Those of you who work with collections of printed material may be interested to learn of the major international conference on the objects used to make prints: BLOCKS PLATES STONES: Matrices/Printing Surfaces in Research and Collections (Courtauld/British Academy, London, 21 September 2017). Tickets are now on sale at bit.ly/BlocksPlatesStones-Register. Please share widely.
With best wishes Elizabeth Dr Elizabeth Savage British Academy Postdoctoral Fellow & Lecturer in Book History and Communications, IES By-Fellow, Churchill College, Cambridge Institute of English Studies School of Advanced Study, University of London Room 255, Senate House, Malet Street, London WC1E 7HU, UK The School of Advanced Study is the UK's national centre for the facilitation and promotion of research in the humanities and social sciences. BLOCKS PLATES STONES: Matrices/Printing Surfaces in Research and Collections 21 September 2017, Courtauld Institute of Art & British Academy, London Details and programme: bit.ly/BlocksPlatesStones-Register Convenor: Dr Elizabeth Savage (Institute of English Studies) A deeply interdisciplinary conference, BLOCKS PLATES STONES will survey the state of research into cut woodblocks, intaglio plates, lithographic stones, and other matrices/printing surfaces. It will bring together researchers, curators, special collections librarians, printers, printmakers, cataloguers, conservators, art historians, book historians, digital humanities practitioners, scientists, and others who care for these objects, seek to understand them, or use them in research. The discussion will encompass all media and techniques, from the fifteenth century through the present, with a programme including papers, posters, object handling sessions, and demonstrations. KEYNOTE ROUNDTABLE Richard S Field (Yale), Maria Goldoni (Galleria Estense), James Mosley (IES; Reading), Ad Stijnman (Leiden), and Michael Twyman (Reading) SPEAKERS Laura Aldovini (Università Cattolica; Cini), Rob Banham (Reading), Jean-Gérald Castex (Louvre), Rosalba Dinoia (independent),Neil Harris (Udine), Konstantina Elmaloglou (Technological Educational Institute of Athens), Huigen Leeflang (Rijksmuseum), Giorgio Marini (Uffizi), Julie Mellby (Princeton), Andreas Sampatakos (Technological Educational Institute of Athens), Linda Stiber Morenus (Library of Congress), Arie Pappot (Rijksmuseum), Elizabeth Savage (IES), Jane Rodgers Siegel (Columbia), Femke Speelberg (Met), and Amy Worthen (Des Moines Art Centre) POSTERS & OBJECT SESSIONS Constança Arouca (Orient Museum), Teun Baar (Apple), Cathleen A. Baker (Michigan), Rob Banham (Reading), Maarten Bassens (Royal Library of Belgium; KU Leuven), Giles Bergel (Oxford), Annemarie Bilclough (V&A), Chris Daunt (Society of Wood Engravers), Gigliola Gentile (Sapienza), Jasleen Kandhari (Leeds), Nicholas Knowles (Independent), Peter Lawrence (Society of Wood Engravers), Marc Lindeijer SJ (Société des Bollandistes), Anna Manicka (National Museum, Warsaw), Peter McCallion (West of England), Melissa Olen (West of England), Maria V. Ortiz-Segovia (Océ Print Logic Technologies), Carinna Parraman (West of England), Marc Proesmans (KU Leuven), Rose Roberto (Reading; National Museums Scotland), Fulvio Simoni (Bologna), Rachel Sloan (Courtauld), Francesca Tancini (Bologna), Joris Van Grieken (Royal Library of Belgium), Bruno Vandermeulen (KU Leuven), Genevieve Verdigel (Warburg), Lieve Watteeuw (Illuminare), Christina Weyl (independent), and Hazel Wilkinson (Birmingham) ****** Unsubscribe by sending a message to [email protected] Searchable archives: http://cool.conservation-us.org/byform/mailing-lists/cdl/
