In fact what you call "first voice" and "second voice"
are both in the same Voice context. The tie
override affects both ties because they occur at the
same musical moment (assuming the tie in your "second
voice" is intended to be between the two notes
immediately following the override) and are in the
same context.
It's not clear what you are trying to achieve here,
as the ties without the override look ok.
Trevor
Message: 2
Date: Wed, 23 Jul 2008 14:48:34 +0000 (UTC)
From: Marco Caliari <[EMAIL PROTECTED]>
Subject: Tie control-points delete another tie
To: bug-lilypond@gnu.org
Message-ID: <[EMAIL PROTECTED]>
Content-Type: text/plain; charset=us-ascii
I'm not top posting.
Dear all,
in the following snippet
\version "2.11.52"
\paper{ ragged-right=##t }
\new Staff {
<<
% first voice
{d''2 ~ d''
d''2 ~ d''}
% second voice in parallel
{f'2 f'
\once\override Tie #'control-points =
#'((1.5 . -0.5) (2 . 1) (7 . 2) (8 . -1))
f'2 f'}\\
% third voice
{c'2 c'
c'2 c'}
}
the \override command in the second voice deletes the tie in the first
voice
(the tie in the second voice is terrible, but it does not matter).
Best regards,
Marco
------------------------------
_______________________________________________
bug-lilypond mailing list
bug-lilypond@gnu.org
http://lists.gnu.org/mailman/listinfo/bug-lilypond
End of bug-lilypond Digest, Vol 68, Issue 26
********************************************
_______________________________________________
bug-lilypond mailing list
bug-lilypond@gnu.org
http://lists.gnu.org/mailman/listinfo/bug-lilypond
