Very well written ARRvind! I respect your expressions and every comment for the 
songs! The whole album is a larger than life experience...




________________________________
From: ARRvind <[email protected]>
To: [email protected]
Sent: Mon, July 19, 2010 1:38:23 PM
Subject: [arr] Revisiting "Meenaxi- Tale Of 3 Cities" | A Mantra to Heal

  
Cast: Tabu, Kunal Kapoor, Raghubir Yadav, Nadira Babbar

Soundtrack and Background Score : A R Rahman

Lyrics : Rahat Indori, MF Hussain, Sukhwinder Singh


"Meenaxi- Tale Of 3 Cities" - HYDERABAD, JAISALMER, PRAGUE ,is the second 
brainchild of acclaimed artist MF Hussain after "Gajagaamini" . But the reason 
of this movie's existence till date(If, any) is because of none other than our 
musical prodigy AR Rahman Sir! Had ARR not been an integral part of Meenaxi, 
she 
would have donned to her gruesome natural death! Tabu's excellent portrayal, MF 
Hussain's charismatic colors and Santhosh Sivan's breath taking cinematography 
also added as a catalyst to the movie. But despite all these hyper 
positives,Meenaxi failed miserably at the box office, so much so that,it did 
not 
find its place at all in certain  cities of India. Nobody knows when the movie 
released and screened .The movie's fate turned so bad , thanks to the huge 
controversy created over a Qawwali song which was supposed to be referred to 
the 
almighty had been referred to the woman. 


Well, for us Rahmaniacs, the music album and the ever haunting background 
scores 
are more than enough treat to the senses! ARR sir directly pierces our heart 
and 
makes himself comfortable inside! There's no room for us to replace that space! 
Meenaxi's main USP lies in its earthy musical score which picks up the essence 
of 3 cities - Hyderabad, Jaisalmer and Prague.! The below opinions about the 
soundtracks and BGM scores are straight from my heart!

Chinnamma Chilakamma - Hyderabad | Sukhwinder Singh
Chorus:  Ganga, Febi, Kanchana

 Going by the initial lines, anybody gets duped  that the song would be a 
typical south indian peppy number with its Telugu Lyrics. But as Sukhwinder 
picks up his lines, one gets the Hyderabadi accent in its full flesh! That is 
the magic spell the entire album offers 

you;thorough nativity! Sukhwinder,always is the thump provider to any 
electrifying 

compositions of ARR.In this case, he has penned the lyrics as well. He always 
adds his 

signature styled nuances and makes the song sound more addictive. The flute 
interludes and some dholak drums here and there (by Shivamani) provide the 
audical treat. Chinnamma's choreography is also worth a mention here. 



Rang Hai - Jaisalmer | Alka Yagnik
Hummings by : Dallinda

 A rustic mysterious cry of a woman welcomes you to this earthy Rajasthani 
folksy number. The woman behind this mysterious voice is a Lebanese singer  
Dallinda!  Alka Yagnik is the perfect choice to do the vocal honors for the 
song.Her expressions in the lines "Kya Keh Rahaa Hain Sun Sunn...Paayal Pehen 
ke 
Phagun.." is first rate!! This song can be more enjoyed by seeing its 
resplendently colorful visuals( thanks to MF Hussain) on screen. The mud 
pots(Ghatams) and some strange strings are the main highlights in the 
instrumental arrangements. 


Noor-Un- Allah - Hyderabad | Murtuza Khan, Qadar Khan

 The most controversial song in ARR's career(of course for no fault of his!). 
This song's 

controversy had such mighty powers that it pulled out the entire movie from the 
screens due to an offensive reference made to the woman instead of the 
almighty. 
ARR, being a Sufi Saint, has come up with one of his career best qawwali with a 
sufi touch! Its soo sad that this great number didnt get its due credit. Both  
the Khan brothers have performed aptly, though ARR's voice is royally missed 
here! ARR creates an unbelievable magic with few basic instruments like Tablas 
and Harmoniums.! The rythm patterns throughout the song is scintillating to say 
the least!! You feel like getting immersed into this purified sea of 

melody and get all your sins washed off! In the movie, this number is split 
into 
two halves. 

