somehow,,, everything is melodious to the ears .. and the magic of ARR is always there. Nothing more I want from my side...
His music motivates me to do my maximum good for the soceity. What more can I ask ARR to do...!! On Fri, Nov 7, 2008 at 9:52 AM, dian hayati <[EMAIL PROTECTED]> wrote: > I absolutely agree with you guys. One thing also bothers me. I love > Srinivas' voice, very much unique, but singing Zindagi...without that > classical music...I feel something missing, not really satisfied with the > arrangement, and also with the manmohini...hmm...well, is it just because > I'm not too smart to analyze these kind of things, or...I don't know, but > please correct me guys if I say something wrong here... > > *AR Rahman has changed my life* > *His great music is another name of Love...* > > *Dian Hayati Syamsuir* > > > --- On *Fri, 11/7/08, Chord <[EMAIL PROTECTED]>* wrote: > > From: Chord <[EMAIL PROTECTED]> > Subject: Re: [arr] Do U find those creative percussions missing nowadays in > Sir's arrangement? > To: [email protected] > Date: Friday, November 7, 2008, 10:40 AM > > > Agreed. Found Yuvraaj's rhythm tracks to be the weakest link in the > album. He is also using synth tabla sounds, which is fine by me, but > again underscores the diminished use of ethnic percussion in recent > works, with exceptions like Khwaja and Azeem from JA. > > It could be a deliberate attempt by ARR to move away from rhythm based > songs to more melody oriented numbers, which I feel has been the > strongest trend by ARR recently. His songs this year have been > extremely melodious, the most meloodious music out of anyone in India, > and for that, I am extremely happy. His melodies and mid range > arrangements are just mindblowing, even at the sacrifice of his rhythm > tracks, which is just relative to his own previous work. > > --- In arrahmanfans@ yahoogroups. com <arrahmanfans%40yahoogroups.com>, > Syed Quadri <saregamaka@ ...> wrote: > > > > > > I fully agree on the poster's comments. May be it is due to > relocation of his lieutenants , such as Siva mani, Naveen and host of > other musicians already made Mumbai as their homes. Even junior sound > engineers like Aditya Modi relocated to Mumbai. Other factors could > be immense work load , pressure of deadlines ( Although AR never turn > in the work on time.. .watch the recent interview hosted by NDTV and > the trio was playing blame game in front of millions of audience , > that Ghai was expecting a western classical in two months and AR was > due to submit the project for shoot last July ,Gulzar and Ghai belong > to two different schools of thought, etc ,etc ). > > it is a fact that , one person can not do things single handed. Gone > are the days when MDs like Naushad, Madan mohan , Ilyaraja RDB used > to oversee all the departments. This is the era where Md's like SEL, > VS share their work load as a team and live in tinsel town, stay in > touch with the best of people in the industry for PR work. whereby > these smart marketing manipulators create negative publicity for AR > and happily belonging to the camps controlling the industry. > > > > --- On Thu, 11/6/08, subhadip_jis <subhadip_jis@ ...> wrote: > > > > From: subhadip_jis <subhadip_jis@ ...> > > Subject: [arr] Do U find those creative percussions missing nowadays > in Sir's arrangement? > > To: arrahmanfans@ yahoogroups. com <arrahmanfans%40yahoogroups.com> > > Date: Thursday, November 6, 2008, 1:11 PM > > > > > > > > > > > > > > Guys, I want to share my views on this topic. I was listening to > > Rahman Sir's classic compositions from Iruvar-Alaypayithey -Bombay, > > also "Thiruda Thiruda" numbers & "FIRE" BGMs. > > I think the usual charm of tight percussion units in ARR's songs is no > > longer existing nowadays. The kind of minute details we used to get in > > every beat of it, may it be "humma humma" or "Thee Thee" or a semi- > > classical number like "Radha kaise na jale..." is somewhere missing > > nowadays. Even this creative percussion were heard in RDB, (Remember > > the bike chasing or killing of minister scene !!!!), also a bit of it > > in Jodha Akbar (although he relied upon synthesized beats in "Jashn > > Bahara"). > > Does it mean Rahman Sir doesn't involve himself much in every section > > of a song, rather leave it to young bloods like Krishna Chetan? At > > least I personally felt lack of innovative percussion (using unusual > > beats & instruments) in last couple of films like "Jaane > > Tu..", "Sakkarakatti" , "ADA" & even in "Yuvraj". In "Yuvraj" also he > > uses a lot of techno stuffs as backing beats, which just supports the > > song by keeping the rhythm but doesn't increase it's beauty. Well > > composed numbers like "Tu hi meri dost" or "Manmohini" or "Dil ka > > rishta" has a very repeatative & fully synthesized beat which cud have > > been taken care of I think, a full orchestral sound is going side by > > side (just think of "Thiruda Thiruda") > > > > Whats ur opinion ???????? > > > > > > -- regards, Vithur
