On Friday 03 February 2006 09:33, Erik Sandberg wrote: > On Friday 03 February 2006 07.57, Herman Grootaers wrote: > > Ladies/Gentlemen, > > Maybe a bug or am I doing something (very) stupid, like not Reading > > The Fine Manual ( :=)) ) ?? > > You're looking for \fermataMarkup. It's mentioned somewhere in the > manual, I think.
It is in the fine manual, but it does not do the trick I want it to do.
First: The output is not right, even when I mark each last "R" with the
correct direction for the fermatMarkup.
Second: When I condense the R, the fermataMarkup is written on the first
one, not the last one as I think is most logical place to be.
Third, With or without the duration inherintance from the first note, I
get complaints about the length of the bar. Strange as I think that
should be correctly measured, especially when I say that "R2." .
Fourth, I did test all the possible combinations, so it may be a bug,
which comes only forward when engraving two ( I guess maybe more)
voices into one staff.
The source I got now is:
============ Lilypond source ============
\version "2.7.30"
sop = \relative c''
{ c2. R2. R2. R2.^\fermataMarkup \bar"" \break c2. c c^\fermata c
}
alt = \relative c''
{ g2. g g g_\fermata \bar"" \break R2. R2. R2._\fermataMarkup g2.
}
ten = \relative c'
{ e2. R2. R2. R2.^\fermataMarkup \bar"" \break e2. e e^\fermata e
}
bas = \relative c
{ c2. c c c_\fermata \bar"" \break R2. R2. R2._\fermataMarkup c2.
}
\paper { raggedright=##t
}
\score { \context ChoirStaff
<< \context Staff = "women"
<< \clef treble
\context Voice = "soprano"
{ \voiceOne << \sop >> }
\context Voice = "alto"
{ \voiceTwo << \alt >> }
>>
\context Staff = "men"
<< \clef bass
\context Voice = "tenor"
{ \voiceOne << \ten >> }
\context Voice = "bass"
{ \voiceTwo << \bas >> }
>>
>>
}
========== End of Lilypond source ==========
mltRstshrt.pdf
Description: Adobe PDF document
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