Vandalism and Art Conference Dates: 8-9 June 2017 Venue: Bonnefanten Museum, Maastricht, The Netherlands
The conference is organised in collaboration with SRAL, Bonnefanten Museum, CeROArt, & MACCH Organisation committee: Dr. Lydia Beerkens (SRAL, Maastricht); Kate Seymour, MA (SRAL, Maastricht); Professor Dr. Muriel Verbeek (CeROArt, Liege); Ingrid Kentgens (Bonnefanten Museum, Maastricht); Professor Dr. Hildegard Schneider (MACCH, Maastricht); Louise Wijnberg (Stedelijk Museum). This two day conference will allow all stakeholders to share their experiences, exchange ideas and define new polices when dealing with acts of vandalism. Decisions made when treating vandalised art works will be debated through case studies and new protocols for dealing with public awareness and management of social media will be addressed. Legal and economic issues and implications will be debated. Registration forms are available at http://www.sral.nl/nl/nieuws/conference-vandalism-art-june-8-9-2017-maastricht-netherlands/ Conference fee will be 195.00 Euro. Students (with proof) 30 Euro. Deadline for Registration: 31 May 2017 Confirmed Contributions Morwenna Blewett Hamilton Kerr Institute (UK) Criminal Damage and Cultural Property: The Curious Place of Movable Treasures. Isabelle Brajer National Museum, Copenhagen (DK) The problem of vandalism on contemporary outdoor murals and street art. Alain Colombini CICRP, Marseille (FR) The duality of Graffiti: is it vandalism or art? Dr Esther van Duijn Rijksmuseum, Amsterdam (NL) Vandalism and the Rijksmuseum: three vandalized paintings restored by Luitsen Kuiper in the nineteen seventies. Begüm Gücük Istanbul Dogus University (TR) Vandalism over Vandalism. Morwenna Blewett, Lynne Harrison, & David Peggie The National Gallery, London & Hamilton Kerr Institute (UK) Protecting Paintings from Vandalism: updating rapid response procedures at the National Gallery, London. Liv Laumenech University of Edinburgh (UK) Exploring the Aftermath: Sir Eduardo Paolozzi’s Tottenham Court Road Mosaic Arches at the University of Edinburgh Rachel Barker & Bronwyn Ormsby, with Melinda Keefe & Scott Wills Tate, London (UK) & Dow Chemical Company (USA) Mark Rothko: Untitled (Black on Maroon). Vandalism and its Legacy. Tomas Markevicius, Sharon Miller, Bruce Banks & Nina Olsson Munchmuseet, Oslo (NO), Science Applications International Corporation at NASA J. Glenn Research Center, Nina Olsson Art Conservation LLC (USA) Monoatomic oxygen: a non-contact method for nanoscale cleaning of vandalised modern and contemporary artworks. Md. Ali Nasir, Mahima Jain, Abhijeet Kumar National Museum Institute (IND) Restoration or Reconstruction ???? Tino Simon Hochschule for Bildende Künste, Dresden (DE) Deliberate damage to polychrome church interiors. Norman H Tennent & Stephen D Field University of Amsterdam & Dudley Metropolitan Borough Council (NL & UK) Vandalism of the Winston Churchill appliqué glass screen: a story without an ending? Carol Snow Yale University of Art Gallery (USA) Responding to White Supremacy: Public Images and Legacies at Yale University. Sandra Weerdenburg et al. Stedelijk Museum, Amsterdam (NL) The many forms of ‘vandalism’ in relation to modern art. Programme for the event is available on request: [email protected] ****** Unsubscribe by sending a message to [email protected] Archives through August 2016 at http://cool.conservation-us.org/byform/mailing-lists/cdl/ Archives from September 2016 onward at https://www.mail-archive.com/[email protected]/
