RICH RETURNS - Slumdog Millionaire becomes the biggest ‘Indian’ blockbuster
B Y S ANJUKTA S HARMA [email protected]

                                
        
E ven before its release in In- dian theatres on 23 Janu- ary, Slumdog 
Millionaire has become
the biggest film about India, to be filmed in In- dia—and its early 
international success has
emboldened its lo- cal distributor to plan a bigger release in India. As of 19 
January, the
film was running in 601 theatres in the US, and had collected $42.7 million 
(Rs207 crore to-
day) in gross box office earn- ings. Across the world, the film, made on a 
budget of $15
million, has already earned $50.4 million, including £1.75 million (around 
Rs12.65 crore) in
the UK in the first week of release there in January. In its ninth week in 
America, its reach
is much wider than that of Warner Bros Entertain- ment Inc.’s Chandni Chowk to 
China, which is
the biggest In- dian film release worldwide, running in 125 screens across the 
US and Canada.
Going by these figures, and following four awards at the Golden Globes given by 
the Hollywood
Foreign Press Asso- ciation including one for A.R. Rahman (best music), its 
India distributor,
Fox Star Studios India, decided to rethink its strategy in the last week. 
Initially, it was
planned as a staple multiplex release with 250 prints across 50 or so cities in 
two
versions—the original English, and Slumdog Crorepa- ti in Hindi. Vijay Singh, 
chief operating
officer, Fox Star Stu- dios India, said, “We want to promote Slumdog 
Millionaire as a
Bollywood/Indian film be- cause it deals with Indian peo- ple, it has great 
Bollywood- style
music and drama. The initial plan was to have 250 prints out in 50-plus cities, 
but considering
its new impor- tance, we are going with a little more than 400 prints in 
80-plus cities across
India.” Of 400, about 320 prints will be in Hindi. Singh says a series of paid 
previews are
also sched- uled on Thursday in New Del- hi, Mumbai and Bangalore. But 
considering the hype and
laurels that Slumdog Mil- lionaire has already received the world over, why 
didn’t the
distributors follow the prece- dent of Ghajini? The Aamir Khan starrer recently 
broke new
release records for an In- dian film, with 1,550 prints worldwide; it had 
grossed Rs227 crore
by 18 January. Singh says these two films can’t be compared. “In the US, 
Slumdog worked largely
through word of mouth. With- in two weeks, it picked up mo- mentum—its journey 
has been similar
to that of Sideways (2004), Little Miss Sunshine (2006) and Juno (2007). It 
comes to India
after being in the news, and there’s no rea- son why 400-plus prints shoul- 
dn’t be enough for
it to be suc- cessful in India,” Singh said. In October, Slumdog Mil- lionaire 
almost became a
DVD-only film. Warner Inde- pendent, a part of Warner Brothers, which was 
supposed to
distribute the film, was closed down. But later in the month, Fox Searchlight 
picked it up and
it was released in the US on 12 November. Shekhar Kapur, director of Bandit 
Queen (1994) and
Eliza- beth (1998), who has worked with both Hollywood and Brit- ish producers, 
has keenly fol-
lowed the fortunes of Slumdog Millionaire ever since it was released in 
November. Kapur speaks
highly of the film’s artistic merit, but says that its importance in India lies 
elsewhere.
“What’s most relevant is that Slumdog is the most successful ‘Indian’ film 
ever. The novel Q&A
on which it is based was written by an Indian diplomat. The cast is Indian as 
is the style and
the story. It was directed by a Brit- ish director and funded by a European 
company, but so
what? Chandni Chowk to Chi- na is also funded by Warner Brothers; Hrithik 
Roshan’s forthcoming
Kites is going to be substantially in English; for- eign crews are very common 
in Indian films
now,” Kapur said. The film has surpassed the record held by Mira Nair’s Monsoon 
Wedding (2002)
as the highest grossing film shot in India. It made close to $35 million 
worldwide. Earlier
Richard Attenborough’s Gand- hi (1982) grossed $52.7 mil- lion, which included 
the cost of DVD
rights and television broadcast rights. Slumdog Millionaire is the story of 
Jamal Malik, who
grows up in a slum in Juhu, Mumbai, and braves the worst kind of urban poverty 
and ad- versity
to win the Indian ver- sion of the TV show Who Wants to be a Millionaire. Anil 
Kapoor stars as
the show’s host and Dev Patel, a UK-born Indi- an actor, and Freida Pinto, a 
Mumbai-based
model, play the lead roles of Jamal and Lat- ika. With music by Rahman, and a 
sensibility which
is very Indian and Bollywood, indus- try watchers predict it is going to be 
received well at
the box office. “People will be curious to see what the hype is all about, and 
the first
weekend should reap good returns at the box office,” says Komal Nahta, trade 
analyst and editor
of The Film Street Journal. But even before its release, the film has also 
already re- ceived
its share of brickbats in India, most notably from film star Amitabh Bachchan 
who criticized
the film in his blog, saying it portrays India in a poor light. Bachchan wrote: 
“...if SM
projects India as [a] third-world, dirty, underbelly developing nation and 
causes pain and
disgust among na- tionalists and patriots, let it be known that a murky 
underbel- ly exists and
thrives even in the most developed nations.” Given that everything that 
Bachchan says makes
news in India, it will fuel curiosity about the film. The film pre- mieres in 
India on 22
January. Major members of the film’s crew, including British direc- tor Danny 
Boyle, who
received the Golden Globe for best di- rector, drama; writer Simon Beaufuoy; 
music director
Rah- man and co-director, India, Delhi-based Loveleen Tandan, arrive in Mumbai 
on Tuesday to
celebrate the premiere.
[Click To Enlarge]
E ven before its release in Indian theatres on 23 Janu ary, Slumdog Millionaire 
has become the
biggest film about India, to be filmed in India—and its early international 
success has
emboldened its local distributor to plan a bigger release in India.

