Hi,

This piece was written by my friend Vani, who is a Rahman fan too :)
I'm sharing it with the group for the benefit of everyone.
So, here goes:

At the end of what I thought was a day so crazy that it makes me laugh
to think about it, I hereby write a note in praise of the song that
dramatically picked up my moods and made me smile, even at the end of a
racking 14-hour long day. 


This post is an attempt to put in writing the hundreds (ok, no, dozens)
of lines that are speeding through my mind in one moment in praise of
the humble song from Kizhakku Cheemaiyile, that I’m making myself
listen to in repeat mode just so I don’t lose the mood to capture all
those crazy lines. 


First, the strings in the beginning. Rahman teases you a bit, making
you wonder what the song is going to be like, and Mano’s voice does
complete justice – is it a gentle melody? A taunt? A song brimming with
love? Surprise (moondraam piraiye nee muzhu nilavaanadheppo!)? And then
the gentle strings just rush to strength towards the end and you can
literally feel the guitarist completely enjoying himself, grinning, and
just strumming the guitar in full joy. And the song tells you that it's
all of the above emotions - and more. 


And Mano launches into the song – simply LOVE the pickup of the beat. Sheer 
genius. 

Just listen to the strings behind ‘Ulla sondham enna vittu pogaadhu’. Subtle, 
and yet, brilliant. 


And Sujatha joins in, her voice also doing perfect justice to the song,
responding beautifully to the tone and mood of Mano’s voice. 


The guitar, meanwhile, joyfully cruises throughout, until Rahman jumps
in and croons his bit, as he is often wont to do… and after a punchy
pause, while in the background throughout, the guitar picks up again at
‘Kaagam thaan katthi ponaalum’ – simply love the turn it takes at the
end of ‘Un mugam paarka odi vandene’


Oh, oh, and also after Mano sings the pallavi again, just before the
second interlude, listen to that unexpected bit that surprises you! 


Of course, look out for that casual, unexpected entry that the guitar
makes again when Sujatha starts wrapping up the song, and all through
while Mano takes on from her. 


And just when you thought you couldn’t get enough of all this, Rahman
perfectly ends the song, crisply, with no unnecessary notes, just right!


Oh, ain’t I lucky to be enjoy such bliss from a tune so simple, yet so
brilliant! Hail music, hail Rahman, and hail God for creating him and
bestowing him with all this genius!!


Aravind

 
Rahmania show interviews: http://rahmania.4shared.com
 
 


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