LilyPond 2.19.21 will process the attached file without error but 2.19.22
prints the following:
Parsing...C:/Program Files
(x86)/LilyPond-latest/usr/share/lilypond/current/scm/
music-functions.scm:1987:3: In procedure map-some-music in expression
(map-some-
music (lambda # #) (expand-repeat-chords! # music) ...):
C:/Program Files
(x86)/LilyPond-latest/usr/share/lilypond/current/scm/music-func
tions.scm:1987:3: Wrong number of arguments to #<procedure map-some-music
(map?
music)>
--
--
Knute Snortum
(sent from Gmail)
\version "2.19.21"
\language "english"
\header {
title = "Les Trois Valses Distinguées du Précieux Dégoûté"
subtitle = "III. Ses Jambes"
composer = "Erik Satie (1866-1925)"
dedication = "à René CHALUPT"
style = "Avant-garde"
license = "Creative Commons Attribution-ShareAlike 4.0"
enteredby = "Knute Snortum"
lastupdated = "2015-Jun-21"
date = "1914"
source = "Paris: Rouart, Lerolle & Cie., 1916. Plate R.L. 10,166 & Cie."
mutopiatitle = "Ses Jambes"
mutopiacomposer = "SatieE"
mutopiainstrument = "Piano"
maintainer = "Knute Snortum"
maintainerEmail = "knute (at) snortum (dot) net"
maintainerWeb = "http://www.musicwithknute.com/";
}
% ------------------------------
% --- Changes from the score ---
% ------------------------------
% Bar 5: missing bass clef
% Bar 14: extra quarter rest
% Bar 34: third beat, inner voice, add same chord as second beat
% ----------------
% --- Preamble ---
% ----------------
\markup {
\column {
\line { \hspace #32 Le premier soin du propriétaire, quand il est arrivé à }
\line { \hspace #30 sa ferme, doit etre de saluer ses Pénates domestiques; }
\line { \hspace #30 puis le meme jour, s'il en a le loisir, qu'il fasse le }
\line { \hspace #30 tour de son domaine; qu'il voie l'état des cultures; les }
\line { \hspace #30 travaux achevés, ceux qui ne le sont pas. }
\line { \hspace #28 (CATON: "De ne rustica" traduction A. JEANROY et A. PEUCH) }
\line { \null }
}
}
% -------------------
% --- Definitions ---
% -------------------
staffUp = \change Staff = "upper"
staffDown = \change Staff = "lower"
forceHShiftOne = \once \override NoteColumn.force-hshift = -1
forceHShiftTwo = \once \override NoteColumn.force-hshift = -0.3
tweakF = \once \override DynamicText.extra-offset = #'(-1.75 . -4)
tweakTempo = \once \override TextScript.extra-offset = #'(-2 . 2)
tweakFTwo = \once \override DynamicText.extra-offset = #'(0 . -4)
tweakDanse = \once \override TextScript.extra-offset = #'(0 . -1.5)
tweakPp = \once \override DynamicText.extra-offset = #'(-3 . -2)
tweakRest = \once \override Rest.extra-offset = #'(0.5 . 0)
tweakP = \once \override DynamicText.extra-offset = #'(-1 . -3)
tweakFTwo = \once \override DynamicText.extra-offset = #'(0 . -1)
shapeOne = \shape #'((0 . 1.5) (0 . 1.5) (0 . 1.5) (0 . 1.5)) Slur
% --- Text
fier = \markup { \upright "Il en est très fier." }
danseOne = \markup { \upright "Elles ne dansent" }
danseTwo = \markup { \upright "que des danse de choix." }
plates = \markup { \upright "Ce sont de belles jambes plates." }
noir = \markup { \upright "Le soir, elles sont vêtues de noir." }
porter = \markup { \upright "Il veut les porter sous son bras." }
glissent = \markup { \upright "Elles glissent, toutes mélancoliques." }
indig = "Les voici indignées, très en colère."
