By 'better' I meant that it shows the problem more clearly. I haven't tweaked much at all yet. This is default Lilypond and it doesn't complain one bit about it getting too dense:
-----
Processing `E:/cygwin/home/Jay/open-scores/DukasVillanelle/trunk/Piano.ly'
Parsing...
Interpreting music... [8][16][24][32][40][48][56][64][72][80]
E:/cygwin/home/Jay/open-scores/DukasVillanelle/trunk/PianoNotes.lyi:452:12:
warning: Ignoring grob for slur. avoid-slur not set?
{ c''4-.
-^( <bes' g>2~) | <bes g>4 }
E:/cygwin/home/Jay/open-scores/DukasVillanelle/trunk/PianoNotes.lyi:452:12:
warning: Ignoring grob for slur. avoid-slur not set?
{ c''4-.
-^( <bes' g>2~) | <bes g>4 }
E:/cygwin/home/Jay/open-scores/DukasVillanelle/trunk/PianoNotes.lyi:452:12:
warning: Ignoring grob for slur. avoid-slur not set?
{ c''4-.
-^( <bes' g>2~) | <bes g>4 }
E:/cygwin/home/Jay/open-scores/DukasVillanelle/trunk/PianoNotes.lyi:457:10:
warning: Ignoring grob for slur. avoid-slur not set?
{ c4-.
-^( <bes' g>2~) | <bes g>1~ | <bes g>4 }[88][96][104]
E:/cygwin/home/Jay/open-scores/DukasVillanelle/trunk/PianoNotes.lyi:483:14:
warning: Ignoring grob for slur. avoid-slur not set?
<a d,>1~
-^)
|[112][120][128][136][144][152][160][168][176][184][192][200][208][216][224][232][240][248][256][264][272][280][288][296][302]
Preprocessing graphical objects...
programming error: no heads for arpeggio found?
continuing, cross fingers
programming error: no heads for arpeggio found?
continuing, cross fingers
Layout output to `Piano.ps'...
Converting to `Piano.pdf'...
-----
Only a few warnings about marcato marks and arpeggios. It may be
getting too dense because of the horn part. I've done this to make it
smaller:
-----
\new Staff
\with
{
fontSize = #-3
\override StaffSymbol #'staff-space = #(magstep -3)
}
{\hornNotes}
-----
Is this not good practice? Is there a way I can spread it out a bit?
I'm not quite sure how to remove a bar from the system without adding
in manual \breaks. I did this and had to take out about 5 measures
from the system to make it look nicer. Even then the bass clef is
right on top of the rest. I'll play with it a bit more when I'm done
entering the notes of the piece to make it presentable. Thanks for the
help again. (You guys are quick. I'm always surprised at how
responsive you all are.)
-----Jay
On 10/6/06, Werner LEMBERG <[EMAIL PROTECTED]> wrote:
> Yeah, I agree that there wasn't a total collision in the examples I
> provided. Perhaps the attached is a bit better.
It's not really better. The music is typeset far too densely. I'm
quite sure that lilypond complains about it. What about removing,
say, the first bar so that the system is dense but not overfull? Does
this still cause a collision?
Werner
collision.png
Description: PNG image
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