Both the starting and ending phases of the movie has this song. The entire 
story 
happens 

between this song.And the lyrics gets its honors from MF Hussain himself.! 

Dhuan Dhuan - Prague | Asha Bhonsle, Kunal Ganjawala
Percussion : Shivamani
Additional Grooves : James Asher

 The Legendary singer Asha Bhonsle pairs up with ARR once again to render this 
sultry and  seductive number. ARR, right from Rangeela days, has always chosen 
Asha ji for young, vibrant and peppy numbers like this and she, regardless of 
her age, has always come out with great flying colors. This particular number 
is 
very less talked about among the Rahmaniacs, though it boasts of great 
percussions by ARR's loyalist Shivamani and has great rhythmic grooves. Kunal 
Ganjawala makes a distinct attempt at the hummings in the European style which 
is highly impressive. Ashaji's seductive touch particularly in the lines"Behak 
Rahee Hain...Nashe Mein Hai Samaaaaaaa.. .Nanananaana. ..heyeyeye. .Nanannana. 
.." is something that we can rave of.The choreography of this number is also 
very unique and the Prague culture is briefly and crisply exhibited!!

Potter's Village - Jaisalmer | Instumental
Percussions :  Hossam Ramzy
Strings: John Themis

  There's nothing in this world to beat ARR's wizardry in Instrumental pieces 
for his film 

albums. Who on earth can compose such precious jewels which spontaneously haunt 
any music loving creature of this universe? Potter's village is one such 
jewel.I 
literally burst into 

tears on the very thought that such legendary compositions went in vain for a 
film which 

never saw its daylight! The initial strings portion by John Themis drags your 
attention from 

whatever work you are involved in. This sound seems to carry some mysterious 
message with it pointing to far distance of the Jaisalmer desert village where 
the skilled villagers are 

making mud pots. The in-between Ghatam sounds makes it very clear that the pots 
being 

produced are tested for its sound. After a while, a nerve cracking percussion 
mixes with the  strings and ghatams and bring in some groove which is best 
experienced than told by mere words!!  10000 Oscars can be conferred upon ARR 
just for this masterpiece instrumentation! !!


Cyclist's Rhythm - Hyderabad | Instrumental
Percussions : Shivamani
Flute : Navin Kumar

  Cycle's bell ring is always annoying to many of us..! But certainly never 
after you hear 

this brilliant piece from Rahman - Shivamani duo..!! A mere cycle bell can be 
made 

absolutely enjoyable only by someone who's not less than the Wizard himself. 
Hyderabad is more famous for cycles and to bring to the audience notice, MF 
Hussain has come up with such brilliant idea to promote it by making Tabu stand 
amidst a group of cycles surrounding her.After those  initial rhythmic bells, 
another Rahman's close buddy Navin kumar showcases his brilliance through his 
breezy flute piece which scintillates and chills down to our spines! The 
awesome 
threesome (ARR, Shivamani and Pravin) combine together in a  jugalbandi of 
sorts 
towards the end suddenly picking up the groove! Shivamani's fast 
"Tappangucchhi" 
beats doesn't spare anyone from tapping the feet and match some steps! Again 
ARR 
makes us realize that instrumentation can't get bigger than this..! 


