With the heavy workload for the past 1 month, I hardly had any time to
spend on myself…no movies, no hangouts with friends, no chatting
and/or interacting on the net, and no music :( So, when the last of my
assignments were sent in last Friday, my mind was all set to embrace the
activities that I've missed thus far.

Call it fate, but Endhiran's audio release was set at a time when I
desired the much-needed emancipation from the maddening world…and
boy, what a relief it brought to my life.

Honestly speaking, I wasn't expecting much from Endhiran
soundtracks. Western, particularly techno music has never been my
favorite. Why, even when the whole world went ga-ga over the funky Hello
Doctor and Kalloori Salai (when Kadhal Desam was released), I've
been more moved by the blissful Thendrale and Anbe Anbe from the same
film. And with the kind of film Enthiran was anticipated to be, I was
very sure that there weren't going to be any soulful melodies in the
tracks. Nevertheless, Enthiran is definitely an album which stands tall
among others, even as it continues to create a delightful impact on the
listeners.

Leaving the musical aspect of the album to the experts, I'm merely
here to share my experience with the album. The album starts out with
Puthiya Manidha, which also happens to be my favourite track. The
prelude music, coupled the chanting of "Puthiya Manidha" in
sci-fi tune (who is this guy?) and Kathijah's soulful voice creates
a certain anticipation in yourself. Well, if you know ARR's music,
then you'll definitely know that this number is just going to get
bigger! And before you could stop thinking, the song hits you like a
bang! SPB pushes into the front lane and with the occasional support
from ARR, delivers a splendid performance. And yes, the whole song has a
techno feel to it, but it's far from being loud and noisy.
There's a life in this song, a soul waiting to embrace the
world…and by the end of the song, you know that Enthiran has born to
rule the world.

Kadhal Anukkal didn't create an impact on the first listen as
Puthiya Manidha did to me. To begin with, it took me some time to
realize that it's Vijay Prakash who delivering the number. Is he the
same guy who sang Hossanna? He definitely sounds different. At times, I
even felt that he was imitating Udit Narayan's way of singing. Maybe
he's not but I certainly wasn't taken by his singing nor the
song….at first. With repeated hearing, you realize what you've
missed at the first listen. Sounds you've never heard before, the
cheekiness in Vijay's voice, the joy in Shreya's and a positive
vibrancy in the whole number. The song sound fresher after numerous
hearing. It's my fault for dismissing Vijay too soon. He was
amazing. Shreya was at her usual best, and leaves a distinguished mark
with the way she loops around the notes at the end of the song. Wish she
had continued singing the notes a little longer.  I still don't
listen to this number as much as I enjoyed listening to Puthiya Manidha,
but yes, this is definitely a track to look out for.

ARR switches back to techno with Irumbile oru Idhayam. The song exudes
sci-fi and techno music at its best. Was I thinking that this would be
soulful? A definite no, but surprisingly and funnily, it is. The whole
idea about this number is to project a man who feels love blossoming
from his heart of steel. ARR uses the right techno sounds to present the
number. The high technology, sci-fi tune depicts the robot's
inflexion, while the lyrics, regardless of how funny or techno centric
they are, illustrate his feelings towards his lover.

In fact, I would group Irumbile Oru Idhayam in the same category of
Chitti Dance Showcase and Boom Boom Robo Da. They are definitely
exciting; with amazing, crisp, clear, sci-fi sounds nevertheless, I
failed to strike a chord with any of them. With the right visuals
though, these songs would definitely create a rage in future, but for
the time being, they stay at the bottom of my favorite track list.

Arima Arima on the other hand belongs to a different genre. I must admit
that the number has yet to grow on me but I'm starting to have a
fondness on the grandiose that the number exudes. After a long time,
Hariharan is back to ARR's camp…and as usual, he deals the high
notes with élan. Sadhana Sargam on the other hand, is someone I
prefer to hear in softer melodies. For some reasons, I always found her
voice to be a little annoying when sung in the higher notes. Then again,
the arrangement of music in this number takes the front line as compared
to the vocals. Such high-flying orchestration, such perfect crafting.
The song belongs to neither Hariharan nor Sadhna Sargam…this one
belongs to the one and only ARR!

Kilimanjaro is a surprise package in this album. It's a result of
tribal music meeting modern melody. Both Javed Ali and Chinmayi seem to
have loads of fun with this track. They sure sound different from their
other numbers, Chinmayi especially. In fact, I must confess that I
always had difficulties recognizing Chinmayi's voice. This could
serve as both advantage and disadvantage to her. Advantage in which she
keeps proving that she's good in presenting various style in her
singing. And disadvantage in the sense of  losing her identity. I mean,
each singer have their distinctive styles and voice modulations. This
difference is what sets them apart from one another. Of course, failing
to bring upon your own distinctive style is hardly seen as a negative
aspect, nevertheless, failing to stamp your voice in the minds of
listeners will definitely be a disadvantage. Chinmayi should start
focusing on bringing upon different styles in her natural voice instead
of changing her voice to make it sound to something it's not.

Coming back to the song, I was mighty impressed with the vocal and music
arrangement. They have been done tastefully and radiate a blooming
presentation to the track.

As an album, Endhiran is definitely not of my taste of music but
it's also not an album with mere sounds and technology. There's
something about the album which sparks a positive vibrations.
There's no "Style Style" of Sivaji or "No Problem"
from Love Birds here. In fact, Endhiran's music arrangement is
something which is not only enriching but inspiring as well. And
it's only made possible by ARR. With Endhiran, ARR has once again
proven why he's the epitome of music virtuoso- he has practically
revolutionize the current music scene, escalating it to such greater
heights, that it will be highly impossible for other musicians to climb,
let alone touch the peak the music is brought to. Endhiran may not be my
most favorite albums but I'm certainly glad to have lived to hear
them.




Gayathri


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