SLUMDOG MILLIONAIRE FILM REVIEW October 29, 2008
Filed under: Uncategorized — schemescam22 @ 6:12 am 


Holy crap, where do I begin? Let me just say it is
really sad when a non-Indian director, Danny Boyle, does more justice
to REAL India than most Indian filmmakers today. Danny Boyle is the
director of modern classics such as 28 Days Later, Millions, and
Trainspotting (which taught me not to do drugs more than my teachers
did) and returns with this amazing film based in India.
I can’t say enough about this film. How about I
start with a summary? Jamal Malik (a fantastic Dev Patel) grows up in
the slums of India, and navigates through his torturous and thrilling
life simply with one goal, to be reunited with his childhood love,
Latika (Freida Pinto). And he discovers that possibly the only way to
reunite with her is to go on the nationally beloved show, Kaun Banega
Crorepati (which is the Indian Who Wants to be a MIllionaire?). That
overview seems so dry and flat, it definitely does not to justice to
what the film displays.
This film is brought to greater heights by so many
various aspects (the acting by EVERY single person is top-notch
particularly Patel and the kids), but the director and screenwriter
ultimately make this film. Simon Beaufoy, the writer for The Full Monty
and other films, structures the film in such an absorbing and new way.
Basically the film switches between Jamal on Kaun Banega Crorepati, and
a background of his life and why he is able to answer all these
questions. It’s a very smart way to engage the audience, there was more
than one time where the audience was reacting viscerally to what was
going on in the film. It’s a roller coaster emotional ride to say the
least, one moment you are laughing hysterically at the character’s
situations and then crying or fright for what’s at stake. It’s a
testament to what good writing and structure can do a film. I’ll
definitely be studying this screenplay for some pointers in the future,
and I think the Academy should take note too!
And this fast-paced epic (yes I think it can be
aptly named a mini-epic) definitely owes it’s power to Danny Boyle. The
opening moments of this film are some of the best I’ve seen in a while,
with so many swift crazy shots amalgamated into one exciting scene.
Also, there are a couple of montages (not the dreadful Oscar ones), but
really good montages set to a really great mix of A.R. Rahman and M.I.A
(Oscar please! You gave one to that Mafia group, you can spare one for
these people). It sounds confusing, but when you watch it, you’ll
understand what I am trying to put it words. It seems nearly
impossible, I suppose.
Danny Boyle filming at the Taj Mahal (great scene in the film!)
I was initially ambivalent about this film, but was
bowled over. I can’t think of this film being in anyone else’s hands.
Danny Boyle, the cinematographer, set designer, and pretty much anyone
who worked on this movie to make it what it is, handled the slum
situation in India beautifully. You can tell how in love Boyle fell in
love with this contradiction that is known as India. I already knew
about how life there was like, but it was great to walk out of the
theater, and hear people say “That was a great movie, but damn I didn’t
know that people lived like that.” It says something about your
filmmaking skills when you can produce a movie that people can truly
enjoy and get lost in, while getting a reality check at the same time.
So even though I am upset that this film got an R rating (how could The
Dark Knight get PG-13 and this didn’t?), I really really urge you to go
see this film. I definitely say it is the best film, besides Wall-E,
that I have seen all year, and you will truly be missing out on this
award-worthy classic if you don’t.

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