Jay Anderson escreveu:
> I see that issue 10 is closed
> (http://code.google.com/p/lilypond/issues/detail?id=10). However, I'm
> still seeing similar behavior. The attached is from the actual score.
> If I take out the accidentals it looks right. I can also remove the
> acciacatura from the low voice to keep the arpeggio on the correct
> side of the bar line. Let me know if there's anything else you want me
> to do with this. Thanks!
> 
> -----Jay
> 
> \version "2.11.13"
> 
> \paper
> {
>  ragged-right = ##f
> }
> 
> \new Staff
> \relative c
> {
>  \time 6/8
>  \key f \major
>  \clef bass
>  R2.*2 |
>  << {<aes' ces f>2.\arpeggio} \\ {\acciaccatura des,,8 \voiceTwo des2.}
>>> |
>  <<
>    {
>      <des' ges bes des>4.~\arpeggio <des ges bes des>8
>    }
>    \\
>    {
>      \acciaccatura ges,8 \voiceTwo ges4.~ ges8
>    }
>  >>
> }

I fixed this, 

  http://code.google.com/p/lilypond/issues/detail?id=255

but in the future, please reduce your example as far as
possible.

I was able to boil it down to 


\paper
{
  ragged-right = ##t
}

\new Staff
\relative c
{
  \override Score.NonMusicalPaperColumn #'stencil = #ly:paper-column::print 
  \time 6/8
  \clef bass
  s2. |
  \relative c <<
    {
      <des ges b des>4\arpeggio
    }
    \\
    {
      \acciaccatura ges,8 \voiceTwo ges4
    }
  >>
}


-- 

Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen

LilyPond Software Design
 -- Code for Music Notation
http://www.lilypond-design.com



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