As of 19 January, the film was running in 601 theatres in the US, and had 
collected $42.7
million (Rs207 crore today) in gross box office earnings. Across the world, the 
film, made on a
budget of $15 million, has already earned $50.4 million, including £1.75 
million (around
Rs12.65 crore) in the UK in the first week of release there in January.

In its ninth week in America, its reach is much wider than that of Warner Bros 
Entertainment
Inc.’s Chandni Chowk to China, which is the biggest Indian film release 
worldwide, running in
125 screens across the US and Canada.

Going by these figures, and following four awards at the Golden Globes given by 
the Hollywood
Foreign Press Association including one for A.R.

Rahman (best music), its India distributor, Fox Star Studios India, decided to 
rethink its
strategy in the last week.

Initially, it was planned as a staple multiplex release with 250 prints across 
50 or so cities
in two versions—the original English, and Slumdog Crorepati in Hindi. Vijay 
Singh, chief
operating officer, Fox Star Studios India, said, “We want to promote Slumdog 
Millionaire as a
Bollywood/Indian film because it deals with Indian people, it has great 
Bollywoodstyle music
and drama. The initial plan was to have 250 prints out in 50-plus cities, but 
considering its
new importance, we are going with a little more than 400 prints in 80-plus 
cities across
India.” Of 400, about 320 prints will be in Hindi. Singh says a series of paid 
previews are
also scheduled on Thursday in New Delhi, Mumbai and Bangalore.

But considering the hype and laurels that Slumdog Millionaire has already 
received the world
over, why didn’t the distributors follow the precedent of Ghajini? The Aamir 
Khan starrer
recently broke new release records for an Indian film, with 1,550 prints 
worldwide; it had
grossed Rs227 crore by 18 January.

Singh says these two films can’t be compared. “In the US, Slumdog worked 
largely through word
of mouth. Within two weeks, it picked up momentum—its journey has been similar 
to that of
Sideways (2004), Little Miss Sunshine (2006) and Juno (2007). It comes to India 
after being in
the news, and there’s no reason why 400-plus prints shouldn’t be enough for it 
to be successful
in India,” Singh said.

In October, Slumdog Millionaire almost became a DVD-only film. Warner 
Independent, a part of
Warner Brothers, which was supposed to distribute the film, was closed down. 
But later in the
month, Fox Searchlight picked it up and it was released in the US on 12 
November.

Shekhar Kapur, director of Bandit Queen (1994) and Elizabeth (1998), who has 
worked with both
Hollywood and British producers, has keenly followed the fortunes of Slumdog 
Millionaire ever
since it was released in November.

Kapur speaks highly of the film’s artistic merit, but says that its importance 
in India lies
elsewhere. “What’s most relevant is that Slumdog is the most successful 
‘Indian’ film ever. The
novel Q&A on which it is based was written by an Indian diplomat. The cast is 
Indian as is the
style and the story. It was directed by a British director and funded by a 
European company,
but so what? Chandni Chowk to China is also funded by Warner Brothers; Hrithik 
Roshan’s
forthcoming Kites is going to be substantially in English; foreign crews are 
very common in
Indian films now,” Kapur said.

The film has surpassed the record held by Mira Nair’s Monsoon Wedding (2002) as 
the highest
grossing film shot in India. It made close to $35 million worldwide. Earlier 
Richard
Attenborough’s Gandhi (1982) grossed $52.7 mil lion, which included the cost of 
DVD rights and
television broadcast rights.

Slumdog Millionaire is the story of Jamal Malik, who grows up in a slum in 
Juhu, Mumbai, and
braves the worst kind of urban poverty and adversity to win the Indian version 
of the TV show
Who Wants to be a Millionaire. Anil Kapoor stars as the show’s host and Dev 
Patel, a UK-born
Indian actor, and Freida Pinto, a Mumbai-based model, play the lead roles of 
Jamal and Latika.
With music by Rahman, and a sensibility which is very Indian and Bollywood, 
industry watchers
predict it is going to be received well at the box office. “People will be 
curious to see what
the hype is all about, and the first weekend should reap good returns at the 
box office,” says
Komal Nahta, trade analyst and editor of The Film Street Journal.

But even before its release, the film has also already received its share of 
brickbats in
India, most notably from film star Amitabh Bachchan who criticized the film in 
his blog, saying
it portrays India in a poor light. Bachchan wrote: “...if SM projects India as 
[a] third-world,
dirty, underbelly developing nation and causes pain and disgust among 
nationalists and
patriots, let it be known that a murky underbelly exists and thrives even in 
the most developed
nations.” Given that everything that Bachchan says makes news in India, it will 
fuel curiosity
about the film. The film premieres in India on 22 January.

Major members of the film’s crew, including British director Danny Boyle, who 
received the
Golden Globe for best director, drama; writer Simon Beaufuoy; music director 
Rahman and
co-director, India, Delhi-based Loveleen Tandan, arrive in Mumbai on Tuesday to 
celebrate the
premiere.

        

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