The proceedings of the symposium 'Copper painting and other metal plates: production, degradation and conservation issus' held last January at the Polytechnical University of Valencia are already available and can be purchased throught the UPV Publications office website at:
http://www.lalibreria.upv.es/portalEd/UpvGEStore/products/p_2102-3-1 'Copper painting and other metal plates: production, degradation and conservation issues' 'La pintura sobre cobre y otras planchas metálicas: producción, degradación y conservación' Edited by L. Fuster, I. Chulià, MF, Sarrió, ML. Vázquez, L. Carlyle, J. Wadum 226 pages Full color, 22 chapeters (18 in English, 3 in Spanish) ISBN: 978-84-1684-696-2 CONTRIBUTIONS: "Paintings on copper supports: an overview of their conception, creation and conservation" Isabel HOROVITZ, The Painting Conservation Studio (London , UK) "The Spanish connection. The making and trade of Antwerp paintings on copper in the 17th century" Jørgen WADUM, Centre for Art Technologial Studies and Conservation CATS (Copenhagen, Denmark) "Reconstruction of a late sixteenth century painting on a copper support: Hendrick van Balen's 'Adoration of the Shepherds' from the Fitzwilliam Museum" Alison STOCK, City & Guilds of London Art School (London, UK) "Silvered" copper plates: A study of material, technique and function of a rare metal support for paintings" Anne SCHMID, Fondation Beyeler (Basel, Switzerland) "Preparation techniques and their impact on the conservation of copper paintings" Nico BROERS, Ècole Saint Luc (Liège, Belgium) "Chemical, physical and mechanical decay procedures in oil painted copper objects" Lydia C. PAVLOPOLOU, Freelance Conservator, Bank of Greece external contractor (Athens, Greece) "A look into some factors influencing the film forming properties of oil paint films in copper paintings and the effects of environment in their structural behaviour" Laura FUSTER-LÓPEZ, Universitat Politècnica de València (Valencia, Spain) Marion F. MECKLENBURG, Smithsonian Institution (Washington D.C., USA) "A Saint Jerome after Palma il Giovane: artistic invention and the practice of painting on copper in the age of printmaking" Roxane SPERBER (Worcester Art Museum, USA), Anna KOOPSTRA (National Gallery London, UK) "Creating An Enduring Image: An investigation into the materials and techniques of Scipione Pulzone's Portrait of Cardinal Antoine Perrenot de Granvelle (1576, oil on copper, 81.7cm x 61.6cm, Courtauld Gallery)" Sally HIGGS and Alexander J. NOELLE, Courtauld Institute of Art (London, United Kingdom) "La colección de pintura sobre cobre del Museo de Bellas Artes de Santa Cruz de Tenerife" Antonio MARRERO ALBERTO, Freelance Conservator (Tenerife, Spain) "Recuperación de una valiosa colección de pintura flamenca realizada en cobre" Rocío MAGDALENO GRANJA y Mª Auxiliadora GÓMEZ MORÓN, Instituto Andaluz de Patrimonio Histórico (Sevilla, Spain) "Gerard ter Borch: copper versus canvas - a comparison" Susanne STANGIER, Freelance Conservator (Guttecoven, The Netherlands) " Valoración científico-técnica de la pintura sobre cobre: casos de estudio" Inmaculada CHULIÁ BLANCO, Mª Francisca SARRIÓ MARTÍN y Livio FERRAZZA, Subdirección de Conservación, Restauración e Investigación IVC+R de Culturarts-GVA (Valencia, Spain) José Antonio MADRID GARCÍA, Universitat Politècnica de Valencia (Valencia, Spain) Juan PÉREZ MIRALLES, Servicio de Conservación y Restauración de Bienes Culturales de la Diputación de Castellón (Valencia, Spain) "Theoretical and practical considerations on the presence of lead soaps in the degradation of an 18th century oil painting on copperplate" Filip Adrian PETCU, West University of Timişoara (Timişoara, Romania) "Análisis técnico-científico de una pintura sobre cobre del siglo XVIII. "Madonna con el