% --- Musical terms
determine = \markup { \large \bold \upright "Déterminé" }
mains = "des deux mains"
rebond = "rebondissez sommairement"
toussez = "Ne toussez pas"
% -------------
% --- Music ---
% -------------
highVoice = \relative {
<a' d>4-> ( <cs e> <b g'> |
<a d>4-> <cs e> <b g'> ) |
<a c!>4-> ( < bf d> <c f> |
<a c>4-> < bf d> <c f> ) |
fs,8 ( gs b!4 fs!8 gs! |
b4 e,8 fs a4 |
e8 fs a4 ) s4 |
s2. |
\barNumberCheck 9
s2. * 4 |
\staffDown
b,4 ( cs e |
b4 cs e ) |
\staffUp
a4 ( b d |
a4 b d ) |
\barNumberCheck 17
fs'8 ( a ) r4 fs!8 ( a ) |
r4 fs8 ( a ) r4 |
fs,8 ( a ) r4 fs!8 ( a ) |
r4 fs8 ( a ) r4 |
cs,2 ( fs4 ~ |
fs4 cs 2 |
b2 d4 ~ |
d4 b2 ) |
\barNumberCheck 25
b8 ( g f?4 b8 g |
f?4 b8 g f?4 ) |
a8 ( f? e4 a8 f? |
e4 a8 f? e4 ) |
<a, b>4 ( <bf c> <b e> ) |
<a b>4 ( <bf c> <b e> ) |
\staffDown
<g a>4 ( <gs b> <a d> ) |
<g a>4 ( <gs b> <a d> ) |
\staffUp
\barNumberCheck 33
r4 ( fs''8 cs' fs4 ) |
r4 ( e,8 b'? d4 ) |
r4 ( fs,8 cs' fs4 ) |
r4 ( e,8 b'? d4 ) |
}
upperMiddle = \relative {
s2. * 8 |
\barNumberCheck 9
s2. * 4
\staffDown
\forceHShiftOne g2. |
\forceHShiftOne g2. |
\staffUp
f'!4 g a |
f4 g a |
\barNumberCheck 17
b4 ( cs e |
b4 cs e |
a,4 b d |
a4 b d ) |
e,4 ( fs a |
e4 fs a ) |
d,4 ( e g |
d4 e g ) |
\barNumberCheck 25
r4 b,2-> |
b2-> b4-> |
r4 a2-> |
a2-> a4-> |
s2. * 4 |
\barNumberCheck 33
s4 <bf' d> <bf! d> |
s4 <bf c!> q |
s4 <bf d> <bf! d> |
s4 <bf c!> q |
}
lowerMiddle = \relative {
s2. * 8 |
\barNumberCheck 9
c!8 ( d fs4 c8 d |
fs4 c8 d fs!4 |
c8 d fs4 c8 d |
fs4 c8 d fs!4 ) |
b,2 f'4\rest |
b,2 f'4\rest |
s2. * 2 |
\barNumberCheck 17
s2. * 4 |
\staffUp
b2. _~ |
b2 \tweakRest b4\rest |
a2. _~ |
a2 \tweakRest a4\rest |
\staffDown
\barNumberCheck 25
s2. * 8 |
\barNumberCheck 33
\staffUp
fs'2. _( |
g2. |
fs2. |
g2 g,4\rest ) |
\staffDown
}
lowVoice = \relative {
\clef treble
<fs' g>4 ( <e g> <d g> |
<fs g>4 <e g> <d g> ) |
<ef g>4 ( <f! g> <d g> |
<ef g>4 <f g> <d g> ) |
\clef bass
bf4 <d f!> <d e> |
fss,4 <cs' d> <b? d> |
<gs, gs'>4-> <fs fs'>-. <e e'>-. |
<d d'>4-> <cs cs'>-. <b b'>-.
\barNumberCheck 9
\repeat unfold 4 { <bf bf'>4-> <bf! bf'!>-. <bf! bf'!>-. | }
\forceHShiftTwo a'2 ( e4
\forceHShiftTwo a2 )r4 |
s2. * 2 |
\barNumberCheck 17
s2. * 8 |
\barNumberCheck 25
fs'4 ( g _\indig a |
fs4 g a ) |
e4 ( fs g |
e4 fs g ) |
<g, g'>4-. <f! f'!>-. <e e'>-. |
<d d'>4-. <c? c'?>-. <b b'>-. |
<e e'>4-. <d d'>-. <c c'>-. |
<e e'>2-> r4 |
\barNumberCheck 33
}
% --- Dynamics, text, and musical terms
dynamicsHigh = {
\tweakF \tweakTempo s2. \f -\determine
s2. * 3 |
\tweakFTwo s2. \f
\tweakDanse s2 -\danseOne s4 \break
s2. -\danseTwo
s2. |
\barNumberCheck 9
s2. * 4 |
s2. -\noir |
s2. * 3 |
\barNumberCheck 17
\tweakPp s2. \pp |
s2. * 3 |
s4 s -\rebond s |
s2. * 3 |
\barNumberCheck 25
\tweakP s2. \p |
s2. * 3 |
\tweakFTwo s4 \f s-\toussez s |
s2. * 3 |
}
dynamics = {
s2 s4 -\fier |
s2. * 7 |
\barNumberCheck 9
s4 s -\plates s |
s2. * 3 |
s2. \p
s2. |
s2. -\mains
s2.
