colors.
> >>> The 2 of them which are the closest to the correct rendering (that is,
> matching camera JPEG, which is quite good when judging by eye) are the
> "standard color matrix" and "linear Rec2020 RGB".
> >>> Both of them wildly differ from the in-camera JPEG in deep blue
> colors: "standard color matrix" causes them to be clipped and to look
> really unnatural, and "linear Rec2020 RGB" looks more or less natural, but
> the hue is obviously different (blue gets moved to cyan). Hence I started
> to wonder how easy is it to get a better color profile.
> >>>
> >>> I know that ideally this should be done with a color chart, but I
> don't have one and don't have spare money for it at the moment.
> >>>
> >>> Also I can share a shot of the example object (Raw + JPEG) which has
> such problematic color if anyone wants to test it, too.
> >
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