The wait is finally over! An Aamir Khan film is nothing short of an event.
The supremely talented actor acts in one film a year and no two films are
ever identical in terms of plotline.

Don't miss: Aamir's painful injury during shoot
<http://sify.com/movies/bollywood/imagegallery/galleryDetail.php?hcategory=13733814&hgallery=14822822>|
Play the *Ghajini* game, win
prizes<http://sify.com/movies/specials/ghajini/quiz/>| Interview
with 
Asin<http://sify.com/movies/bollywood/imagegallery/galleryDetail.php?hcategory=13733814&hgallery=14819314>|
Preview,
stills, videos and more on *Ghajini*<http://sify.com/movies/specials/ghajini/>

*Ghajini*, the Tamil version, has been a massive hit and so was its dubbed
Telugu version. Will the Hindi adaptation live up to the humungous
expectations? The hype is unmatched and you expect no less than a
present-day masterpiece.

Now the good news: *Ghajini* demonstrates how strong film-making can enhance
and elevate an already solid concept.

*Ghajini* is a revenge saga, one ingredient that has been the staple diet of
Hindi films since time immemorial. It is a powerful film. It has the power
to sweep you off your feet from the word 'go'. It has a riveting story,
which has been told with flourish by director A.R. Murugadoss. And, of
course, it has a knockout performance by Aamir Khan.

The flaws? Running time [almost 3 hours]? Not at all! There's so much
happening in every scene and the screenplay is so gripping that you don't
feel the need to look at the auditorium ceiling or at your watch at brief
intervals. You aren't restless. As moviegoers, we've watched countless good
versus evil fares over the years and although *Ghajini* belongs to the same
family, not once does it take the beaten track. The story has been told
differently and most importantly, the story offers so many twists-n-turns
that you just can't guess what would unfold next.

Is it violent? It is, at times, but the violence here is justified. In fact,
every time the protagonist bashes up the evil-doers, you clap and root for
him. The climax is jaw-dropping -- dissimilar from the original, but it's an
out of the world experience nonetheless.

To sum up, *Ghajini* is commercial Hindi cinema at its best. The film has
'Hit' written all over it. Let me put it this way: Cancel whatever you're
doing today and go watch *Ghajini* instead.

Aamir Khan is suffering from acute short-term memory loss set off by the
violent murder of his girlfriend Asin. He's got to work around this
handicap, but with methodical and meticulous determination. Aamir etches a
path of clues that lead him on his road.

To aid him in his quest, he carries around a sheaf of Polaroids and when he
is really sure of a piece of information, he has it tattooed on his body,
which stands in for the damaged part of his mind. His indelibly marked torso
is the repository of his grief, his rage and his reason to go on living. Any
more revelation would do gross injustice to the film and to its viewer.

First things first! *Ghajini* is not *Memento*. There're minor similarities,
but *Ghajini* takes a completely different route to tell its story. Director
A R Murugadoss tells this one differently. It starts off with what happens
in the past, comes to the present-day, goes back in time again and returns
to the contemporary again. This is a breathless, exciting story,
heart-breaking and exhilarating at the same time.

Hindi movies have often depicted people suffering from amnesia/memory loss,
but *Ghajini* is poles apart because the protagonist recalls events only for
15 minutes. The story is its USP, without a doubt. But what adds sheen and
glory to the story is Aamir's portrayal of a man suffering from short-term
memory loss.

Aamir hardly speaks. In fact, the leading lady [Asin] speaks more than Aamir
in the film. But Aamir speaks volumes with his eyes, he conveys whatever has
to be conveyed through his body language, he says it all with his facial
expressions and that only makes *Ghajini* a memorable, never-seen-before
experience.

Director A.R. Murugadoss deserves brownie points for not just coming up with
an interesting story, but also presenting it [refreshingly] differently. The
storyteller balances the light moments and the ones demanding intensity with
expertise. There's *dum* in every sequence. Even if the director has to
depict violence, he doesn't resort to blood-n-gore or knives-swords-pistols
for effect.

A R Rahman's music is top notch. At least three numbers have the
unmistakable stamp of a genius -- 'Guzarish', 'Behka' and 'Kaise Mujhe'.
Ravi Chandran's cinematography is stunning. The film bears a stylish look
all through. The action sequences are brilliantly executed. The Hindi
moviegoers haven't seen such scenes ever.

Aamir delivers his career-best performance. In the first place, it requires
courage and maturity to name the film after the villain. Knowing how
egoistic our stars are, something like this is next to impossible in Hindi
films.

A lot has been said and written about the *Ghajini* look -- Aamir's
hairstyle and his dream physique. As far as his acting is concerned, he's
natural as the tycoon, but like a wounded, ferocious tiger when he goes on
an avenging spree. Without doubt, it's a concentrated, layered performance.
He acts with his entire being. His body movement, the details of his
performance, everything rings true. He is both vulnerable and hard. The pain
in his face when he can't remember, is palpable. It's not only the plot that
carries *Ghajini*. It's also the mood and the expression on Aamir's face
that makes *Ghajini* a treat.

Asin is fabulous. To share the screen space with an actor of the stature of
Aamir Khan and yet remain in your memory even after the show has ended is no
cakewalk. She looks fresh and photogenic and acts her part brilliantly.
Pradeep Rawat, the villain, is first-rate.

On the whole, *Ghajini* is a winner all the way. The film will set new
records and has the merits to emerge one of the biggest hits of all times.
The weekend business should be historic, the Week 1 business should be
unparalleled, the lifetime gross should be amongst the biggest of all times.
In short, *Ghajini* has 'Blockbuster' written all over it.
http://sify.com/movies/bollywood/review.php?id=14824058&ctid=5&cid=2425

-- 
regards,
Vithur

Reply via email to