When you look at the response & reviews of Slumdog Millionaire from all over US 
& UK. It's been overwhelmingly received by the audience & critics in the 
region, thats the fact. Even if these people blast on the film as "its a usual" 
thing here, the people in the west have liked it and accepted it. I've heard 
almost all my colleagues who watched the film (all americans) saying "Its one 
of the best film i've ever watched".
 
So, its these people's (Priyadarshan etc) inability to take something to the 
world audience. The kind of reaction they show now clearly  indicates, they now 
realize that they missed to do it and someone from the west have taken a native 
thing to the west and succeeded in it. It's not Danny's fault or the people who 
liked the movie. It's the fault of these so called "creative" people as they 
think themselves they only give good films in the world.
 
According to Priyadarshan, if its a good old and known story / plot that has 
been an usual in India, why didnt they take it and win this with something they 
are used to already?
 
It's a pity these people cannot tolerate the success of a foreign man winning 
so many awards. And they'd never go and win such awards or recognition until 
they have this attitude of pulling the fellow frog's leg.
 
Better try to achieve than blaming.
- Bergin



________________________________
From: V S Rawat <[email protected]>
To: [email protected]
Sent: Saturday, January 31, 2009 10:13:07 PM
Subject: Re: [arr] Priyadarshan pans Slumdog

On 1/31/2009 9:05 PM India Time, _Chord_ wrote:

> I've
> read Vikas Swarup's novel Q & A. It should have been made by Mani
> Ratnam. Then you'd have seen what he would have done with Mumbai."

Mani has already made Bombay and has shown organized riots in there. Why 
does P think Mani would hesitate from showing what Danny has shown.

> The angry director wonders why there isn't a single shot in Slumdog
> that shows the more aesthetic side of Mumbai? "Why has Danny Boyle not
> taken one shot of Marine Drive? Do his slum dwellers exist only within
> their slums? 

It is the director's prerogative to show what his vision is. We can 
comment on or criticize that vision after seeing the film, but if we 
expect director to make film as per our vision, then that would be our 
film and not director's film. There is no rule that good side has to be 
shown along with bad side.

> And look at the absurdities…A boy becomes a national hero
> on a game show. 

People have indeed become national and international celebrities on 
account of TV shows.

> One cop takes him under arrest and interrogates him
> relentlessly. Where is everyone else? Is this kind of confinement
> possible in this age when television cameras enter your bedroom? 

The confinement was only for one night or at most less than 24 hours. 
Nobody might have even come to know about his confinement so they are 
not able to take any step. As per government rules, even a warrant is 
not required, even an FIR need not be filed for such a "detention" which 
is not an arrest. By showing that, Danny has highlighted another ugly 
part of indian administration. Real Police is much worse than the one 
depicted by Danny Boyle.

> If
> one of our filmmakers had made the same film we would have blasted him
> out of business."

he he he.

Our filmmakers have made many films on riots, poverty, torture, and 
every topic.

And we would not have felt bad about our our own filmmakers showing all 
those bad sides. We are finding it hurting because an outsider is 
showing us it all.

> 
> "Let them give as many Oscars as they like. We don't need to be
> impressed," ends Priyan angrily.

Why is he angry?

-- 
Rawat

------------------------------------

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