The 11th (or 4th) if stated, always implies a suspended chord where the 3rd (10th) is omitted. A 13 alone also rules that the 7th is flatted, same with 9 or 7 making the chord a dom7. 9/add13 is confusing and non-standard, it should be just 13 as any player would know to flat the 7th and optionally add the 9th (or not) and also know not to play the 11th. If I see 9/add13 I would be likely to think it was an "add chord" and not a dom7 chord, so I would play only the 9th and 13th and omit the 7th (because of the word "add") and of course not play the 11th, above the triad.
Rune Zedeler wrote: > > Manual says "thirds are added to the root until it reaches the specified > number" which would be the correct thing to do. > But when specifying :13, the 11 is left out, so that the chord name > printed is "9/add13" instead of "13" > > %%% begin %%% > \version "2.10.25" > mus = \chordmode { c:13 } > << > \new ChordNames \mus > \new Staff \mus > >> > %%% end %%% > > -Rune > > > _______________________________________________ > bug-lilypond mailing list > bug-lilypond@gnu.org > http://lists.gnu.org/mailman/listinfo/bug-lilypond > > -- View this message in context: http://www.nabble.com/chordmode-%3A13-leaving-out-11-tf4113381.html#a12185204 Sent from the Gnu - Lilypond - Bugs mailing list archive at Nabble.com. _______________________________________________ bug-lilypond mailing list bug-lilypond@gnu.org http://lists.gnu.org/mailman/listinfo/bug-lilypond