> Op zaterdag 27-06-2009 om 14:54 uur [tijdzone +0200], schreef Mats > Bengtsson: > > > I could also imagine the conductors view at a rehearsal. >
Actually I think repeating the bar numbers can make it easier for a conductor because bar 17 (say) always follows bar 16 both first and second time. > > Still, the > > formulation "most common" indicates that both strategies are used. > I have been doing an Orchestral Conducting course for the past year, which required looking at a vast number of scores. My impression is that both strategies are used more or less equally often. Sometimes different editions of the same work do it differently. Some editions don't use bar numbering at all. > Right, so this could be a choice. From my experience in an > orchestra, it often happens that some instrumental parts are > written out in full, ie, have no repeat, where other parts do have > repeats. If you do not increase all bar numbers with each > measure played, you are going to see "interesting" things > in fully written-out parts :-) > Tell me about it! Have you ever conducted Strauss waltzes? Bernard _______________________________________________ bug-lilypond mailing list bug-lilypond@gnu.org http://lists.gnu.org/mailman/listinfo/bug-lilypond
