Malte Meyn-3 wrote > I think that it depends on context: In a full score where only one > instrument has a clef change, it would look weird if all the other > instruments have the rest not centered. But in solo music, I’m not so > sure which one I would prefer. > > According to Gould LilyPond’s behaviour is correct, but she doesn’t say > anything about full scores …
Thanks for your replies. Where did you find this reference in Gould's book? I was looking for that before writing my initial post but without success. On the contrary, I found this example which suggests otherwise (see the second one): mmr.jpg <http://lilypond.1069038.n5.nabble.com/file/t5604/mmr.jpg> I also rember writing orchestral music and I found always strange when several MMR where not centered in their measure because only one instrument had a clef change... Or maybe I don't get your point. Thomas Morley-2 wrote > Nevertheless you can change this behaviour by applying > [\once] > \override MultiMeasureRest.spacing-pair = #'(staff-bar . staff-bar) > as stated in the IR. That's good to know, thank you very much. -- Sent from: http://lilypond.1069038.n5.nabble.com/Bugs-f58488.html _______________________________________________ bug-lilypond mailing list bug-lilypond@gnu.org https://lists.gnu.org/mailman/listinfo/bug-lilypond