\barNumberCheck 17
s2. -\porter |
s2. * 3 |
s2. -\glissent |
s2. * 3 |
}
% -----------------------
% --- Layout and MIDI ---
% -----------------------
global = {
\key c \major
\time 3/4
}
upper = {
\global
\clef treble
<<
\new Voice { \voiceOne \highVoice }
\new Voice { \voiceTwo \upperMiddle }
>>
\pageBreak
}
lower = {
\global
\clef bass
<<
\new Voice { \voiceThree \lowerMiddle }
\new Voice { \voiceFour \lowVoice }
>>
\pageBreak
}
\paper {
top-margin = 8\mm %-minimum top-margin: 8mm
top-markup-spacing.basic-distance = #5 %-dist. from bottom of top margin to the first markup/title
markup-system-spacing.basic-distance = #6 %-dist. from header/title to first system
top-system-spacing.basic-distance = #12 %-dist. from top margin to system in pages with no titles
last-bottom-spacing.basic-distance = #11 %-pads music from copyright block
% --- Set these to false after all editing is finished
ragged-bottom = ##t
ragged-last-bottom = ##t
ragged-right = ##t
}
\score {
\new PianoStaff <<
\new Dynamics { \global \dynamicsHigh }
\new Staff = "upper" \upper
\new Dynamics { \global \dynamics }
\new Staff = "lower" \lower
>>
\layout {
\context {
\Score
\hide BarLine
\hide SpanBar
\remove "Bar_number_engraver"
}
\context {
\Staff
\remove "Time_signature_engraver"
}
}
}
\include "articulate.ly"
\score {
\articulate <<
\new PianoStaff <<
\new Staff ="upper" \upper
\new Staff = "lower" \lower
>>
>>
\midi {
\tempo 4 = 208
}
}
% --------------------
% --- Translations ---
% --------------------
\markup {
\column {
\line { Translations by \with-url #"http://translate.google.com"; { "Google Translate" } and some research }
\line { \null }
\line { Title: }
\line { \hspace #2 \bold { Les Trois Valses Distinguées du Précieux Dégoûté } - Three Distinguished Waltzes of a Precious Fop }
\line { \null }
\line { Subtitle: }
\line { \hspace #2 \bold { Ses Jambes } - His Legs }
\line { \null }
\line { Preamble: }
\line { \hspace #2 The first care of the owner, when he arrived at his farm }
\line { \hspace #2 must be to salute his household household gods; }
\line { \hspace #2 then the same day, if he has leisure, he should tour }
\line { \hspace #2 his domain, see the condition of his crops -- the work }
\line { \hspace #2 that is completed, and that which is not. }
\line { \hspace #2 (Caton: "About the Country" translation A. JEANROY and A. PEUCH) }
\line { \null }
\line { Text: }
\line { \hspace #2 \bold \fier - He is very proud. }
\line { \hspace #2 \bold "Elles ne dansent que des danse de choix." - They only dance the select dances. }
\line { \hspace #2 \bold \plates - They are beautiful, thin legs. }
\line { \hspace #2 \bold \noir - At night, they are dressed in black. }
\line { \hspace #2 \bold \porter - He wants to carry them under his arm. }
\line { \hspace #2 \bold \glissent - They glide, all melancholy. }
\line { \hspace #2 \bold \indig - Here they are indignant, very angry. }
\line { \null }
\line { Musical Terms: }
\line { \hspace #2 \bold Déterminé - Determined }
\line { \hspace #2 \bold \mains - with both hands }
\line { \hspace #2 \bold \rebond - bounce back briefly }
\line { \hspace #2 \bold \toussez - Do not cough }
}
}
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