Yeh Rishta - Jaisalmer | Reena Bharadwaj
Strings : John Themis

  If anybody remembers Meenaxi, it should be because of "Yeh Rishta" song! The 
only song which was promoted well before its release and rightly so deserved 
its 
due appreciation! A fresh sounding debut youngster Reena Bharadwaj, who was 
specially flown  in from the UK,starts the song with her humming "Hmmm...hmmmm" 
even as Pravin blows the heavanly soothing flutes. This part, for me, is the 
BEST portion of the song! Reena's husky voice works so well to the song that 
the 
song turns sweeter in multiple folds! And, yes, how can i not mention the most 
spectacular portion of the song, where the listener feels there is a fresh 
water 
stream gushing out very next to you! It just flows into the ears and purifies 
our soul when digitally modulated Reena hums "Hainnnnnn Haiiiiiiinnnn. ."! A 
sugar candy melody with right mix of grooves and strings usage by John Themis 
makes Yeh Rishta as our permanent rishtedaar(relative )! And, never miss to 
enjoy the final most humming of Reena towards the end "Aaaaaaaaaaa. 
...Ummmmmmmmmmmm m.." I recommend all to see the video of this song! Truly 
colorful and amazing choreography! !! Rahat Indori, the lyricist, deserves a 
special pat on his back too..!


Do Kadam Aur Sahi - Starts in Jaisalmer and Ends in Hyderabad | Sonu Niigaam
Strings : Rashid Ali
Flute : Navin Kumar

  Needless to say, my BEST pick of the album! And yes, the career BEST song of 
Sonu Niigaam according to me!! I don't consider this just as a song! This is my 
Lifetime Companion!!! ! I never consider this song just as a audio wonder..Do 
Kadam is my BEST companion, my life partner, my soulmate...it goes on!!! Ive 
never been so emotionally attached to any others like i am to this soul mate. I 
have built my own image picture and have given a life to it too..! Sounding too 
fussy?? Hehee...just pouring out my honest opinion of this life defining 
masterpiece composition! 


 Right from its initial pale sounding strings when Sonu begins "Zindagi Haath 
Mila..." to 

the life filling trumpet sounds amidst the strings towards the end is like a 
holy path that 

we travel! Hats off to the lyricist Rahat Indori for penning such life defining 
lines. Each 

line is like a book that defines life. The now famous singer Rashid Ali's 
showcases his 

expertise on the strings effortlessly. Sonu Nigam's voice comes in as a fresh 
breather to 

this breezy journey, particularly his intense expressions of "Uuuummmrr Bhar 
Saath Sahee..." registers like gold! His voice has parts of blue (Sadness) , 
some happiness and 

more warmth in some other parts. I have nothing else to say about my Guru ARR, 
simply 

because i cannot express my feelings for him through words! Another most 
inspiring part of 

the song is towards the end, when a mild trumpet blows even as Sonu hums 
"Hmmmmm...mmm" . The best suggestion i can give  is, switch off the lights at 
night, lie down on your bed, put your best quality earphones, close your eyes 
and press "Play". And you will definitely travel to the Paradise, get your 
senses a royal king size treat,comeback to the normal world and never come out 
of the hangover for many days!! That's the ARR touch of Do Kadam for you!!!!
To experience this journey to the paradise in more detail, please click this 
below link and 

go much deeper. This is one of the best reviews i ve ever read in my lifetime 
about a song.! 

Hats off to our own member and an awesome writer, Mr.Dasun!!!

http://www.mail- archive.com/ arrahmanfans@ yahoogroups. com/msg37122. html


Background Score: 

  As the title conveys, the story plot features 3 cities : Hyderabad, Jaisalmer 
and Prague. 

Rahman emerges as a clear winner in giving life to all these 3 cities with his 
magical BGMs. While he goes completely into Qawwali  rhythms for Hyderabad, a 
rustic ,earthy, Arabic rhythms for Jaisalmer and a rich lavish strings for 
Prague, ARR , along with his trusted team members, brings out the essence and 
cultures of all the 3 cities through his enticing scores. Particularly, when 
Tabu roams around the Hyderabadi markets, an ultra spectacular "Ni Sa Sa Sa..." 
humming along with Tablas and Harmoniums , when Kunal roams around Jaisalmer, 
the female humming and scintillating Cello's and Violins to show the city of 
Prague, all speaks for themselves about the essence of the cities. MF Hussain 
has clearly emerged as a winner in extracting the BEST of the bests from ARR! 
Never miss the opportunity to savor yourselves with such haunting BGMs by ARR. 


To put in simple words.. Meenaxi Haunts and also Heals With her Melody!!!
 

 

 


      

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