Niño" Guillermo MARTÍN QUESADA, Nuria GARCÍA-VALENZUELA PARERA y Luis RODRÍGUEZ-SIMÓN, Universidad de Granada (Granada, Spain) "Proceso de restauración de dos pinturas sobre cobre del siglo XVIII procedentes de los fondos pictóricos de la Diputación de Valencia" Cristina VÁZQUEZ ALBALADEJO, Adela MURGUI CERVERA y Aida RODA CIUDAD, Diputación de Valencia (Valencia, Spain) "Restoration of double-sided painting on copper plate in Lithuanian Art Museum" Ruta KASIULYTE, Lithuanian Art Museum Pranas, Gudynas Restoration Centre (Vilnius, Lituania) "Investigations into paint delamination and consolidation of an oil painting on copper support" Maria Leonor OLIVEIRA, Leslie CARLYLE, Sara FRAGOSO and Isabel POMBO CARDOSO, Universidade Nova de Lisboa (Lisbon, Portugal) João COROADO, Instituto Politécnico de Tomar, (Tomar, Portugal) "Reassessment of a consolidation treatment: Investigation and conservation of a persistent paint layer delamination on a 19th century tin-plated iron support painting" Christina KAPEUNDL, Anke SCHÄNING and Wolfgang BAATZ, Institute of Conservation-Restoration, Academy of Fine Arts Vienna (Vienna, Austria) "Investigation and testing to develop an infill formula suitable for oil paintings on copper" Daniel VEGA, Isabel POMBO CARDOSO and Leslie CARLYLE, Universidade Nova de Lisboa (Lisbon, Portugal) "Signposts from the collection of the Auschwitz-Museum" Gunn PÖLLNITZ and Manfred SCHREINER, Institute of Science and Technology in Art, Academy of Fine Arts (Vienna, Austria) "Metal supports receptors of color, magic incantations and images in the Greco-Roman magic" M. Luisa VÁZQUEZ DE ÁGREDOS-PASCUAL and M. Julia MARTÍNEZ GARCÍA, Universitat de València (Valencia, Spain) ---------------------------------------------------------------------------- ---------------------------------------------------------------------------- ------------------- Laura FUSTER LÓPEZ, PhD Profesora Titular de Universidad UNIVERSIDAD POLITÉCNICA DE VALENCIA | Dept. Conservación y Restauración de Bienes Culturales | Camino de Vera s/n | 46022 Valencia (Spain) | Phone: +34 963 877 310 (ext. 73106) | E-mail: [email protected] ---------------------------------------------------------------------------- -------------------------------------------------------------- CONFIDENCIALIDAD Este mensaje se dirige exclusivamente al destinatario identificado, y puede contener información confidencial sometida a secreto profesional, o cuya divulgación esté legalmente prohibida. Si ha recibido este mensaje por error, le rogamos nos lo comunique de forma inmediata por esta misma vía y proceda a su eliminación, así como a la de cualquier documento adjunto al mismo, advirtiéndole que no está autorizado a utilizar, revelar, distribuir, divulgar, imprimir, copiar o realizar ningún tipo de acción sobre todo o parte de la información contenida en el mensaje. Se declina cualquier responsabilidad derivada de cualquier cambio realizado en el contenido del mensaje tras su envío. This e-mail is addressed exclusively to the recipient and may contain privileged information under a professional confidential agreement or it may be against the law to disclose its contents. If you receive this e-mail in error, please let us know immediately (by return e-mail) and proceed to its destruction, as well as any document attached to it, since you are not authorized to execute any action, use, disclose, distribute, print or copy all or part of the contained information. It does not accept any liability for changes made to this message after it was sent. ****** Unsubscribe by sending a message to [email protected] Archives through August 2016 at http://cool.conservation-us.org/byform/mailing-lists/cdl/ Archives from September 2016 onward at https://www.mail-archive.com/[email protected]/
