Program of the VIII th international congress Color and conservation http://cesmar7.org
SUPPORT (the) IMAGE VIII international Congress Color and Conservation 23-24 November 2018 Auditorium D. Mainardi Campus Scientifico Via Torino 155 30170 - Venezia - Mestre - Italy. DAY 1 STRUCTURAL INTERVENTION ON ARTWORKS ON CANVAS Opening addresses and introduction by CESMAR7 Methodological premises and state of the art Matteo Rossi Doria - Consolidation of polychrome surfaces. Working in an uncertain frame dealing with minimal treatments, structural reinforcement and preventive conservation Laura Fuster - Consolidation adhesives in modern and contemporary paintings: some structural considerations Petra Demuth - Major and minor development steps in the tear treatment methods for canvas paintings . All art and technology has been contemporary New materials and new techniques. Changes in the phenomenology of degradation and in the conservative approach. L. Fuster, R. Jiménez, E. Aguado, C.K. Andersen, F.C. Izzo, A. Murray, M. Picollo, J. Valcarcel, A. Vicente, A.Vila Picasso 1917: an approach to the role of the ground layers in the degradation of four paintings preserved at the Picasso Museum in Barcelona. E. Isella, F. Frezzato Mixed media on paper “White Glacier” by Emilio Longoni. Consolidating agents in comparison: the evaluation of the effectiveness and aesthetic behaviour of the treatment with different cohesive materials on a matt surface E. Aznar, S. Martín, M. Castell: Study of the exhibition support for the stabilization of fabrics made with the tüchlein technique, between the tapestry and easel painting. The collection of the Hall of the Crowns of the Palau Ducal de Gandia (Valencia-Spain). F. Lia, R. Speziale, P. Iazurlo, U. Santamaria: Research on consolidation of paint layer and auxiliary supports for oversize paintings: the “Ciclo della Pesca” by Umberto Coromaldi Structural interventions and consolidation of contemporary works on canvas D. Cimino, R. Ploeger, E. R. de La Rie,C. W. McGlinchey, T. Poli, O. Chiantore, J. A. Poulis Progress in formulating new adhesives for conservation purposes R. Barker, R. Hellen The consolidation of modern and contemporary painting surfaces at Tate, a History of material and practice. P. Carnazza, S. Francone, N. Sangiorgi, D. Poggi, R. Reale, M. P. Sammartino The consolidation of black matt synthetic and semi-synthetic paints in contemporary art. Experimentations, diagnostic analyses and observations. E. Millacci, M. Ciatti, P. Iazurlo, C. Lalli, L. Orata, O. Sartiani The Italian Memorial of Auschwitz: investigation of the tensioning system of a helicoidal structure of big size painted canvas E. Zendri, A. Carrieri, F.C. Izzo, E. Confortin Mending the matter: the rescue of a contemporary painting damaged by war events F. Persegati, L. Baldelli Bernard Buffet. Man’s existential anguish expressed through a strong style POSTER SESSION Elena Cometti, Dario Paolo Benedetti - Stretching as a conservation practice. Remote stretching setting and forces monitoring system. Lavinia Nasoni - The backing boarding. The final expression of paintings restoration on canvas Andrea Del Bianco, Gianluca Leonetti - A case-study of controlled softening and re-adhesion of a pictorial film. An operative proposal with the localized use of solvent vapours. Alice Liviani - Mixed technique: what are the consequences for the duration of the artifact? Case study on the problems of consolidation and fixing of the pictorial film of a 1960's painting on canvas, "Nudi", by the Neapolitan artist Alfonso Pone. Qualitative and empirical analysis of the adhesives to be used. Marta Allegra, Paolo Roma - Case study: alignment and mending the tear of a contemporary painting on canvas. Application of the Heiber method Lorenza Robino, Maria Letizia Amadori, Sabrina Bianchi, Valter Castelvetro, Ilaria Degano, Luisa Landi, Antonella Manariti, Marco Mattonai - Chemical characterization of linen textile supports treated with polysaccharides-based consolidant formulations retarding deterioration Letizia Marcattili - Tear mending in contemporary art on canvas. Comparative study of adhesives compatibility DAY 2 STRUCTURAL INTERVENTIONS ON ARTWORKS ON MIXED SUPPORTS Artworks on mixed supports F. Bettini, C. Frosini, L. Pensabene Buemi, C. G. Lalli, M. L. Petruzzellis, G. Subelyte Sabbath Phantoms (1939): restoration of the reverse glass painting by the surrealist artist Kurt Seligmann I. Gebhardt, S. Schäfer, D. Blumenroth, S. Grimberg 70 m2 of Pop art: modern paint and aluminium surfaces. The conservation treatment of the installation ″Horse Blinders″ (1968-69) by James Rosenquist L. Mensi Regina dei Neri by Piero Gilardi. A thought around consolidating treatment of flexible polyurethane foam. M. P. Marino, M.L. Amadori, A. Devecchi, M. Camaiti Marco Tirelli’s “Infinity Windows”. Preventive collaboration between artist and restorer Artworks on masonry supports M. Chatzidakis Supporting street art: Documentation and understanding of the role of the support in the deterioration mechanisms of street art. A. Carrieri, E. Astolfi, F. C. Izzo, A. Nevin Restoring American Graffiti? Restore of a graffito realized in 1984. P. Mezzadri The painting by Giuseppe Capogrossi at the ex-cinema Airone: consolidation problems of a work of art in "plastic on wall". M. L. Carlini, D. Pittaluga, S. Vicini, A. Mairani Conservative problems between support and color in Gino Grimaldi’s wall paintings. Research and experimentation for consolidation Amarilli Rava, A. Burnstock, K. Soppa, F. Piquè, S. Downes, E. Richardson Re-adhesion of paint layers on lime plaster: assessment of penetration and deposition with unilateral NMR and fluorescent labelling D. Scalarone, M. Bertasa, P. Croveri, M. Cardinali, S. Stoisa, I. Saccani, G. Cavanna, R. Bestetti, D. Riggiardi, A. Tibiletti CAPuS project: considerations on street art supports through the artists’ voice FINAL CLOSING REMARKS BY CESMAR7 AND FAREWELL Info at http://cesmar7.org Registration contacting Cesmar7 secretary at : [email protected] Roberto Bestetti Restauratore di Beni Culturali Via Monte Cassino 17 21013 Gallarate (VA) 347 1568453 ****** Unsubscribe by sending a message to [email protected] Searchable archives: http://cool.conservation-us.org/byform/mailing-lists/cdl/
