this guy truly is very talented, and now i learn that he is very 
generous and nice human being too, not afraid of praising others, 
specially the king of music. i have much more respect for him now.


> A mention of Rahman makes him gush. "Have you heard his Delhi 6
> songs `Rehna Tu' and `Dafatan'? Forget Slumdog
> Millionaire, if the Oscar guys heard these numbers, they would come 
here
> and award him."


wowwwwww... felt sooo happy, as if someone had praised my work.





--- In [email protected], "ramakrisha laxmana subramanian 
siva gopala acharya iyer .aiyooo amma idli wada dosa sambar chatni ." 
<sriramiye...@...> wrote:
>
> 
> Music composer Amit Trivedi is on a high. After over a decade of 
working
> in the industry, it appears formula-ridden Bollywood has at last 
woken
> up to a new sound. One, where fusion, jazz, rock meets folk and
> classical tunes.
> 
> This was evident in Aamir last year and currently, in the tracks of 
the
> soon-to-be released Dev D. Amit likes to think out of the box, and
> fortunately for him, the new-age music is finding plenty of takers;
> certainly not a bad thing for someone who isn't a trained musician
> and goes purely "by instinct".
> 
> Amit himself is pleasantly surprised at the response to his songs,
> especially `Emotional Atyachar' the wedding song doing the
> rounds these days (on ringtones, FM channels, music charts etc).
> "You don't plan these things," he says. "It came about,
> thanks to Anurag Kashyap's (the director of Dev D) mad genius. He
> conceptualised the entire show, I just tried to execute it."
> 
> The story goes that Amit, who had bagged the project after meeting
> Anurag a couple of years ago, composed a few songs and presented it
> before the maverick director. "One of the songs had a line that went
> `Ib ke hovega re agge yaar…' Anurag heard it as
> `atyachaar'. He added the word `emotional' and asked me
> to compose something around it. I didn't have a clue what to do. But
> lyricist Amitabh Bhattacharya and I worked on the idea and finally
> managed to crack it. We decided to have a brass band version for 
which
> we got band masters Rangeela and Raseela to sing the song. Later, we
> added the rock version too. It was a huge challenge but we pulled it 
off
> somehow! But it's great that it has caught on," he says. As have
> the other numbers which are a mix of varied genres and stand out 
because
> of their funky notes.
> 
> Even so, he feels the industry isn't open to experimentation and
> would rather conform to the tried and tested trends. "I remember
> meeting a producer who wanted me to create an item song like Bidi
> Jalailye… Now, that was a good number, but I couldn't do
> something similar. Needless to say, I lost the project. My music is 
more
> suited as an OST, the way it is in Hollywood. Fortunately, though it 
is
> niche, such soundtracks are being appreciated here. And I would 
rather
> do something I am comfortable in, even if it goes against the tide."
> 
> It is an approach he has held all through his career. Right from the
> time he was in college, music was all he wanted to pursue. "Like any
> other middle-class family, mine too had reservations about the 
choice of
> career. But as far as I can remember I ate, drank and slept music. I
> grew up on Madan Mohan, R D Burman, and later A R Rahman and 
Coldplay,
> and knew this is what I wanted to do in life."
> 
> He began with theatre and then moved on to the ad world, composing
> jingles for countless commercials — his bread and butter, as he
> calls it. "I must have sold everything, from soap to oil," he
> chuckles. "Later I even formed a band called Om with a group of
> friends, in 2004. We released a fusion album but it flopped. Then it 
was
> back to ads, theatre and television."
> 
> But has the struggle to be hatke borne fruit now? "Well, I am
> getting offers and producers are calling me up," he smiles. However,
> despite the steadily growing popularity of his music, Amit feels far
> from having "arrived" on the scene. "Success feels good, but
> the thought always rankles at the back of my mind — `this
> film's music worked. But what about the next'? The pressure and
> expectations are more now."
> 
> Maybe he should try the big banners then. How about doing the Yash 
Raj
> and Karan Johar brand of cinema? "Sure, why not? Provided I can get
> to do it, my style," he laughs. "I like people who break the mould,
> like Rahman."
> 
> A mention of Rahman makes him gush. "Have you heard his Delhi 6
> songs `Rehna Tu' and `Dafatan'? Forget Slumdog
> Millionaire, if the Oscar guys heard these numbers, they would come 
here
> and award him."
> 
> Not surprisingly, he is among the millions gripped by Rahmania. "I
> would dedicate my success to him. He has inspired me to think 
different,
> create new sounds and go against the rules. Now let's see where it 
takes
> me!"
> 
> ..
> 
> 
> 
> 
http://www.mumbaimirror.com/article/82/2009020120090201023140498e4d743
90\
> /Straight-off-streets
> 
<http://www.mumbaimirror.com/article/82/2009020120090201023140498e4d74
39\
> 0/Straight-off-streets>
> 
> 
> 
> ..
>



  • ... ramakrisha laxmana subramanian siva gopala acharya iyer .aiyooo amma idli wada dosa sambar chatni .
    • ... Chord
      • ... Thulasi Ram
    • ... Jahanzeb Farooq
    • ... Anil Nair
    • ... Prakash Balaramkrishna

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